The Art and Making of Independence Day: Resurgence

REVIEW : An opportunity for fans to go behind the scenes of the blockbuster sci-fi sequel.

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Our Verdict

Great if you're a fan of the new film as there's lots of material that will take you behind the scenes, but sometimes rather light on explanatory detail.

For

  • Packed with film stills, behind-the-scenes photos, concept art

Against

  • Large chunk of book devoted to the first film
  • Limited explanation of technical and artistic process

For the first quarter of this 176-page tome, you might think you've actually bought the wrong book. The first 50 pages are devoted to the first Independence Day film, with a lot of fan-friendly detail about characters and plot but not much mention of the technical and artistic process behind it. 

The book finally starts to fulfil its title's promise from page 70, where we get rough pencil sketches, digital paintings and cross-sections of the new movie's moon base. From here on, it's the art book you've been looking for, replete with film stills, behind-the-scenes photography, and concept art showcasing how the many visual worlds of the movie, its new alien characters, its weapons and its spacecraft were conceived. 

Concept art: the aliens have underestimated humanity


When it comes to the art, though, this book is fairly light on explanatory text. Much of the concept work featured isn't credited, and while you do get a few quotations from members of the art department such as Aaron Sims, Mark Yang and Johannes Mücke, we'd have liked more. In short, this book is probably mainly of interest to fans of the new film – and a glance at the box office receipts suggests that there aren't that many of those…

This article was originally published in issue 140 of ImagineFX magazine; buy it here.

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The Verdict

6

out of 10

The Art and Making of Independence Day:

Great if you're a fan of the new film as there's lots of material that will take you behind the scenes, but sometimes rather light on explanatory detail.

ABOUT THE AUTHOR

Tom May is a freelance writer and editor specialising in design and technology. He was previously associate editor at Creative Bloq and deputy editor at net magazine, the world's best-selling magazine for web designers. Over two decades in journalism he's worked for a wide range of mainstream titles including The Sun, Radio Times, NME, Heat, Company and Bella.