FontShop AG, the renowned type foundry, conducted a survey based on historical relevance, sales at FontShop.com, and aesthetic quality. With a few additions from the experts at Creative Bloq and Computer Arts magazine, the best fonts ever were selected for the new book, 100 Best Typefaces Ever.
Here we are counting down the 100 greatest fonts, but you can read interviews with some of the typefaces' creators, a brief history of type, the anatomy of a font, and much, much more in the book – find out how to get your copy in print or digital formats at the foot of this post.
But without further ado, here is the 77th best typeface…
- Christian Schwartz, 2009
Graphik is a typeface that was first drawn for the identity of Commercial Type co-founder Christian Schwartz’s company, Schwartzco Inc. The family was then finished for Condé Nast Portfolio and expanded for Wallpaper* magazine and T, the New York Times Style Magazine. According to Schwartz, Graphik was a result of inspiration from all parts of the 20th century.
The heavy end of the family is based, in part at least, on Paul Renner’s Plak (a relatively obscure display typeface cut only in large sizes of woodtype, that is related to his heavier weights of Futura but has rounder, friendlier, fatter proportions). "For the lighter weights," says Schwartz, "I was more influenced by the less popular sans-serifs that many European foundries released to compete with Futura, Helvetica and Univers – the juggernauts of 20th century sans-serifs – such as Neuzeit Grotesk, Folio, Recta, and Maxima."
The 100 Best Typefaces Ever
This is an extract from The 100 Best Typefaces Ever, the definitive guide to the greatest fonts ever created, in association with FontShop AG. Over 180 premium pages, the book dissects the world's greatest typefaces, bringing you some insightful background on each and interviews with their creators.