How to give your character a great beard

Pro artist Mark Molnar gives his top tips on creating textured beards for your characters in Photoshop.

mark molnar's beards

Maintain the direction of the beard hair with your brushstrokes, and build up from the bigger shapes towards the single hairs and highlights.

There's an easy approach that you can take to painting a beard, or any type of facial hair. Instead of trying to depict individual hairs, squint and simplify it to its overall shape.

Approach it like any other solid object first. Once you've painted in the main shadows and lights, slowly break it up into smaller sections.

Keep your edges soft where the hairs end or start, and create harder edges where the edges align with the direction of the hair section you're painting, such as below the moustache.

You don't have to detail everything: reduce the definition in your shadows and handle them like visual noise.

Watch the full process

Then focus on applying fine detailing within highlighted areas, where you can also introduce much sharper lines.

One nice touch is to add extra highlights and glow to the edges of the facial hair, especially if you have strong back- or ambient light around your character.

Mark Molnar beard steps

Start with bigger brushstrokes to build up the beard’s volume (1); enhance the shadows, light and extra forms with more textured brushes (2); then paint directional highlights with a simple Round brush (3)

After producing a quick line-work sketch, I move straight
into colours and block in the main shapes with a bigger brush.

I lay down the main values first and then slowly build up the details. This helps me to focus on the main features of the face: the eye-nose-mouth triangle and the prominent beard.

Words: Mark Molnar

Freelancer Mark works as a concept and visual development artist for the entertainment industry and freelances for film, game and animation companies. This article originally appeared in ImagineFX magazine issue 113.

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ABOUT THE AUTHOR

Alice Pattillo is a staff writer at Creative Bloq, where she creates content for the likes of Imagine FX, 3D World, net and Computer Arts magazines. When she is not writing about VFX and digital art, she freelances for Metal Hammer magazine, watches too many horror films and reads comic books. Sometimes she sculpts monsters and has been writing her own comic book for over ten years (it's still unfinished…).