<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
     xmlns:content="http://purl.org/rss/1.0/modules/content/"
     xmlns:dc="http://purl.org/dc/elements/1.1/"
     xmlns:dcterms="http://purl.org/dc/terms/"
     xmlns:media="http://search.yahoo.com/mrss/"
     xmlns:atom="http://www.w3.org/2005/Atom"
     xmlns:cf="https://www.futureplc.com/rss/content-flags"
>
    <channel>
                    <atom:link href="https://www.creativebloq.com/feeds/tag/keyboards-mice" rel="self" type="application/rss+xml" />
                            <title><![CDATA[ Creative Bloq ]]></title>
                <link>https://www.creativebloq.com/tech/peripherals/keyboards-mice</link>
        <description><![CDATA[  ]]></description>
                                    <lastBuildDate>Wed, 23 Sep 2026 15:03:39 +0000</lastBuildDate>
                            <language>en</language>
                                <item>
                                                            <title><![CDATA[ This basic office chair has just raised the standard ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Branch’s Multitask chair is the one of the US-based furniture manufacturer’s cheapest offerings, and it strips everything to the fundamentals to hit a $279 price tag: there’s no adjustable lumbar support, the cushion is quite basic, and the headrest is only available as an added extra.</p><ul><li><a href="https://www.amazon.com/Branch-Multitask-Chair-Office-Weight-Activated/dp/B0GVJHXQMY"><strong>Buy the Branch Multitask chair for $299 at Amazon</strong></a></li></ul><p>This low-key approach may sound like a recipe for discomfort, but I’ve found that it weirdly has the opposite effect: its lack of features allows the bare soul of the chair to shine through without distractions or annoying extras. And even though it doesn't have a dedicated lumbar support, the shape of the back plate is such that it does give enough back support – enough to make our list of the <a href="https://www.creativebloq.com/buying-guides/best-office-chair-for-back-pain">best office chairs for back pain</a>. This is a chair that proves you can get a premium experience without a high budget.</p><h3 class="article-body__section" id="section-comfort-ergonomics"><span>Comfort & ergonomics</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="9CdwwFUAGCaGSJih9hy3LQ" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/9CdwwFUAGCaGSJih9hy3LQ-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>Branch may have pruned this chair as much as possible, but that doesn’t mean it’s uncomfortable. The seat cushion is one of the spongiest and most couch-like I’ve used. There’s no attempt at memory-foam levels of firm support here, but it’s comfortable in a more traditional way, and I never felt like I’d sunk all the way through.</p><p>We’re currently experiencing yet another UK heatwave, and the mesh backrest is letting enough air through to help me feel like I’m not sweating my bodyweight in water. There’s no lumbar support here, but the curved shape presses into your lower back in just the right way. For the majority of people this will be enough, but if you have lumbar problems then you might be better off with a chair with more customisable support.</p><p>Adjustments on the chair are about as minimal as you’d expect: the backrest can be locked in an upright, work-focused vertical position, or reclined into a 45-degree-ish angle, or left to bounce freely between the two. The latter setting is just right if you’re someone who wriggles and squirms throughout the working day, with a solid feeling of resistance to ensure you’re supported in whatever weird yogic contortion you get yourself into.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="P7btnJmXEyTBp37vBVgv7Q" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/P7btnJmXEyTBp37vBVgv7Q-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>Lumbar support isn’t the only thing that’s missing here: Branch supplied the chair without a headrest. This is good in some ways: they’re usually too short for me, and in jettisoning the headrest, it’s no longer an issue. If you really want one, you can get it included for $39 / £30.</p><p>The armrests go further up and down than most chairs, rotate a little to the left and right, and offer firm elbow support. It’s a shame you can’t flip them out of the way completely, but I get that this requires a new level of engineering.</p><p>The lack of headrest, combined with the taller-than-average gas lift and the lower-than-average height range of the armrests, make the Multitask a perfect chair for taller people, either intentionally or inadvertently. It’s still perfectly serviceable if you’re of a sensible height, and there’s the added advantage that multiple people of various statures can enjoy the chair. Not all at once though.</p><h3 class="article-body__section" id="section-design-aesthetics"><span>Design & aesthetics </span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="oKj6FpzHuLVNJYjwNU7dLQ" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/oKj6FpzHuLVNJYjwNU7dLQ-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>Branch takes the Multitask back to basics in terms of design, but one of the things that makes the company stand out is the sheer simplicity of its chairs: there are no needless structural additions or superfluous metal motifs here. Instead, the Multitask relies on an oblong outline for the backrest with a slot at the bottom that makes it resemble a happy whale. And who doesn’t love a happy whale?</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="TGZuuR9P5AqK4GQ2e3m8LQ" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/TGZuuR9P5AqK4GQ2e3m8LQ-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>The material here does the job adequately, too. The seat cushion is covered with a denim-like hardwearing fabric, while the mesh back is airy but similarly tough. I’m not keen on the dizzying black-and-white pattern on the mesh back, which short-circuited my mind a bit, but as long as I’m sitting in the chair, I don’t have to look at the thing (and it is available in black, too).</p><p>There’s also a premium feel throughout: it’s held together with more than enough bolts, and nothing feels wobbly or creaky — which can be a problem on chairs that cost a lot more.</p><h3 class="article-body__section" id="section-specs"><span>Specs</span></h3><div ><table><caption>Branch Aire</caption><tbody><tr><td class="firstcol " ><p>Colours</p></td><td  ><p>Quarry, Black</p></td><td  ></td></tr><tr><td class="firstcol " ><p>Warranty</p></td><td  ><p>Five years</p></td><td  ></td></tr><tr><td class="firstcol " ><p>Max load:</p></td><td  ><p>125kg</p></td><td  ></td></tr><tr><td class="firstcol " ><p>Item weight:</p></td><td  ><p>12.7kg</p></td><td  ></td></tr><tr><td class="firstcol " ><p>Product dimensions</p></td><td  ><p>63.5D x 69.9W x 112.3H cm</p></td><td  ></td></tr></tbody></table></div><h3 class="article-body__section" id="section-assembly"><span>Assembly</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="dFjFGFKLWLcW967fHwtSLQ" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/dFjFGFKLWLcW967fHwtSLQ-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>I’ve assembled a lot of chairs now, and something <em>always</em> goes wrong: I put the wrong bolt in the wrong hole, or I get something upside-down and have to take the whole thing apart and reassemble it. But Branch chairs are an exception to this rule: the build experience is straightforward, and the manual has clear illustrations and well-written descriptions. Other manufacturers could learn a lot here.</p><p>The construction process involves bolting the armrests and backrest to the seatpad, and then placing the whole contraption onto the wheeled base. I’m still sure I must have got something wrong somewhere, but it’s a testament to Branch that the whole process is so idiot-proof.</p><h3 class="article-body__section" id="section-price-value"><span>Price & value</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="NE7S7DkLwP4acDyjvJ6zLQ" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/NE7S7DkLwP4acDyjvJ6zLQ-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>A $279 / £220 price tag is just about right here. It’s in the mid-budget range, and roughly $100 / £80 more than <a href="https://www.creativebloq.com/tech/chairs-desks/sihoo-m18-review">Sihoo’s M18</a> ($170 / £150), our absolute favourite budget office chair. While the Branch Multitask offers fewer features, such as the M18’s exemplary lumbar support, it’s a more polished package that is easier to assemble, feels more solid, and is straightforward to use. Sihoo’s more premium option, the <a href="https://www.creativebloq.com/tech/chairs-desks/sihoo-doro-c300-pro-review-a-good-to-great-ergo-chair-thats-worth-your-time-when-its-on-sale">Doro C300</a> ($399 / £299), offers more adjustments, but it also gains a beating with an ugly stick.</p><p>Branch itself offers the <a href="https://www.creativebloq.com/tech/chairs-desks/this-chair-is-utterly-beautiful-but-its-not-for-everyone">Aire</a> for a little more ($369 / £300), but I struggled with this one a little more than I did with the Multitask, especially as a taller person.</p><h3 class="article-body__section" id="section-should-you-buy"><span>Should you buy?</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1600px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="5wJnaDYuAvzEZB8oZAjVhP" name="Branch Multitask" alt="Branch Multitask" src="https://cdn.mos.cms.futurecdn.net/5wJnaDYuAvzEZB8oZAjVhP-1920-80.jpg" mos="" align="middle" fullscreen="" width="1600" height="900" attribution="" endorsement="" class=""></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future / Henry Winchester)</span></figcaption></figure><p>Sometimes less really is more. The Branch Multitask has stripped everything back to the bare minimum, but this simplicity is its biggest selling point. I usually find myself wanting to get out of entry-level chairs like this as quickly as possible, which is fine for short bursts of work, but I sat on the Multitask for much longer stints because it nails the balance between comfort and active support.</p><p>I have minor niggles with the pattern on the mesh and the armrests, but these definitely aren’t dealbreakers, and its stripped-back looks help seal the deal as a chair for anywhere. If you’re looking for a new office chair, or you’re upgrading, the Branch Multitask is pretty much perfect.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/chairs-desks/this-basic-office-chair-has-just-raised-the-standard</link>
                                                                            <description>
                            <![CDATA[ Branch’s Multitask chair may not be packed with features, but it's supremely comfortable and stylish. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">XnnAgKXG3mjQD8LC84eevg</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/4B5yvdtAuJetrpedZB2UdP-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 15:03:39 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Chairs & Desks]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                    <category><![CDATA[Peripherals]]></category>
                                                                                                                    <dc:creator><![CDATA[ Henry Winchester ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/3N8iLvfgS6wbbrtCuyNWWG-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/4B5yvdtAuJetrpedZB2UdP-1920-80.jpg">
                                                            <media:credit><![CDATA[Future / Henry Winchester]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Branch Multitask]]></media:description>                                                            <media:text><![CDATA[Branch Multitask]]></media:text>
                                <media:title type="plain"><![CDATA[Branch Multitask]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/4B5yvdtAuJetrpedZB2UdP-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Improve your mood with the best monitor light bars ]]></title>
                                                                                                <dc:content><![CDATA[ <p>If you haven't got dedicated lighting for your desk, a monitor light bar is one of the simplest upgrades you can make. </p><p>These are clip-on lamps that sit on top of your screen, throwing light down onto your desk rather than into your eyes, which makes a real difference during long working sessions. Especially once you've also sorted out the rest of your setup with the <a href="https://www.creativebloq.com/buying-guides/best-monitor-for-graphic-artists">best monitor for graphic artists</a> and the <a href="https://www.creativebloq.com/buying-guides/best-office-chair-for-back-pain">best office chair for back pain</a>.</p><p>To draw up a list of the best monitor light bars for a range of budgets, I've considered brightness, colour accuracy, monitor compatibility, design, controls and features. My top pick overall is the <a href="#section-the-best-monitor-light-overall">BenQ ScreenBar Halo 2</a>, thanks to its dual front-and-rear lighting and excellent wireless controller.</p><h3 class="article-body__section" id="section-the-best-monitor-light-overall"><span>The best monitor light overall</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:912px;"><p class="vanilla-image-block" style="padding-top:71.16%;"><img id="bHWFLhLxiMhWgiuiP3qETj" name="1" alt="Product shot of BenQ ScreenBar Halo 2" src="https://cdn.mos.cms.futurecdn.net/bHWFLhLxiMhWgiuiP3qETj-1920-80.jpg" mos="" align="middle" fullscreen="" width="912" height="649" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: BenQ)</span></figcaption></figure><div class="buying-guide-block"><h3 id="01-benq-screenbar-halo-2"><span class="title__text">01. BenQ ScreenBar Halo 2</span></h3><div class="_hawk subtitle"><p>BenQ's dual-light design remains the benchmark every other light bar gets compared to.</p></div><p class="specs__container"><strong>Release date: </strong>May 2025 | <strong>Price: </strong>$199 (often discounted to around $179) | <strong>Brightness: </strong>500 lx workspace coverage, 1000 lx peak centre illuminance | <strong>Colour temperature: </strong>2700K-6500K, front and tri-zone rear lighting | <strong>Compatibility: </strong>Flat and curved monitors, 0.17"-2.36" thick, 1000R-1800R curve | <strong>Controls: </strong>Wireless touch dial with digital display, auto-dimming ambient sensor | <strong>Power: </strong>USB-C (5V/3A)</p><div class="hawk-wrapper"></div><div class="icon icon-plus_circle _hawk">Dual front-and-rear lighting</div><div class="icon icon-plus_circle _hawk">Superb controller</div><div class="icon icon-plus_circle _hawk">Fits wide range of monitors</div><div class="icon icon-plus_circle _hawk">Won't interfere with colour calibration</div><div class="icon icon-minus_circle _hawk">Expensive</div><div class="icon icon-minus_circle _hawk">No cable for charging controller</div><div class="icon icon-minus_circle _hawk">No RGB or ambient colour lighting</div></div><p><strong>30-second review: </strong>The ScreenBar Halo 2 is the first light bar in BenQ's lineup to include a rear-facing light alongside the usual front bar. The former balances the contrast between a bright screen and a dark room, which helps reduce eye fatigue and headaches over long sessions. Both lights can be run independently or together, depending on what you need.</p><p><strong>Pricing: </strong>Listed at $199 (though frequently found closer to $180), this sits at the premium end of the market. However, its brightness and coverage area are around double that of rivals such as the Razer Aether, which goes some way to justifying the price.</p><p><strong>Features:</strong> This monitor light's standout feature is its wireless controller: a puck that adjusts by twisting its entire body, saving you from having to fumble with separate buttons. A built-in display shows the exact brightness and colour temperature for each light. The light itself mounts on monitors from 0.17 to 2.36 inches thick. It curves between 1000R and 1800R, auto-dims based on ambient light, and switches on and off automatically with your monitor. A motion sensor turns it off after five minutes if you're not at your desk, and a small webcam mount is included in the box, which is as a thoughtful touch considering how monitor lights often get in a webcam's way.</p><h3 class="article-body__section" id="section-best-budget-monitor-light"><span>Best budget monitor light</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1500px;"><p class="vanilla-image-block" style="padding-top:94.07%;"><img id="Ro6V7BW76h3cXeGBhCPFUj" name="2" alt="Product shot of Quntis Computer Monitor Light Bar" src="https://cdn.mos.cms.futurecdn.net/Ro6V7BW76h3cXeGBhCPFUj-1920-80.jpg" mos="" align="middle" fullscreen="" width="1500" height="1411" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Quntis)</span></figcaption></figure><div class="buying-guide-block"><h3 id="02-quntis-computer-monitor-light-bar"><span class="title__text">02. Quntis Computer Monitor Light Bar</span></h3><div class="_hawk subtitle"><p>The best value monitor light for the money</p></div><p class="specs__container"><strong>Release date: </strong>May 2020 (refreshed 2024) | <strong>Price: </strong>$39.95 | <strong>Brightness: </strong>Up to 900+ lux | <strong>Colour temperature: </strong>3000K-6500K, CRI ≥95 | <strong>Compatibility: </strong>Flat monitors, 0.4"-1.2" thick | <strong>Controls: </strong>Top-mounted touch controls, built-in auto-dimming ambient sensor | <strong>Power: </strong>USB (5V/1A)</p><div class="hawk-wrapper"></div><div class="icon icon-plus_circle _hawk">Good for colour-sensitive work</div><div class="icon icon-plus_circle _hawk">Flicker- and blue-light-free</div><div class="icon icon-plus_circle _hawk">Auto-dimming ambient sensor </div><div class="icon icon-plus_circle _hawk">Affordable</div><div class="icon icon-minus_circle _hawk">Only compatible  with thinner monitors</div><div class="icon icon-minus_circle _hawk">No remote</div><div class="icon icon-minus_circle _hawk">No RGB rear lighting</div></div><p><strong>30-second review:</strong> Quntis has built a loyal following for its ScreenLinear line by offering the same core promise as more expensive bars (glare-free, flicker-free lighting with a high colour rendering index) at a lower price. The base model keeps things simple with top-mounted touch controls and an asymmetric optical design that only lights the desk, not the screen.</p><p><strong>Pricing: </strong>At $39.95, this is the cheapest light bar on my list, at less than a quarter the price of my number one choice. Despite the affordability though, colour rendering and build quality are good. If you want a remote control and RGB rear lighting, the Pro+ version costs more, but the standard bar covers the essentials.</p><p><strong>Features: </strong>This monitor light mounts via a weighted clip that sits on top of the monitor. It's built for flatter displays, though, than some rivals, so check your monitor's thickness before buying if you have a chunkier or curved screen. A built-in ambient light sensor auto-dims the light to around 900 lux to suit the room, and colour temperature is adjustable between 3000K and 6500K with a CRI of 95 or above. </p><h3 class="article-body__section" id="section-best-light-bar-for-dual-monitors"><span>Best light bar for dual monitors</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1500px;"><p class="vanilla-image-block" style="padding-top:100.00%;"><img id="jozKZmYyZd7MhBYwLPuLaj" name="3" alt="Product shot of EppieBasic Ultrawide LED Desk Lamp" src="https://cdn.mos.cms.futurecdn.net/jozKZmYyZd7MhBYwLPuLaj-1920-80.jpg" mos="" align="middle" fullscreen="" width="1500" height="1500" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: EppieBasic)</span></figcaption></figure><div class="buying-guide-block"><h3 id="03-eppiebasic-ultrawide-led-desk-lamp"><span class="title__text">03. EppieBasic Ultrawide LED Desk Lamp</span></h3><div class="_hawk subtitle"><p>A 31.5-inch bar built to span two monitors, or one very wide one.</p></div><p class="specs__container"><strong>Release date: </strong>October 2020 | <strong>Price: </strong>$49.99-$70.99 depending on retailer | <strong>Brightness: </strong>24W output, up to 1200 lux | <strong>Colour temperature: </strong>3000K-6000K, stepless dimming | <strong>Compatibility: </strong>Desk clamp, fits desks up to 2.5" thick | <strong>Controls: </strong>Front-facing touch controls, built-in ambient light sensor | <strong>Power: </strong>AC adapter</p><div class="hawk-wrapper"></div><div class="icon icon-plus_circle _hawk">31.5-inch wide</div><div class="icon icon-plus_circle _hawk">Flexible gooseneck arm</div><div class="icon icon-plus_circle _hawk">Auto-dimming</div><div class="icon icon-minus_circle _hawk">Doesn't fold particularly flat</div><div class="icon icon-minus_circle _hawk">No wireless remote</div></div><p><strong>30-second review: </strong>Unlike the other bars on my list, which clip directly onto a monitor, the EppieBasic mounts to the edge of the desk itself via an adjustable clamp and flexible gooseneck. That makes it a good choice for a dual-monitor or ultrawide setup, because it it isn't tied to the thickness or curve of any one screen. At 31.5 inches wide, this monitor light will comfortably illuminate an entire desk rather than just the area under a single monitor.</p><p><strong>Pricing:</strong> This monitor light is typically listed around $49.99 on Amazon. So while it's not the absolute cheapest on the market, it's excellent value considering the amount it lights up your desk, compared with smaller, single-monitor bars.</p><p><strong>Features:</strong> The EppieBasic Ultrawide offers four brightness levels and four colour temperature modes (3000K-6500K depending on the model). You can control these using touch buttons on the lamp body, and there's a memory function that restores your last settings on power-up. A built-in ambient light sensor auto-adjusts the level of brightness to the room, and a flexible gooseneck lets you angle the light down onto a keyboard or drafting surface just as easily as across a pair of monitors. The trade-off for that flexibility is a desk clamp rather than the more compact monitor-mounted clips used elsewhere on my list, so it needs a bit of usable desk edge to attach to.</p><h3 class="article-body__section" id="section-the-best-monitor-light-for-imac"><span>The best monitor light for iMac</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1500px;"><p class="vanilla-image-block" style="padding-top:62.87%;"><img id="fzw2q9GUD8k3gv48PKtPUj" name="4" alt="Product shot of BenQ iScreenBar for iMac" src="https://cdn.mos.cms.futurecdn.net/fzw2q9GUD8k3gv48PKtPUj-1920-80.jpg" mos="" align="middle" fullscreen="" width="1500" height="943" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: BenQ)</span></figcaption></figure><div class="buying-guide-block"><h3 id="04-benq-iscreenbar-for-imac"><span class="title__text">04. BenQ iScreenBar for iMac</span></h3><div class="_hawk subtitle"><p>Built exclusively for the 24-inch iMac, down to the magnetic mount and macOS integration.</p></div><p class="specs__container"><strong>Release date: </strong>August 2026 | <strong>Price: </strong>$189 | <strong>Brightness: </strong>1000 lx centre illuminance | <strong>Colour temperature: </strong>2700K-6500K, stepless, Rf >96 colour fidelity | <strong>Compatibility: </strong>Magnetic mount for 24-inch M-series iMac only (not compatible with Studio Display or Pro Display XDR) | <strong>Controls: </strong>24GHz mmWave radar sensor, native macOS app with Video Call Mode | <strong>Power: </strong>USB-C</p><div class="hawk-wrapper"></div><div class="icon icon-plus_circle _hawk">Purpose-built magnetic mount </div><div class="icon icon-plus_circle _hawk">Native macOS app integration</div><div class="icon icon-plus_circle _hawk">High colour fidelity (Rf >96)</div><div class="icon icon-minus_circle _hawk">Only works with 24-inch M-series </div><div class="icon icon-minus_circle _hawk">No RGB or novelty lighting modes</div></div><p><strong>30-second review:</strong> BenQ built the iScreenBar for one computer and one computer only: the 24-inch M-series iMac. That specific focus shows in the details: a magnetic mount, custom-fit to the iMac's chassis; an unobstructed camera and mic; and deep macOS integration including app-based lighting presets and a Video Call Mode. If you own a 24-inch M-series iMac, it's arguably the most seamless light bar on this list. If you don't, it won't fit, so don't buy it.</p><p><strong>Pricing: </strong>At $189, it sits just below the ScreenBar Halo 2, even though it's only a single front light rather than BenQ's dual-light system. Ultimately, though, you're paying for the custom fit and software integration.</p><p><strong>Features:</strong> A 24GHz mmWave radar sensor detects your presence more precisely than the simpler motion sensors used on other monitor lights, automatically waking the light when you sit down. Brightness and colour temperature can be adjusted directly from BenQ's macOS app rather than a physical controller. Full-spectrum LEDs deliver Rf >96 colour fidelity, which suggests this is pitched squarely at designers and photographers working on colour-accurate iMac displays. The whole unit is CNC-machined aluminium, finished to match the iMac itself rather than looking like an add-on.</p><h3 class="article-body__section" id="section-faqs"><span>FAQs</span></h3><section class="article__schema-question"><h3>Are monitor light bars worth it?</h3><article class="article__schema-answer"><p>If you already have good, adjustable ambient lighting in your workspace, you won't need a monitor light bar. If you don't, the best monitor light bars are definitely worth buying, especially if you spend long hours at a screen. </p><p>The benefit you get from the extra brightness is the reduction in contrast between a bright monitor and a dim room, which is what tends to cause eye strain and fatigue over a working day. Once you're used to having one, going back to overhead lighting, or no lighting at all, feels worse on the eyes. </p><p>A monitor light bar is also useful for anything else you do at a desk, from reading and hobby crafts to video calls, since the light is angled to illuminate the desk rather than your face or the screen. </p></article></section> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/accessories/improve-your-mood-with-the-best-monitor-light-bars</link>
                                                                            <description>
                            <![CDATA[ Cut eye strain and glare without eating up space on your desk, with the best monitor light bars. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">anRxPqZ3mS8ZdhjydKa5xD</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/s6YiLtjxo6kaZmP7ByEzgX-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Accessories]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                                                                <author><![CDATA[ journo.tommay@gmail.com (Tom May) ]]></author>                    <dc:creator><![CDATA[ Tom May ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/dT9Sds28YazWSnthFky3dW-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/s6YiLtjxo6kaZmP7ByEzgX-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A range of the best monitor lights. ]]></media:description>                                                            <media:text><![CDATA[A range of the best monitor lights. ]]></media:text>
                                <media:title type="plain"><![CDATA[A range of the best monitor lights. ]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/s6YiLtjxo6kaZmP7ByEzgX-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ New Taylor Swift Patient 0 cover accused of Photoshop mishap ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Swifties were in a flurry last night after a mysterious countdown clock appeared on her website. Would it be a tour? A new Taylor's Version? A brand new album perhaps? Ever the one for the unexpected, Taylor instead surprised fans with the announcement of her new single, Patient 0. </p><p>The reveal was joined by new cover art, which raised some eyebrows among fans. Known for her refined <a href="https://www.creativebloq.com/features/the-20-best-album-covers-of-all-time">album covers</a>, the 'Photoshop fail' portrait received criticism from some who claimed the design was far from the glitz of T Swift's Showgirl era. </p><div class="instagram-embed"><blockquote class="instagram-media"  data-instgrm-version="6" style="width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><p><a href="https://www.instagram.com/p/DdmVHc2R30b/" target="_blank">A post shared by Taylor Swift (@taylorswift)</a></p><p>A photo posted by </p></blockquote></div><p>The cover art in question features a minimalist portrait of Taylor leaning against a wall. Her high-neck black top and the sterile grey of the walls give the design a distinctly industrial look, signalling a potential new era for the singer.</p><p>So why did the design irk some fans? It's all to do with the editing. Many claimed that the star had overdone it on the Photoshop, gesturing to the overly smooth line of her arm against her body. With such a simple composition, there was nowhere to hide when it came to the finer details. </p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102461437432250427"><p lang="en" dir="ltr">The photoshop on Taylor Swift’s “Patient Zero“ cover is horrendous… girl you’re a billionaire, please get a professional photographer! pic.twitter.com/NOF1EJVZa8<a href="https://twitter.com/cantworkitout/status/2102461437432250427">September 22, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>"Poor Taylor spent so much on the wedding that there wasn't even money left for a decent Photoshop job," one critic wrote. "The Photoshop on Taylor Swift’s 'Patient Zero' cover is horrendous… girl you’re a billionaire, please get a professional photographer!," another chimed in, while one added, "Am I tripping or does this not look like Taylor Swift… like did she AI herself or get facetuned to extra smooth like somethings not right?? (and maybe it's intentional?)"</p><div style="min-height: 250px;">                                <div class="kwizly-quiz kwizly-eP9ngW"></div>                            </div>                            <script src="https://kwizly.com/embed/eP9ngW.js" async></script><p>For more entertainment news, check out <a href="https://www.creativebloq.com/design/logos-icons/taylor-swift-used-an-ingenious-design-detail-to-stop-her-wedding-invites-leaking">Taylor Swift's wedding invites</a> that had an ingenious detail or take a look at how <a href="https://www.creativebloq.com/design/branding/taylor-swifts-album-cover-easter-eggs-are-a-masterclass-in-creative-mischief">Taylor Swift’s Easter Eggs </a>are a masterclass in creative mischief.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/entertainment/new-taylor-swift-patient-0-cover-accused-of-photoshop-mishap</link>
                                                                            <description>
                            <![CDATA[ Did the designer go overboard on the smoothing tool? ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">AFHa3bEzDhYkby2xVsSUDU</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/La6yEi63TcyxUAr4waH9aj-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 13:20:54 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 13:21:13 +0000</updated>
                                                                                                                                            <category><![CDATA[Entertainment]]></category>
                                                                                                                    <dc:creator><![CDATA[ Natalie Fear ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/ieMCBUvEp9jucaWRxi3QGg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/La6yEi63TcyxUAr4waH9aj-1920-80.jpg">
                                                            <media:credit><![CDATA[Taylor Swift]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Taylor Swift Patient 0 cover]]></media:description>                                                            <media:text><![CDATA[Taylor Swift Patient 0 cover]]></media:text>
                                <media:title type="plain"><![CDATA[Taylor Swift Patient 0 cover]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/La6yEi63TcyxUAr4waH9aj-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ The Brand Impact Award Winners 2026 have been revealed! ]]></title>
                                                                                                <dc:content><![CDATA[ <p>We're excited to announce the winners of the Brand Impact Awards 2026. Following the celebration event,  at which we revealed the Best of Show and Social Impact Award recipients, we can now publish the full list of Gold, Silver and Bronze award winners.</p><p>After shortlisting 29 agencies with a total of 41 projects, it was the job of our expert global jury to award them their specific accolades. Our new three-stage judging process culminated in a specialist panel, which benchmarked the Gold winners to ensure only the best work was awarded at the highest level. This panel also chose the Best of Show, while the Social Impact Award was chosen by a separate panel.</p><p>This resulted in four Gold, 17 Silver, and 31 Bronze winners, all of whom will receive one of our coveted Brand Impact Award mallets. Find them all below, and our warmest congratulations to the worthy winners.</p><h3 class="article-body__section" id="section-best-of-show"><span>Best of Show</span></h3><p>The Runner-Up for Best of Show was Rail Clock by Design Bridge & Partners, a stunning experiential project that picked up a Gold Award (read more about it below).</p><p>But the winner is...</p><h2 id="v-amp-a-east-by-fieldwork-facility">V&A East by Fieldwork Facility</h2><p>V&A East Storehouse reimagines the museum experience, giving the public radical access to the V&A's stored collections of over 250,000 objects, 350,000 books and 1,000 archives across 16,000 square metres. The challenge for Fieldwork Facility was to make this new museum typology feel intuitive and welcoming, especially for younger, diverse audiences who might not see national collections as being for them.</p><iframe src="https://content.jwplatform.com/players/QgiH5ejH.html" id="QgiH5ejH" title="Storehouse The Operating System Case Study" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>The agency's solution treated Storehouse like software, built around the idea of an "operating system." Wayfinding became a way to search and discover, while interpretation invited visitors to decode, and even hack, the museum, encouraging them to chart their own path. This single idea runs consistently through typography, signage, digital content and operational design, creating a coherent, modular system built for a living, evolving collection.</p><p>The result is a public interface for an entirely new kind of cultural experience, one that doesn't tell visitors what to think, but gives them the tools to explore for themselves.</p><p>One judge admitted to being "totally obsessed" with it, and another added that it “completely reinvented what a museum could be.”</p><h3 class="article-body__section" id="section-social-impact"><span>Social Impact</span></h3><p>Runner-up honours go to For What Matters in Childhood by UnitedUs for a truly ambitious concept that was excellently executed (read more about it below as this brilliant project won a Bronze Award in Not-For-Profit).</p><p>But the winner is...</p><h2 id="where-there-39-s-a-tree-for-wwf-by-johnson-banks">Where There's a Tree for WWF, by Johnson Banks</h2><p>The campaign marks new territory for WWF UK, opening up direct conversations with trusts, corporates and philanthropists about supporting its work on tropical deforestation, which is now the charity's top strategic priority.</p><p>The challenge was that WWF's public image is tied to orangutans, elephants and pandas, the animals that call these rainforests home. Johnson Banks needed a fresh way to connect those species to their habitat, explain why it matters to both wildlife and indigenous communities, and unpack the supply chains driving forest loss week by week.</p><iframe src="https://content.jwplatform.com/players/U8a6t0ca.html" id="U8a6t0ca" title="WWF Where Theres A Tree Case Study" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>The agency flipped the narrative entirely, building the campaign around a spare, almost poetic opening line: "where there's a tree..." Rather than leaning on the doom-laden messaging typical of deforestation campaigns, it led with everything a tree, and by extension a forest, provides a home to. The shift in tone has reframed the conversation, with a flexible structure that can turn punchier when the moment calls for it, including showing, starkly, what's lost when the tree is gone.</p><p>One judge called it an "infinite storytelling device" that could "express the complexities of ecological challenges and relationships in a pithy, meaningful way."</p><p>"The versatility of the structure kept surprising me," they said, "and the lines deftly brought home the realities of deforestation with wit and empathy."</p><h3 class="article-body__section" id="section-gold-awards"><span>Gold Awards</span></h3><p>The following projects took home a Gold trophy.</p><h2 id="new-york-philharmonic-by-jkr">New York Philharmonic, by JKR</h2><ul><li><strong>Gold Award: Culture</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/VNLu6p74hnrWTud7TSUkTB/NYP_DAD_BRANDING_2003_BRAND%20ID%20REFRESH_Film_01.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/VNLu6p74hnrWTud7TSUkTB/NYP_DAD_BRANDING_2003_BRAND%20ID%20REFRESH_Film_01.mp4"></video></div><p>The New York Philharmonic exists to bring people together through music, but its branding hadn't caught up with that mission. JKR was tasked with repositioning the orchestra as inclusive, current and unmistakably tied to New York City, extending its presence beyond the concert hall and into every borough. </p><p>The solution leans hard on the city's own visual vocabulary: tall, condensed type nods to Manhattan's verticality, illustration reworks classical symbols with street-level attitude, and a palette balances stark black-and-white against flashes of city energy. The system holds together across every touchpoint without flattening its different parts, echoing the way New York itself layers scale, rhythm and diversity. The aim throughout was to present classical music not as something rarefied, but as current, shared and woven into everyday city life.</p><h2 id="rail-clock-by-design-bridge-and-partners">Rail Clock, by Design Bridge and Partners  </h2><ul><li><strong>Gold Award: Experiential</strong></li></ul><iframe src="https://content.jwplatform.com/players/OJDpTM3n.html" id="OJDpTM3n" title="Rail Clock - Summary Film" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Britain's railway hasn't had a single, unified clock design in over fifty years, leaving passengers without a consistent way to check the time. To mark 200 years since Britain's first railway, Network Rail ran an international design competition with RIBA and The Design Museum to solve the problem. </p><p>Design Bridge and Partners' winning entry, Rail Clock, builds on Gerry Barney's legendary Double Arrow symbol, animating the once-static mark with the actual passage of time: the two arrows rotate in opposite directions, meeting briefly every 30 seconds, then locking together and sweeping clockwise for a full minute at noon and midnight. </p><p>The physical build pairs back-to-back screens that echo the arrow symbol in profile, using a modular, low-cost, low-maintenance design made in Britain. Accessibility experts helped shape a bold display paired with an updated Rail Alphabet 2 typeface. Since unveiling at London Bridge Station in October 2025, Rail Clock has earned praise from design figures including Gerry Barney and Margaret Calvert, and will gradually roll out across 2,500 mainline stations.</p><h2 id="stella-artois-dressed-for-wimbledon-by-jkr-x-gut-amsterdam">Stella Artois – Dressed for Wimbledon, by JKR x GUT Amsterdam  </h2><ul><li><strong>Gold Award: Wine, Beer & Spirits</strong></li></ul><iframe src="https://content.jwplatform.com/players/Z61r3iAY.html" id="Z61r3iAY" title="STELLA-WIMBLEDON-DESIGN" width="600" height="338" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Stella Artois has always leaned on tradition such as its colours and its trademark pour, but at Wimbledon, no rule matters more than the tournament's famously strict all-white dress code. JKR and GUT Amsterdam's answer was to have Stella break its own branding conventions and blend in instead: a limited-edition White Can, almost entirely white apart from a trim of colour at the rim, built to comply with the same dress code players follow. </p><p>The Stella Cartouche and other brand marks were carefully debossed so they sit just proud of the surface, visible but understated, much like a sportswear logo on a crisp polo shirt. A Wimbledon purple-and-green rim trim finished the look, and each can was individually numbered from 1 to 148 – one for every year the dress code has stood. The can anchored a wider 360-degree campaign that used the tournament's traditions as a way into both real-time relevance and Wimbledon's own history.</p><h2 id="v-amp-a-east-storehouse-by-v-amp-a-east-fieldwork-facility">V&A East Storehouse, by V&A East / Fieldwork Facility  </h2><ul><li><strong>Gold Award: Culture</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/BKSxMjdRUmCHuPTEmTWH3Q-1920-80.jpg" alt="V&A East Storehouse" /><figcaption><small role="credit">V&A East/FieldWork Facility</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/cxRK4bvP2REzBBHVoh6S2Q-1920-80.jpg" alt="V&A East Storehouse" /><figcaption><small role="credit">V&A East/FieldWork Facility</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/N9T8Yg2UtowWtgcCmhJc2Q-1920-80.jpg" alt="V&A East Storehouse" /><figcaption><small role="credit">V&A East/FieldWork Facility</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/iEtEuvuvxsaKRRQ2GbJrqP-1920-80.jpg" alt="V&A East Storehouse" /><figcaption><small role="credit">V&A East/FieldWork Facility</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/sYZmy3awW3SEXsFQXE4xjP-1920-80.jpg" alt="V&A East Storehouse" /><figcaption><small role="credit">V&A East/FieldWork Facility</small></figcaption></figure></figure><p>V&A East Storehouse reinvents what a museum visit can be, opening up the V&A's stored collections of more than 250,000 objects, 350,000 books and 1,000 archives across 16,000 square metres to the public. The brief was to make an entirely new kind of museum feel welcoming and intuitive to audiences, particularly younger and more diverse visitors, who might not have seen national collections as being for them. </p><p>The team's response treats Storehouse like software, building the whole identity around the idea of an "operating system": wayfinding becomes an interface for searching and discovering the building, while interpretation invites visitors to discover, decode and even "hack" the museum on their own terms. That single idea runs through typography, colour, signage, interpretation, digital content and operational graphics, held together by a modular visual language that can evolve without waste as the live collections store changes. Rather than designing communications for a museum, the team designed the public interface for a genuinely new kind of cultural experience.</p><h2 id="lenovo-legion-always-get-back-up-by-design-bridge-amp-partners">Lenovo Legion: Always Get Back Up, by Design Bridge & Partners</h2><ul><li><strong>Gold Award: Motion</strong></li></ul><iframe src="https://content.jwplatform.com/players/N9MLGqjA.html" id="N9MLGqjA" title="AWA26AGBU Film MASTER" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>To launch Lenovo Legion's "Reach Your Impossible" platform to Gen-Z gamers, the campaign transformed an everyday student flat into a battle-zone with a hero film spanning horror, sci-fi, competitive shooter, RPG, indie and fantasy genres, rather than sticking to a single gaming aesthetic.</p><p>The motion craft was the campaign's engine, including 70 intricate 2D and 3D VFX shots, including six fully designed boss characters, blurred the line between live-action and CG. Remote VFX supervision using Gaussian Splats and Insta360 cameras kept the interaction between real footage and digital effects seamless, while high-impact editing and a visceral soundscape, anchored by Hanumankind's "Big Dawgs", gave the film its relentless, kinetic energy.</p><p>The result was Lenovo Legion's biggest campaign to date, racking up over 157 million views and 34,000 hours of watch time, alongside a measurable lift in brand preference and innovation perception among younger gamers.</p><h3 class="article-body__section" id="section-silver-awards"><span>Silver Awards</span></h3><p>The following projects were awarded Silver:</p><h2 id="aperol-by-design-bridge-and-partners">Aperol, by Design Bridge and Partners  </h2><ul><li><strong>Silver Award: Wine, Beer & Spirits</strong></li></ul><iframe src="https://content.jwplatform.com/players/EFTDkE7E.html" id="EFTDkE7E" title="CMAPLNCH APEROL BOTTLE LAUNCH" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Aperol's bottle redesign leans into the brand's role as an antidote to rushed modern life, capturing the ritual of the Italian aperitivo – slowing down, sharing small plates, and savouring golden-hour moments with others. The new bottle is tactile and rooted in Venetian culture: its double-embossed shoulder nods to the dome of the Santa Maria della Salute Basilica, while rippled glass echoes the movement of the canals and the craft of Murano glassmakers. The founding Barbieri brothers' original 1919 seal sits at the base, grounding the redesign in the brand's history even as the bottle itself moves in a more contemporary direction.</p><h2 id="aqua-libra-refreshingly-good-by-magpie-studio">Aqua Libra – Refreshingly Good, by Magpie Studio  </h2><ul><li><strong>Silver Award: Illustration</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/v4sufmf8qKEvF3y6NiKo58-1920-80.jpg" alt="Aqua Libra images" /><figcaption><small role="credit">Magpie Studio</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/7AJEpgjmuscMhxHLhjxJL8-1920-80.jpg" alt="Aqua Libra images" /><figcaption><small role="credit">Magpie Studio</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/rjcWtQMbJ9nYPc5AWqiSM8-1920-80.jpg" alt="Aqua Libra images" /><figcaption><small role="credit">Magpie Studio</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/nxPVUxwsL56J758Eoq9sT8-1920-80.jpg" alt="Aqua Libra images" /><figcaption><small role="credit">Magpie Studio</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/gLcn2Pfdr7US5qRyFB8FU8-1920-80.jpg" alt="Aqua Libra images" /><figcaption><small role="credit">Magpie Studio</small></figcaption></figure></figure><p>Only around 5% of adults say they genuinely enjoy drinking plain water, so Aqua Libra set out to make hydration more appealing through flavour, personality and emotional pull rather than sugar or additives. Magpie Studio built the "Refreshingly Good" platform around this idea, working with illustrator Chris DeLorenzo to create a distinct water-based world for each flavour – oceans, quiet lakes, rain, sunlight – instead of leaning on predictable fruit imagery. </p><p>The loose, handcrafted linework mirrors the movement of water, with small imperfections giving it warmth and humanity. The illustrations scale from a single focused moment on individual cans to fuller, more immersive compositions across multipacks, and elements can be lifted out and animated for campaigns and digital use, keeping the system flexible without losing coherence. In a category built on functional health claims, the work leans on imagination and discovery instead.</p><h2 id="blueprint-ai-human-powered-by-squarespace-manvsmachine">Blueprint AI – Human Powered, by Squarespace / ManvsMachine  </h2><ul><li><strong>Silver Award: Motion</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/ahc3ZQYn7HDZniBL5WyjGS/Squarespace_BlueprintAI%20(1).mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/ahc3ZQYn7HDZniBL5WyjGS/Squarespace_BlueprintAI%20(1).mp4"></video></div><p>For Squarespace's Blueprint AI film, ManvsMachine wanted to frame artificial intelligence as something rooted in human creativity rather than pure automation. The film traces a website's origin back to its earliest, most tactile stage – a designer's sketchbook – following ideas as they move from rough, imperfect beginnings to finished digital work. </p><p>Every illustration, typographic element and environmental detail in the sketchbook world was built in-house for full creative coherence, and the narrative mixes in-camera practical effects with refined 3D animation to keep a sense of physicality throughout. By centring the act of thinking rather than the finished product, the film grounds an advanced AI tool in something relatable and human, standing apart from typical tech-brand communications</p><h2 id="canva-affinity-zero-bucks-given-by-canva-manvsmachine">Canva Affinity: Zero Bucks Given, by Canva / ManvsMachine  </h2><ul><li><strong>Silver Award: Motion</strong></li></ul><iframe src="https://content.jwplatform.com/players/ng50dTmy.html" id="ng50dTmy" title="Canva Affinity CreativeFreedom 50s 16x9 251027 V001 (1)" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>To launch Canva's new Affinity software, ManvsMachine reframed "free" not as a limitation but as creative freedom, positioning Affinity as a serious, professional-grade tool built by creatives, for creatives. Rather than a conventional feature-led software explainer, the film focuses on the emotional experience of making work, exploring the tension between restriction and possibility. It combines 2D and 3D animation, kinetic typography and hand-drawn illustration into a high-energy, expressive visual system, with product moments folded naturally into the storytelling rather than isolated as demos. A key walk-cycle sequence was built from frames submitted by real Affinity users, tying the film's craft to genuine creative community rather than typical software-launch messaging.</p><h2 id="character-ai-by-porto-rocha">Character.ai, by PORTO ROCHA  </h2><ul><li><strong>Silver Award: Copywriting</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/wBMHsRnv4Dfnt2UXFdssjV-1920-80.png" alt="CHaracter.ai images" /><figcaption><small role="credit">PORTO ROCHA</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/GQXeFXBtaZqBW9rcG4swfU-1920-80.jpg" alt="CHaracter.ai images" /><figcaption><small role="credit">PORTO ROCHA</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/oSGgLPpd7ssztKdMhmC8kV-1920-80.png" alt="CHaracter.ai images" /><figcaption><small role="credit">PORTO ROCHA</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/6fdAjVuNhpVvTkhtAWbdkV-1920-80.png" alt="CHaracter.ai images" /><figcaption><small role="credit">PORTO ROCHA</small></figcaption></figure></figure><p>Character.AI risked being written off as just another companion chatbot, despite ambitions to be an immersive entertainment platform where users direct real-time stories through chat. PORTO ROCHA noticed that much of the community already used roleplay to explore different sides of themselves without judgment, and built a character to give that impulse a face: Chippy, the "good glitch" living inside the platform, born from the app's own leftover code and inspired by early internet culture and companion misfits. </p><p>Chippy's voice of creative disobedience stretches from "Press any key to unhinge" in out-of-home ads to reassuring, storytelling-fluent copy in error messages, using expressive emoticons and internet-native phrasing that mirrors how the platform's most engaged users already talk. Where most AI chatbots read as flat and technical, Chippy behaves like a participant in the story, a sidekick cheering on users as they go off-script, making the brand feel as alive and imaginative as the platform itself.</p><h2 id="eleven-as-one-by-saboteur">Eleven as One, by Saboteur </h2><ul><li><strong>Silver Award: Copywriting</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/BEeNZxrryVvxYdRRdmD9pR-1920-80.jpg" alt="Eleven as One images" /><figcaption><small role="credit">Saboteur</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/kTiFbTQigSoczxENHhoJtR-1920-80.jpg" alt="Eleven as One images" /><figcaption><small role="credit">Saboteur</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/orgheLiZWvMgtMx7DPkpjR-1920-80.jpg" alt="Eleven as One images" /><figcaption><small role="credit">Saboteur</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/aNy4av25jNs4yPSUUwS4jR-1920-80.jpg" alt="Eleven as One images" /><figcaption><small role="credit">Saboteur</small></figcaption></figure></figure><p>Women's grassroots football participation in the UK has grown 56% over four years, yet kit options were still stuck with oversized shirts and a "shrink it and pink it" approach. When entrepreneur Julia Cove-Smith set out to build the first football kit designed by women, for women, Saboteur avoided the obvious route of building another elite-performance brand and instead built Eleven as One around the emotion and connection of grassroots women's football. </p><p>The tone taps into the sport's growing confidence and playfulness, guided by a story from a player nicknamed "Eileen the Octopus" who joined a Monday-night team because she wanted to start her week off right. The guiding copy rule became "if you wouldn't put it in the team WhatsApp, we won't say it" — a voice built on humour and warmth across headlines, social posts and product copy, aimed at making women want to wear the feeling football gives them.</p><h2 id="heineken-starmark-glass-by-design-bridge-and-partners">Heineken StarMark Glass, by Design Bridge and Partners  </h2><ul><li><strong>Silver Award: Wine, Beer & Spirits</strong></li></ul><iframe src="https://content.jwplatform.com/players/f1CPUZlb.html" id="f1CPUZlb" title="HK-STAR-ALL - LC EDITS - V5" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Heineken's green bottle is instantly recognisable, but once poured, the beer looked much like any other premium lager in a glass, and existing Heineken glassware wasn't doing enough work. Design Bridge and Partners' brief was to create a signature glass that was ownable, "stealable" and globally iconic. Global research pointed to two brand elements that resonate everywhere: the wordmark's "smiling e's" and the red Heineken star. Rather than starting from a blank page, the team built the new StarMark Glass directly from those existing assets. It rises from a star-shaped punt with a tall taper, the vertical wordmark climbing to a red star positioned at the exact height of Heineken's "perfect pour." The alignment turns a long-standing bar ritual into a physical design feature, leaving a crisp, star-shaped condensation mark on the bar when it's lifted.</p><h2 id="holt-art-projects-by-studio-sutherl-amp">Holt Art Projects, by Studio Sutherl&  </h2><ul><li><strong>Silver Award: Culture</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/XcThny62ejWWManyLqTM5E-1920-80.png" alt="Holt Studios imagery" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/TUBHgN2mdwXEZiGRZZbH9E-1920-80.png" alt="Holt Studios imagery" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/V9gexBaX3f7anm6KeLHUCE-1920-80.png" alt="Holt Studios imagery" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/owqjZuhVuffQ9hicmL5rDE-1920-80.png" alt="Holt Studios imagery" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure></figure><p>Holt Art Projects (HAP) builds on the fifteen-year legacy of Holt Festival, combining live music, conversation, art and culture with a visual art awards scheme spanning seven categories, with shortlisted work shown in an annual exhibition. Studio Sutherl& drew the identity from flint, a material deeply tied to Holt and North Norfolk's history and architecture, including the Neolithic flint mines at Grimes Graves. </p><p>The system is built from multifaceted forms that reference flint's fractured surfaces while working together, echoing the knapped flint walls found throughout Holt's buildings. Like the programme itself, each shape is distinct but part of a larger whole, and the mark and typography shift in scale and orientation to reflect the breadth of the awards, exhibitions and performances. A flint-grey palette paired with bright pink and orange accents runs across posters, flyers, event spaces, merchandise and digital communications.</p><h2 id="kfc-by-jkr">KFC, by JKR  </h2><ul><li><strong>Silver Award: Bars & Restaurants</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/JrxPyxrm3Z9n8oZrpWahVj/JKR_KFC_SECTOR_BRAND%20IMPACT%20AWARDS%2010.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/JrxPyxrm3Z9n8oZrpWahVj/JKR_KFC_SECTOR_BRAND%20IMPACT%20AWARDS%2010.mp4"></video></div><p>KFC didn't need reinvention – it already had a recognisable founder, an iconic palette, a famous slogan and packaging embedded in pop culture. What it needed was relevance: US sales fell 4% in 2024, dropping the chain to fifth among American chicken competitors, as faster-moving challengers built on more modern tastes caught up. JKR's move was to turn the bucket, already KFC's most ownable asset, into more than packaging – an organising system for the whole brand experience, from a visual frame for food to a structure for restaurants, digital ordering and service moments. </p><p>This system, the "Bucketverse," reframes KFC not as a quick-service restaurant but as a quick-experience one, where every route in, from signage to app, kiosk to counter, feels part of one unmistakable world. It's built to hold consistent across more than 34,000 restaurants in over 150 countries, with a new KFC opening roughly every three and a half hours.</p><h2 id="league-of-the-lexicon-by-studio-sutherl-amp">League of the Lexicon, by Studio Sutherl&  </h2><ul><li><strong>Silver Award: Entertainment</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/mW6CuGGtNTAujkAkTEGeHb-1920-80.jpg" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/QqjSh8peE9pzSMLvvi867b-1920-80.jpg" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/jooburJv8CZqeRS4knrxFb-1920-80.jpg" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/TsdYJRZniv2325ZyVnLzUb-1920-80.jpg" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/yJV9aipnhcCS22e9XfSuVb-1920-80.jpg" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/TLmWr9sT8s32FMdixEF6Wb-1920-80.png" alt="League of the Lexicon" /><figcaption><small role="credit">Studio Sutherl&</small></figcaption></figure></figure><p>League of the Lexicon is a trivia game built for word nerds, quiz obsessives and the endlessly curious, spanning 2,000 questions across five categories covering definitions, usage, archaic words, etymology and word trivia. Players take on bookish character roles, collecting historical and literary artefacts as they progress. </p><p>Studio Sutherl&'s identity celebrates typography, history and linguistics to match the game's academic charm, weaving glyphs from ancient international alphabets into the core logo and gameplay icons, forming patterns inspired by the typographic borders of traditional bookplates. Custom roundels built from pairs of glyphs tie the core game together with its Slang, Global and Junior expansions, while highly detailed bespoke illustrations bring the game's eccentric characters and artefacts to life with archival precision. Even the dice ditches conventional dots for number formations and an interrobang symbol. The system is flexible enough to unify the core game and its expansions while supporting further product development, and it's published across the US and UK.</p><h2 id="ostara-by-here-design">Ostara, by Here design  </h2><ul><li><strong>Silver Award: Illustration</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/BqiogNbBqwy7nR6bN9y2wC-1920-80.jpg" alt="Ostura assets" /><figcaption><small role="credit">Here design</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/b2zbttEcYfpAYyjuJNzKCD-1920-80.jpg" alt="Ostura assets" /><figcaption><small role="credit">Here design</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/9CyagLRQZ9Hkd56zG2FgCD-1920-80.jpg" alt="Ostura assets" /><figcaption><small role="credit">Here design</small></figcaption></figure></figure><p>Easter packaging is one of retail's most crowded categories, typically leaning on pastel palettes, cartoon rabbits and generic florals. Fortnum & Mason wanted a range that stood apart and justified its premium price point. Here design rooted the collection in Ostara, the pagan festival of spring and the little-known myth behind Easter's origin – a goddess turning an injured bird into a hare that laid coloured eggs – and commissioned illustrator Lou Benesch to bring that world to life by hand in watercolour, drawing on folklore, nature and mythological creatures. </p><p>The work deliberately shifts the protagonist from rabbit to hare, mythologically more accurate and visually more characterful, running across the range as motif and mascot. The loose, unfinished quality of the illustration is the craft itself — every pack feels caught mid-transformation, echoing the myth. The artwork holds together across more than 20 products, from a £165 assortment box down to a £6.95 matchbox of chocolate hares, including a children's line led by its own character, Harrie the hare.</p><h2 id="pjl-premier-jumping-league-by-not-wieden-kennedy">PJL, Premier Jumping League, by NOT Wieden+Kennedy  </h2><ul><li><strong>Silver Award: Sport & Leisure</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/739gAtusr8VtQrL8qtnFC5/BIA_NOT-WK_PJL_01_Brand-World.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/739gAtusr8VtQrL8qtnFC5/BIA_NOT-WK_PJL_01_Brand-World.mp4"></video></div><p>Showjumping had an image problem, often read as a genteel world of flowerbeds and polite applause rather than the high-adrenaline sport it actually is: two athletes, horse and rider, pushing the limits of physics together. The Premier Jumping League wanted to launch a new global showjumping league that reframed the sport as spectacle without alienating its existing fanbase. </p><p>NOT Wieden+Kennedy anchored the identity in the rail — the sport's most iconic fixture, using it as the basis for grids, motion, layout and imagery across broadcast, merchandise and signage. The logo is an athletic wordmark that hides a nod to the sport's most pivotal moment – the instant a horse tucks its hooves to clear the rail – within its letterforms. The tone of voice took a similarly bold turn, with lines like "Not all athletes are human," while a bespoke typeface co-designed with Studio Drama echoes the angle of horse and rider mid-takeoff. Photography by Daniel Benson, known for shooting BMX, brings the same close, physical energy to horses, and a launch film directed by Nicolina Knapp captures a full minute of tension and motion.</p><h2 id="plymouth-city-brand-by-dnco">Plymouth City brand, by DNCO  </h2><p><strong>Silver Award: Brand Strategy</strong></p><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/775AsiNUDmieJUQyqAC7ke/06-PlymouthCityBrand-Research.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/775AsiNUDmieJUQyqAC7ke/06-PlymouthCityBrand-Research.mp4"></video></div><p>Known as Britain's Ocean City, Plymouth already had a strong tourism identity built on a history of remarkable voyages, but with 25,000 new jobs to fill, the city needed to be seen as somewhere to build a career, not just visit. DNCO spent time embedded in the city, visiting landmarks, interviewing locals and visitors, digging through museum archives and running a week-long creative residency, drawing on 250 creative responses, 100 UK-wide surveys and 100 interviews, backed by economic research. </p><p>Three insights stood out: Plymouth sits uniquely between a national park and a national marine park, it offers a high quality of life relative to similar cities, and it carries a legacy of exploration, from Darwin to Dame Ellen MacArthur. Together, these shaped the central idea of adventure, expressed through the tagline "Make life an adventure," inviting both newcomers and residents to see the city as a place of ambition and curiosity. Where many UK coastal cities struggle to be seen as more than a holiday destination, Plymouth's strategy turns that same coastal identity into its strongest case for relocating.</p><h2 id="probably-serif-by-taxi-studio">Probably Serif, by Taxi Studio  </h2><ul><li><strong>Silver Award: Typography</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/pkcc3RPSGFmdpF45aseyV/Carlsberg_DAD_Type_9_sml%202%20(1).mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/pkcc3RPSGFmdpF45aseyV/Carlsberg_DAD_Type_9_sml%202%20(1).mp4"></video></div><p>Carlsberg has spent over 150 years balancing science and imagination, a tension embodied in its 1904 brandmark by Thorvald Bindesbøll – organic yet precise, fluid yet structured. Taxi Studio's Probably Serif translates that DNA into a full typeface, designed so Carlsberg stays recognisable even without its logo present — a strategic necessity in "dark markets" where alcohol promotion is restricted and packaging assets like the logo may be banned outright. </p><p>The team deconstructed the original mark and archival material to build a system from its most distinctive traits: the sheared, flat-topped "C" and "s", the single-storey "a" and "g", and the flicks, curves, ligatures and slab serifs that give the mark its rhythm. The result works across packaging, campaign, digital, retail and environmental applications, supporting both Latin and Cyrillic scripts, and is built entirely from Carlsberg's own visual history rather than generic beer-category heritage.</p><h2 id="schweppes-by-jkr">Schweppes, by JKR</h2><ul><li><strong>Silver Award: FMCG</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/PeVvuey9qDgriXX4QXi9C3/Schweppes_Sizzle.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/PeVvuey9qDgriXX4QXi9C3/Schweppes_Sizzle.mp4"></video></div><p>Schweppes is the world's original soft drink at nearly 250 years old, but a wave of artisanal newcomers like Fever-Tree and Fentimans had started borrowing its own heritage cues, such as vintage stamps, to compete against it. Meanwhile Schweppes itself had leaned into mass-market accessibility, quietly diluting its craft credentials. JKR's strategy was to reclaim rather than reinvent – Schweppes, not its challengers, has the real claim to "craft." </p><p>The redesign unifies the brand's fragmented global look around a saffron-yellow beacon, drawing on archive research and fountain illustrations to bring in more serifs, ornate detailing, distinctive angles, monograms and patterns, with golden-hour lighting running through the photography. The rollout includes directly printed aluminium cans to cut unnecessary packaging, alongside secondary carton and box formats, launching across the UK and South Africa from December 2025 ahead of further markets in 2026.</p><h2 id="somer-valley-brewing-by-supple-studio">Somer Valley Brewing, by Supple Studio  </h2><ul><li><strong>Silver Award: Illustration</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/bVPhRqLXWC8x5v93XcYJPm/SV_MakingOf.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/bVPhRqLXWC8x5v93XcYJPm/SV_MakingOf.mp4"></video></div><p>Somer Valley grows its own barley on its farm using rotational cropping alongside a herd of heritage cows, sends the harvest a few miles down the A36 to be traditionally floor-malted in Warminster, and even draws its own water from a bore hole on-site. Supple Studio built the identity around the idea "From our land, to your hand," and, since so much of the process already happens on the farm, made the brand assets there too – working with Bath-based illustrator Simon Spilsbury to create textures by printing, rubbing and inking everything from hay bales to tractor wheels, then layering in farm-based illustrations full of wit and charm. </p><p>Beer names draw on farmyard sayings and West Country slang, giving the brand a distinct regional accent that shows up everywhere from packaging to wall art and social content. The brand has since extended to its first taproom, aptly named The Welly.</p><h2 id="wkd-by-continuous">WKD, by Continuous</h2><ul><li><strong>Silver Award: Brand Strategy</strong></li></ul><iframe src="https://content.jwplatform.com/players/E3rAzWM1.html" id="E3rAzWM1" title="WKD Brand Impact Awards" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>WKD built its name on connection and turning ordinary nights into stories, but had slipped from provocative to peripheral among 18-24-year-olds, with consideration down 43% year-on-year. While headlines obsessed over a "sober generation," Gen Z alcohol consumption had actually risen from 66% to 73% between March 2023 and 2025; the real shift, Continuous argued, was exhaustion with "betterment burnout," not sobriety. </p><p>The resulting platform, "All Fun. No Filters," leans into self-aware humour and honesty rather than chasing the aspirational tone much of the category was adopting, reviving the "WKD Side" tagline to keep the brand name front and centre. A Humour Matrix, co-created with 18-24-year-olds, helped navigate the line between cheeky and offensive. Posed lifestyle imagery was banned outright in favour of unpolished, slightly chaotic real nights, with bold copy poking fun at the brand itself rather than others, rolled out through WKD's regional heartlands across digital, out-of-home and on-trade activity. 76% of consumers said the resulting campaign could only have come from WKD.</p><h3 class="article-body__section" id="section-bronze-awards"><span>Bronze Awards</span></h3><p>The following projects were awarded Bronze:</p><h2 id="best-of-the-bone-by-universal-favourite">Best of the Bone, by Universal Favourite  </h2><ul><li><strong>Bronze Award: Copywriting</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/etd7vFBJTWgyKRSNHpk6uX-1920-80.jpg" alt="Best of the Bone" /><figcaption><small role="credit">Universal Favorite</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/NtiTbtVi8q2QRvNjv89H4Y-1920-80.jpg" alt="Best of the Bone" /><figcaption><small role="credit">Universal Favorite</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/ux5PmidK3BaCsnWXxUoN7Y-1920-80.jpg" alt="Best of the Bone" /><figcaption><small role="credit">Universal Favorite</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/PRaKhTpP8CCAXDcGTFaN7Y-1920-80.jpg" alt="Best of the Bone" /><figcaption><small role="credit">Universal Favorite</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/vJynJfVZv7idN9QRGatNiX-1920-80.jpg" alt="Best of the Bone" /><figcaption><small role="credit">Universal Favorite</small></figcaption></figure></figure><p>Best of the Bone makes properly made bone broth – organic, grass-fed, slow-simmered, with none of the miracle-elixir or wellness-mysticism framing that dominates the category. Universal Favourite built the brand's whole voice around that same bluntness: real ingredients, no additives, no preservatives, nothing dressed up. The tone is dry, irreverent and deliberately unpolished, finding warmth and wit in plain speech rather than clinical authority or ancient-wisdom posturing. </p><p>On the packaging, ingredients are named without fanfare and benefits are stated without spin; in wider brand communications, the copy finds unexpected angles like a steaming mug on a fjord, a broth-soaked head of hair, while always circling back to one simple message: it's just bone broth, and that's enough. In a category weighed down by jargon and overclaiming, the confidence to say less has deepened the brand's relationship with its loyal following.</p><h2 id="blood-cancer-united-by-jkr">Blood Cancer United, by JKR  </h2><ul><li><strong>Bronze Award: Not-For-Profit</strong></li></ul><iframe src="https://content.jwplatform.com/players/2BuhKKxK.html" id="2BuhKKxK" title="BloodCancerUnited DandAD 2007 Brand Identity Refresh Nonprofit Presentation Film" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>The Leukaemia & Lymphoma Society was founded in 1949 by a family who'd lost their son to leukaemia, determined to spare others the same loss. Over the decades its work expanded to cover all blood cancers and a much wider range of audiences, but its branding hadn't kept pace – and the COVID pandemic exposed just how siloed and disjointed its various efforts had become. JKR's solution was a new name, Blood Cancer United, that makes the scope of the organisation's work immediately clear, paired with an identity built to unify every campaign, event and fundraising effort under one visual language. What was once a sprawling, fragmented network comprised of patient support, fundraising and research now speaks with a single, consistent voice, sending a direct message to everyone living with blood cancer that they're not alone.</p><h2 id="for-what-matters-in-childhood-by-unitedus">For What Matters in Childhood, by UnitedUs  </h2><ul><li><strong>Bronze Award: Not-For-Profit</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/WQCHhhEwh4aQixgyYnJutK-1920-80.jpg" alt="Buttle images" /><figcaption><small role="credit">UnitedUs</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/oPpXMfxC4f9kpK5CHaHviK-1920-80.jpg" alt="Buttle images" /><figcaption><small role="credit">UnitedUs</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/vxUVL69fFkhCFfNijvJA2L-1920-80.jpg" alt="Buttle images" /><figcaption><small role="credit">UnitedUs</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/6D78dMvGH7x4G7GwbTRKSF-1920-80.jpg" alt="For What Matters in Childhood" /><figcaption><small role="credit">UnitedUs</small></figcaption></figure></figure><p>Buttle has provided beds, coats, laptops and other essentials to children in crisis since 1953, carrying on the vision of founder Reverend Frank Buttle. But by 2024, the charity's modest legacy brand couldn't carry the weight of an ambitious new five-year strategy or amplify children's voices as demand and advocacy needs grew. UnitedUs's rebrand, "For what matters in childhood," rejects pity-driven, deficit-based poverty narratives in favour of a child's dignity, agency, joy and hope. </p><p>The Brighton-based B Corp co-designed the identity directly with the young people Buttle serves – a Youth Advisory Panel steered the creative direction and conceived Frank the Otter, a character from their own imagination named after the founder. The brand launched at the Houses of Parliament alongside Buttle's first children's art project, giving young people a platform to share what the charity's support meant to them in their own words – often the first time stakeholders had heard directly from children rather than through adults. The work transforms a quiet grant-giver into a confident, advocacy-led voice built to influence national policy.</p><h2 id="hellmann-39-s-lifts-it-by-design-bridge-and-partners">Hellmann's Lifts It, by Design Bridge and Partners  </h2><ul><li><strong>Bronze Award: FMCG, Brand Strategy</strong></li></ul><iframe src="https://content.jwplatform.com/players/Zq11i1Gs.html" id="Zq11i1Gs" title="HELLCASE AWARDSFILM" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Facing shifting food trends and rising consumer expectations, mayonnaise category leader Hellmann's needed a refresh to hold onto its market dominance, built on the insight that people are tired of overhyped food fads and just want genuine enjoyment in everyday meals. Design Bridge and Partners centred the work on "Hellmann's Lifts It," inspired by the brand's century-old blue ribbon symbol of top-quality mayonnaise, positioning a dollop of Hellmann's as the thing that elevates simple food into something more. The ribbon was amplified in a refined logo and new "H" monogram, packaging was redesigned across more than 90 products, and the brand's cartouche became a flexible "window" onto lifted food and moments, all supported by a new colour palette, a custom Dollop Serif typeface, upward-angled photography and optimistic motion design. Since launch, "Worth Paying More For" perception has climbed from 49% to 61%, with measurable gains over competitors in shelf findability, purchase intent and perceived taste and excitement.</p><h2 id="joby-aviation-by-tinywins">Joby Aviation, by TinyWins  </h2><ul><li><strong>Bronze Award: Motion</strong></li></ul><iframe src="https://content.jwplatform.com/players/ijh0gcZF.html" id="ijh0gcZF" title="TINYWINS  JOBY-CASE-STUDY Brand-Reel" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>As Joby Aviation prepared to launch a new era of all-electric flight, motion became a central tool for conveying both the emotion and mechanics of a mode of transport most people have never experienced. TinyWins developed a motion language inspired by aviation's golden age and the physical sensation of ascent and arrival, aiming to make audiences feel the promise of flight throughout the digital experience. Typography, transitions and interface elements move with the rhythm of flight, and signature brand devices animate throughout to carry the aircraft's visual language into digital spaces. Working with INK Studio, the system extends into high-fidelity 3D visualisations and technical, schematic storytelling that turns complex engineering into clear, compelling narrative – serving both emotional and functional roles at once, building wonder while explaining innovation.</p><h2 id="kiko-martins-a-culinary-journey-by-peter-schmidt-group">Kiko Martins: A Culinary Journey, by Peter Schmidt Group</h2><ul><li><strong>Bronze Award: Bars & Restaurants</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/AYRYnKgHs7JohWG4AeyfdL/KikoMartins_Presentation_Video.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/AYRYnKgHs7JohWG4AeyfdL/KikoMartins_Presentation_Video.mp4"></video></div><p>Kiko Martins, a Michelin-starred chef from Portugal, built a reputation on culinary curiosity, studying regional dishes from his travels and folding them into his own cooking. Peter Schmidt Group translated that journey into a simple, striking identity: every location is marked by its geographic coordinates – degrees, minutes and seconds. The result reads as minimalist but story-rich, working consistently across physical and digital touchpoints from menu to website, while positioning Kiko as a cosmopolitan figure and his dishes as cross-cultural creations within a crowded restaurant industry.</p><h2 id="kfc-by-jkr-jkr-x-studio-drama">KFC, by JKR / JKR x Studio DRAMA  </h2><ul><li><strong>Bronze Award: Brand Strategy, Illustration, Typography</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/jSQPaSmcuZZjVbGctWwoD4-1920-80.jpg" alt="KFC" /><figcaption><small role="credit">JKR/Studio Drama</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/DNUx9iQKoLzpWA8fEGyRKB-1920-80.jpg" alt="KFC" /><figcaption><small role="credit">JKR/Studio Drama</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/MJRb8ez7QtP6HAEL66AnC4-1920-80.jpg" alt="KFC" /><figcaption><small role="credit">JKR/Studio Drama</small></figcaption></figure></figure><p>Chicken has gone mainstream, and everyone from global chains to regional upstarts has moved into the category KFC itself built – US sales fell 4% in 2024, dropping the brand to fifth place among American chicken chains. JKR's read was that the product had never lost its edge, only the brand's expression of it, so the work reoriented everything around making experiences feel "Finger Lickin' Good" – elevating a legacy slogan into a defined standard of behaviour applied through the bucket, KFC's most ownable asset, across packaging, restaurants, digital and menu innovation. For illustration, rather than defining one fixed style for over 34,000 restaurants in 150-plus countries, the team put the bucket shape in the hands of native artists around the world – five illustrators from Buenos Aires to Xiamen, Lima to Mumbai, each given the same brief (make it Finger Lickin' Good) and free rein within an open "Creativity" palette held together by KFC's black, red and white. </p><p>For typography, working with Studio DRAMA, the brand's red stripes were rebuilt from decoration into a full storytelling device: a refined lettermark led to Kentucky Fried Stripes, a display typeface, plus a custom web tool that automatically turns copy into stripes, and a wider Kentucky Fried Serif and Sans family tuned for legibility from billboards to fry bags.</p><h2 id="lenovo-legion-always-get-back-up-by-design-bridge-and-partners">Lenovo Legion – Always Get Back Up, by Design Bridge and Partners  </h2><ul><li><strong>Bronze Award: Experiential</strong></li></ul><iframe src="https://content.jwplatform.com/players/N9MLGqjA.html" id="N9MLGqjA" title="AWA26AGBU Film MASTER" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>Lenovo Legion's "Always Get Back Up" campaign, built on the insight that gamers have to lose before they win, spans horror, sci-fi, shooter, RPG, indie and fantasy genres rather than committing to one, following a gamer repeatedly knocked down by different bosses who keeps getting back up. </p><p>The team transformed an ordinary student flat into a battle zone using 70 2D and 3D VFX shots, six bespoke boss designs, and remote VFX supervision via Gaussian Splats and Insta360 cameras to blend live action and CG. A community competition let fans design the ultimate boss, with the winner flown to set to collaborate directly. Backed by Hanumankind's "Big Dawgs" and extended into DOOH "Pile of Bosses" builds recreated at Gamescom, the campaign generated over 157 million views and 34,000 hours of watch time, becoming Legion's biggest campaign yet.</p><h2 id="little-dish-happy-healthy-mealtimes-by-derek-amp-eric">Little Dish – Happy Healthy Mealtimes, by Derek&Eric</h2><ul><li><strong>Bronze Award: FMCG</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/ofFqsVGQfb9tiPCNmumRdF-1920-80.png" alt="Little Dish images" /><figcaption><small role="credit">Derek&Eric</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/GiT2tUiA4kbhPQFmLgbeeF-1920-80.png" alt="Little Dish images" /><figcaption><small role="credit">Derek&Eric</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/TrsTjbtWXoFBZowGMecv5F-1920-80.png" alt="Little Dish images" /><figcaption><small role="credit">Derek&Eric</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/u8EomX2RCKSvfoVnhwKoAF-1920-80.gif" alt="Little Dish images" /><figcaption><small role="credit">Derek&Eric</small></figcaption></figure></figure><p>Little Dish had become one of the UK's most-loved children's food brands, but its identity hadn't kept pace as the portfolio expanded beyond its original meals — it needed something more distinctive and scalable that could support innovation while keeping parents' trust. Derek&Eric's strategic idea, "Happy Healthy Mealtimes," shifts the focus from nutrition alone to the joy of feeding children well, and became the foundation for the whole rebrand. </p><p>The team evolved the existing Little Dish icon into a more expressive asset, added a playful illustration world and bespoke typography, and built a flexible system that balances warmth, appetite appeal and clear navigation across packaging, digital, retail activation and innovation work. Rather than a cosmetic refresh, it's a brand system designed for growth – one that leans into the happiness of family mealtimes in a category dominated by functional nutrition messaging.</p><h2 id="lost-and-found-by-king-39-s-culture-by-alphabetical">Lost and Found by King's Culture, by Alphabetical </h2><ul><li><strong>Bronze Award: Culture, Education</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/h3PeSf7KSe7JMPD2HhCu4f-1920-80.png" alt="Lost and Found images" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/aLUZNtnVBnHLwY6Egjfoke-1920-80.png" alt="Lost and Found images" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/3gvGWBZKoWa8H6ekfbW8qe-1920-80.png" alt="Lost and Found images" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/BnDnhYDqt8pUZvErKZ6Tae-1920-80.png" alt="Lost and Found images" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure></figure><p>Lost & Found is a year-long programme of art, film, photography and public discussion built around displacement, belonging and sanctuary, reflecting King's Culture's status as a University of Sanctuary at King's College London. Rather than a static identity, Alphabetical built one that behaves like the stories it represents: bold letterforms from the words LOST & FOUND disappear, fragment and reappear in altered shapes, graphically expressing journeys of displacement and resilience, while individual letterforms double as flexible frames for artists, events and stories. </p><p>The identity launched alongside Es Devlin's installation Congregation and ran through a year-long festival across exhibitions, talks, films, performances and public installations throughout Strand Aldwych and King's College London, opened by the Mayor of London and featuring artists including Es Devlin, Tiffany Fairey, Susan Aldworth, Liz Hingley and Aman Aheer. Rather than simply promoting events, the identity became an active storytelling device, continually embodying the idea of sanctuary as the programme evolved.</p><h2 id="moncler-x-gilga-farm-by-moncler-wesayhi-manvsmachine">Moncler x Gilga Farm, by Moncler / WeSayHi / ManvsMachine </h2><ul><li><strong>Bronze Award: Motion</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/vQnKfhfwEt3yZH2VTThscf/0842_WSH_Moncler_Gilga_Master_DirectorsCut_.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/vQnKfhfwEt3yZH2VTThscf/0842_WSH_Moncler_Gilga_Master_DirectorsCut_.mp4"></video></div><p>To launch Donald Glover's capsule collection with Moncler, the team reinterpreted one of the brand's most distinctive heritage assets — its 1960s care-label comic strip featuring mascot Monduck – drawing on Glover's Ojai-based creative hub, Gilga Farm, and his interest in lucid dreaming. The resulting dreamlike film follows Monduck mischievously guiding Glover through a series of wardrobe transformations via a radio dial, each station revealing a new look, before Glover wakes on a mountain in the collection's sleeping bag jacket, tying the collaboration back to Moncler's mountaineering roots. </p><p>When production moved from live action to animation, the team treated it as an opportunity: the comic strip was recreated as a physical care label sewn inside the jacket, just like a real Moncler label, blending hand-drawn animation with 3D cloth simulation to bring it to life. Every choice reinforced the link between Moncler's heritage and the new collection, resulting in a campaign defined by originality and craft.</p><h2 id="nordeste-by-design-bridge-and-partners">Nordeste, by Design Bridge and Partners </h2><ul><li><strong>Bronze Award: Transport & Travel</strong></li></ul><iframe src="https://content.jwplatform.com/players/emtveu1O.html" id="emtveu1O" title="NORDESTE VIDEO CASE" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>The Brazilian Northeast is usually sold on postcard clichés — sun, sea, beaches — but "Nordeste Além" (Northeast Beyond) set out to reveal a region as diverse as it is exuberant, representing nine independent states through one distinctive symbol while avoiding generic tourism tropes and stereotypes. Design Bridge and Partners' solution is a bird built from geometric shapes and colours drawn from local festivals, dances and artistic traditions — singular yet plural, synthesising diverse cultures and geographies into one identity. Its graphic components can be broken apart and reused as a modular design language, keeping visual consistency across every touchpoint. By translating recurring patterns and symbols, from cordel literature to visual art, into a contemporary visual language, the brand moves the Northeast from a landscape to be looked at into an experience to be lived, giving all nine states a shared, proprietary voice on the world stage.</p><h2 id="nycfc-the-five-borough-flight-by-tavern-agency">NYCFC – The Five Borough Flight, by Tavern Agency</h2><ul><li><strong>Bronze Award: Experiential</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/RXiTvwE7X5i7U4Ki8PwxL8-1920-80.png" alt="NCFC images" /><figcaption><small role="credit">Tavern Agency</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/V87qwCmMrD7shN7PFZtNL8-1920-80.png" alt="NCFC images" /><figcaption><small role="credit">Tavern Agency</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/NTjxMd7GuHvc96YcnLGY48-1920-80.png" alt="NCFC images" /><figcaption><small role="credit">Tavern Agency</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/JhVtBbfQeVTfJnU42RNc28-1920-80.png" alt="NCFC images" /><figcaption><small role="credit">Tavern Agency</small></figcaption></figure></figure><p>When the FIFA Club World Cup landed in the New York area, New York City FC found itself shut out of the conversation in its own hometown, unaffiliated with the tournament while the world's attention turned to nearby MetLife Stadium. Tavern Agency's brief was simple: get New York talking about NYCFC. The solution drew on the club's unofficial mascot, the pigeon, building a guerrilla activation around a 700-pound, five-storey inflatable pigeon that floated past all five boroughs. </p><p>In the weeks before launch, smaller pigeon-branded content and real pigeons kitted out in NYCFC gear teased the stunt across the city and social feeds. During the Club World Cup finals, the giant pigeon launched from Staten Island, passed the Statue of Liberty, headed up the Hudson past MetLife Stadium, looped up to the Bronx and back, then finished at Etihad Park in Queens – NYCFC's future home — with thousands tuning into a livestream of the pigeon's-eye view.</p><h2 id="plymouth-city-brand-by-dnco-2">Plymouth City Brand, by DNCO</h2><ul><li><strong>Bronze Award: Public Sector</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/775AsiNUDmieJUQyqAC7ke/06-PlymouthCityBrand-Research.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/775AsiNUDmieJUQyqAC7ke/06-PlymouthCityBrand-Research.mp4"></video></div><p>Plymouth's history of exploration, from Charles Darwin to Dame Ellen MacArthur, earned it the nickname "Britain's Ocean City," but that heritage only told half the story. With major national investment underway and 25,000 jobs to fill over the next decade, DNCO's brief was to build a brand that went beyond tourism, raising the city's profile and drawing talent to live and work there, not just visit. The central idea, adventure, drew on Plymouth's unique position between a national park and a national marine park, its high quality of life, and its legacy of exploration, distilled into the tagline "Make life an adventure." </p><p>Visually, the team mined the city's navigational heritage – maps, trails, compasses – into a bespoke arrow logo symbolising horizons and optimism, with a nod to Smeaton's Tower lighthouse, alongside a flexible pattern system built from historic contour-line maps. Typography and colour draw on local landmarks, from historic metal signage to the lighthouse's red bands and the rusty orange of Antony Gormley's pier sculpture. Rather than running separate tourism and talent-attraction identities, as most cities do, Plymouth brought both into one system, launching with support from the city's key institutions.</p><h2 id="saboteur-by-saboteur">Saboteur, by Saboteur </h2><ul><li><strong>Bronze Award: Self-Branding</strong></li></ul><iframe src="https://content.jwplatform.com/players/T39gb7T2.html" id="T39gb7T2" title="Saboteur_Brand_Film.mp4" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>The original saboteurs threw their wooden clogs — sabots — into industrial machines to resist automation, believing that handmade work from small businesses would outlast mass production. Saboteur, an independent brand studio, has always shared that rebellious, freedom-first spirit, but had never had an identity that reflected it — until the studio realised the idea was hiding in its own name, sabot being the French word for clog and the origin of "saboteur." </p><p>The clog now runs through everything: the website, launch film, social presence, email signatures and daily culture, expanded into a whole collection of clogs to reflect the studio's range of ideas and people. Where much self-branding in the sector plays it safe with palette refreshes and manifesto language, this identity is built on a real piece of industrial history, applied with enough range to genuinely set the studio apart.</p><h2 id="saudi-now-by-alphabetical">Saudi Now, by Alphabetical  </h2><p><strong>Bronze Award: Culture, Public Sector, Not-For-Profit, Typography</strong></p><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/hHwzEFaNsWri525nshr36G-1920-80.jpg" alt="Saudi now" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/SRWGVWNbFkX6bohCPWEfGG-1920-80.jpg" alt="Saudi now" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/h5R2rJqZdwgaTBNmW3eLKG-1920-80.jpg" alt="Saudi now" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/Rv5xviF5a5boJQ7DE5CNNG-1920-80.jpg" alt="Saudi now" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/8jDgSj77s4jpbAJiSP8LNG-1920-80.jpg" alt="Saudi now" /><figcaption><small role="credit">Alphabetical</small></figcaption></figure></figure><p>Saudi Now is a new international platform for collaboration between Saudi Arabia and the UK, spanning arts, film, photography, dance, music, fashion, ideas and education, commissioned by the British Council as a space for two-way cultural exchange. Rather than building separate English and Arabic identities, Alphabetical created a single bilingual wordmark that gives both languages equal weight, expressing dialogue rather than translation. </p><p>Working with Arabic type designer Shaqa Bovand ensured the identity was shaped by both cultures equally – Bovand introduced the subtle angle of traditional Arabic calligraphy, and together the team identified the rhombic Noon dot (representing the Arabic letter N, echoing the "N" in Now) as a flexible graphic device that extends into pattern, motion and animation. The brief called for a youthful, accessible identity that would work across digital platforms, and the result lets two languages and cultures coexist as genuine equals rather than one being a translation of the other.</p><h2 id="somer-valley-brewing-by-supple-studio-2">Somer Valley Brewing, by Supple Studio  </h2><ul><li><strong>Bronze Award: Wine, Beer & Spirits</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/bVPhRqLXWC8x5v93XcYJPm/SV_MakingOf.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/bVPhRqLXWC8x5v93XcYJPm/SV_MakingOf.mp4"></video></div><p>Somer Valley Brewing grows its own barley using rotational cropping alongside a herd of heritage cows, moves the harvest a short distance down the A36 for traditional floor malting in Warminster, and draws its own water from an on-site bore hole. Supple Studio evolved the brewery's logo and built a visual language around the idea "From our land, to your hand," creating brand assets on the farm itself in collaboration with Bath-based illustrator Simon Spilsbury, who built a suite of textures by printing, rubbing and inking everything from hay bales to tractor wheels before layering in farm-based illustrations. Beer names draw on farmyard sayings and West Country slang, giving the brand a distinct regional voice that carries through packaging and social content – and now the brewery's first taproom, The Welly, launched in 2026.</p><h2 id="st-john-39-s-college-rebrand-by-kit-studio">St John's College Rebrand, by Kit Studio </h2><ul><li><strong>Bronze Award: Education</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/ejE2wrDZw6WYtoMXJNVtqK/11.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/ejE2wrDZw6WYtoMXJNVtqK/11.mp4"></video></div><p>St John's College, Durham needed its own independent visual identity and digital presence, distinct from its parent institution but still true to over a century of history. Rather than compressing that history into a single logo, Kit Studio built a considered system of assets anchored by a coat of arms restored by hand with master craftsman Nathan Yoder, recovering detail that had gradually been lost through years of digital reduction. Alongside the coat of arms sits a refined shield, an SJ monogram, and a wider visual language drawn from the college's architecture and traditions. Archive research, staff and student conversations, and time spent on campus shaped an identity informed by an institution defined as much by warmth and curiosity as academic achievement, extending across the website, social media, print, signage, merchandise and events.</p><h2 id="szczesny-amazon-prime-video-by-studio-sutherl-amp">SZCZĘSNY | Amazon Prime Video, by Studio Sutherl&</h2><ul><li><strong>Bronze Award: Entertainment</strong></li></ul><iframe src="https://content.jwplatform.com/players/zKkLSLGd.html" id="zKkLSLGd" title="Szczesny-BIA-2" width="1920" height="1080" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>SZCZĘSNY is an Amazon Prime Video documentary following the career of Polish goalkeeper Wojciech Szczęsny across Arsenal, AS Roma, Juventus and FC Barcelona. Studio Sutherl&'s identity and motion graphics are built around Szczęsny's physical ability to fill the goal, using Podium, a variable typeface from Polish foundry Warsaw Capitalics, which expands, compresses and shifts weight to fill the frame as it displays match locations, milestones and title cards. </p><p>The wordmark's italicised "Y" nods to a diving save frozen mid-motion, while interstitial graphics turn career statistics into visual textures, giving the identity the feel of both a statistical record and a portrait of a footballing icon. The documentary premiered on Prime Video on 10 October 2025.</p><h2 id="the-creative-i-for-imperial-college-london-by-the-click">The Creative I for Imperial College London, by The Click</h2><ul><li><strong>Bronze Award: Education</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/zRdUECLVqAfvFvSY3bwqKP/2%20Video_Imperial%20Creative%20I%20Motion%201.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/zRdUECLVqAfvFvSY3bwqKP/2%20Video_Imperial%20Creative%20I%20Motion%201.mp4"></video></div><p>Higher education is under financial and reputational pressure. Half of UK universities face deficits, and a third of people doubt a degree is worth it, yet the sector still leans on interchangeable heritage crests as shorthand for credibility. Imperial College London, often called "the MIT of Europe," wanted to stop borrowing credibility and own what actually makes it Imperial. The Click's task was to make that repositioning work across 24 independent departments spanning three faculties, historically fragmented after years of working in isolation, while convincing sceptical scientists, engineers and medics rather than marketers. </p><p>The solution, The Creative I, was already hiding in the institution's name, carrying a double meaning of "I" the institution and "I" the individual. The team met every department to develop 24 bespoke marks, each abstracted to evoke a feeling rather than illustrate a subject literally, sharing a geometric footprint and single-colour discipline that holds them together as one family across avatars, buildings, patterns and motion, scaled through Frontify so any department can use it.</p><h2 id="uefa-euro-2028-by-vml-branding">UEFA EURO 2028, by VML Branding  </h2><ul><li><strong>Bronze Award: Sport & Leisure</strong></li></ul><div class="looped-video"><video class="lazyload-in-view lazyloading" data-src="https://cdn.mos.cms.futurecdn.net/JhWgBXCxPKr2QBQYaq8RXJ/Euro2028_SportsLeisure_02_BrandMovie.mp4" autoplay loop muted playsinline src="https://cdn.mos.cms.futurecdn.net/JhWgBXCxPKr2QBQYaq8RXJ/Euro2028_SportsLeisure_02_BrandMovie.mp4"></video></div><p>Hosting UEFA Euro 2028 across the UK and Ireland is a statement of intent around social cohesion and passing the game on to the next generation, and VML Branding's central idea, "We All Speak Football," uses the sport as a universal language to unite communities and export those values globally. The identity is born from fans themselves, translating their chants and voices into a flexible visual system built around stadium key visuals and logo "shout" backgrounds, alongside a secondary dynamic sound-wave pattern. The logo itself shows a roar emanating from the trophy as a visible wave of passion, and the colour palette represents the host nations, running from stadium takeovers to digital screens. The project marks the first time a major football brand has used kinetic typography and sound, rather than traditional graphic devices, as its primary visual driver.</p><h2 id="where-there-39-s-a-tree-wwf-by-johnson-banks">Where there's a tree (WWF), by Johnson Banks</h2><ul><li><strong>Bronze Award: Copywriting, Not-For-Profit</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/HpZ2YirpMcQnGG9Xsu7B5J-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/6Rhd9N9GtceNUEQT5MsUyH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/S52KHkx7QqPNYBcPNWRKvH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/XS4Fx2t7SmYTWNJncG7zvH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/ajRHq4apr9BzLLfH4yVyvH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/Mi4dhyKDdVXhP7vzdTwNvH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/Ga6ERtzFHrQL9rt8eXMpuH-1920-80.jpg" alt="WWF images" /><figcaption><small role="credit">Johnson Banks</small></figcaption></figure></figure><p>This project moves WWF UK into new territory, speaking directly to trusts, corporates and philanthropists about its work on tropical rainforest deforestation, now the charity's top strategic priority. The challenge was that most people associate WWF with the orangutans, elephants and pandas that live in these forests, so Johnson Banks needed a new story explaining the link between species and habitat, why it matters to both wildlife and indigenous people, and what's driving deforestation through global supply chains. Rather than the category's usual "doom and gloom" messaging, the campaign opens with just four words: "where there's a tree…", leading with everything a tree, and then a forest, is home to, before pivoting to a punchier message, and showing what's lost, when needed.</p><h2 id="zudo-by-dnco-x-victory">Zudo, by DNCO x Victory</h2><ul><li><strong>Bronze Award: Illustration</strong></li></ul><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/ZQ8AFHCoRsqsUGgxxsUYvT-1920-80.jpg" alt="Zudo images" /><figcaption><small role="credit">DNCO x Victory</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/P4qJt7ivYz4B47XCBi5nCU-1920-80.jpg" alt="Zudo images" /><figcaption><small role="credit">DNCO x Victory</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/jTDMpwiQpURd3sYpcc4uBU-1920-80.jpg" alt="Zudo images" /><figcaption><small role="credit">DNCO x Victory</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/tZNUx5LYkJLY9vXLqUfDKU-1920-80.jpg" alt="Zudo images" /><figcaption><small role="credit">DNCO x Victory</small></figcaption></figure></figure><p>Victory Group and development partner LMTD set out to convert the former ABN AMRO headquarters in Zuidas into a 207,500 sq m site of homes, workspaces, streets and gardens across seven buildings and five towers, completing the district's shift from business zone to city neighbourhood. Once the team landed on "a village for Zuidas" and the name Zudo – a blend of "Zuidas" and the Dutch word for village, "dorp" – the question became what that village should look and feel like. </p><p>DNCO and Victory Group worked with illustrator Luis Mendo, a 20-year Amsterdam resident, to build a multi-layered illustration of village life: the neighbourhood baker, the butcher, a local brown café, tulips at a flower cart. Individual scenes can be lifted from the wider illustration for flexibility across hoardings, digital platforms and print, and the system is designed to grow with new scenes and seasonal moments as Zudo develops. Local details only a longtime resident would recognise such as Amsterdammertje bollards, a barrel organ, kids in Ajax kits, a nod to Mayor Femke Halsema and to Rembrandt, root the development in the city's actual culture rather than architectural renderings alone.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/branding/the-brand-impact-award-winners-2026-have-been-revealed</link>
                                                                            <description>
                            <![CDATA[ Find out the full list of Gold, Silver and Bronze awards, as well as Best of Show and the Social Impact Award. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">t3zczqaEkRyLbEyGwhgGJZ</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/yY4qSgfgLXJRe2ZBo3jMAF-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 11:56:54 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 13:21:13 +0000</updated>
                                                                                                                                            <category><![CDATA[Branding]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                                                                                    <dc:creator><![CDATA[ Georgia Coggan ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/HcjR8BkM5JsXASkz5GzUV8-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/yY4qSgfgLXJRe2ZBo3jMAF-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Brand Impact Awards winners revealed]]></media:description>                                                            <media:text><![CDATA[Brand Impact Awards winners revealed]]></media:text>
                                <media:title type="plain"><![CDATA[Brand Impact Awards winners revealed]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/yY4qSgfgLXJRe2ZBo3jMAF-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ How Fusion Studio and expert compositing skills brought the striking animation Danse Macabre to life ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Danse Macabre is an apocalyptic nightmare short film based on the Allegro from Shostakovich's 10th Symphony. Written, directed, and painted by Hisko Hulsing, the film is beautiful, engaging, and inspiring. The animation explores themes of suffering, war, and terror. </p><p>Earlier this year it was selected for competition at the Annecy Festival, the world's largest and most important animation festival. The film boasted an international team, with it being produced by Valk Productions in the Netherlands, Autour de Minuit in France, Vivi Film in Belgium and Cinemon Entertainment in Hungary.</p><p>To indie artists, creating films like this can seem impossible, and yet when shots are clearly broken down, it all seems a lot more achievable. In this compositing breakdown, the Compositing Technical Director on the short film, Stijn Calis, works through the workflow used to finalise one of the shots from the project.</p><h2 id="watch-the-danse-macabre-trailer">Watch the Danse Macabre trailer</h2><div class="youtube-video" data-nosnippet ><div class="video-aspect-box"><iframe data-lazy-priority="high" data-lazy-src="https://www.youtube-nocookie.com/embed/b1A4U37asVg" allowfullscreen></iframe></div></div><h2 id="danse-macabre-breakdown">Danse Macabre breakdown</h2><p>Using Fusion Studio, Calis seamlessly integrates distinct visual mediums: a beautifully hand-painted 2D background by Hisko and a fully realised 3D character created by Autour de Minuit, overdrawn by AI and manual labour in TVPaint. </p><p>The work begins by bringing a static background to life using fabricated reactive lighting setups, animated fire layers, and atmospheric dust particles. Using basic tools like Luma Keyers and polygon masks to sculpt the ambient light, Calis makes foreground elements pop while maintaining the integrity of the original artwork.</p><p>From there, the focus shifts to character integration. Calis preps the character using stylised passes processed through TVPaint and Stable Diffusion, carefully colour grading the asset to match the painterly environment. Finally, he applies finishing touches, extracts highlights for soft glows and applies unifying film grain.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="VsRbWuB8mecesMTZvo68AN" name="step1_background" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/VsRbWuB8mecesMTZvo68AN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-1-background-compositing-and-dynamics">Step 1: background compositing and dynamics</h2><p>The environment is established using the static background painting alongside manually animated fire and smoke layers from TVPaint. The background was initially too dull, so Calis introduced dynamic light bouncing across the scene. </p><p>He then added a colour corrector and called it "ccBoostFire" before using a LumaKeyer to create a mask of the light parts of the background and use this mask on the colour corrector to boost the midtones of the image.</p><p>For added atmosphere, Calis integrated 4K dust particles sourced from FootageCrate. By merging these atmospheric elements on top of the base layers, the static painting immediately began to feel like a living, breathing space with flickering illumination. </p><p>This foundational step ensured the environment felt dynamic before the main subject was even introduced.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="E7UWKyuUG5n7g4xQ3M27AN" name="step2_backgroundGrade" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/E7UWKyuUG5n7g4xQ3M27AN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-2-background-colour-grading">Step 2: background colour grading</h2><p>With the dynamics in place, the scene's contrast and focal points were refined through targeted colour grading. The background walls initially lacked depth, so a combination of polygon masks and Luma Keyers was used to dim the ambient lighting in specific areas. </p><p>Darkening these background walls was crucial for making foreground elements (like the glass on the table) pop out to the viewer.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="XByS9JD6EoXt9KfTqei2NN" name="step3_characterprecomp" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/XByS9JD6EoXt9KfTqei2NN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-3-character-precomp-and-ai-stylisation">Step 3: character precomp and AI stylisation</h2><p>The character started as a raw 3D render which inherently clashed with the hand-painted background. The first phase of character integration involved importing the 3D render and blending in a specialised stylisation pass processed by Stable Diffusion, trained on the artwork of the director Hisko Hulsing and operated by 2D animator Stein Louise.</p><p>This required the compositing team to deliver “pre-comp” generated ProRes 422 files for each individual render layer that came from the EXRs from Blender: masks made from cryptomattes for guns, skeletons, helmets, diffuse-pass, beauty-pass, z-depth (normalised), normals, UVs, and canny-filters. </p><p>This subtle AI integration, making up about 5% of the overall project, added a painterly texture to the render. Layering this stylised pass over the raw 3D render began to bridge the aesthetic gap between the character and the traditional artwork and ensured the CGI elements do not look out of place.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="e6eG9aEX9hZikniQy4QLkN" name="step4_characterColorGrading" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/e6eG9aEX9hZikniQy4QLkN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-4-character-colour-grading">Step 4: character colour grading </h2><p>Even with the stylistic TVPaint / Stable Diffusion pass applied, the character still looked entirely detached from the scene, especially compared to the original painting. Calis addressed this by clearing out the background and applying an Alpha Divide to isolate the character cleanly.</p><p>He then pushed the character through an aggressive colour grading process, manually tweaking the hues, saturation, and contrast levels. The ultimate goal here was to visually match the character's values to the specific lighting conditions and moody colour palette of the painted background. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="Bv7ZBFRQopeTggp7HYXGRN" name="step5_characterShadowsPreblur" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/Bv7ZBFRQopeTggp7HYXGRN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-5-character-shadows-and-pre-blur">Step 5: character shadows and pre-blur </h2><p>A character seamlessly colour matched will still look like it is floating without proper grounding. To overcome this, Calis took the mask of the character, blurred it and cut out the parts that overlapped the background (the railing). He then used a colour corrector and dropped the gain. </p><p>The next step was to add a pre-blur. Instead of just merging that image on top of the background, he utilised a pre-blur technique to deliver a ‘fake global illumination’ on the character. This mimicked how real-world light scatters and diffuses over distance. Having a solid pre-blurred base ensured that when the character was finally merged, it interacted realistically with the varied textures of the painted floor and surrounding foreground objects. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="AUC9PPTzA5tfPoNG7HzAkN" name="step6_characterMerging" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/AUC9PPTzA5tfPoNG7HzAkN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-6-character-merging">Step 6: character merging </h2><p>With the pre-blurred shadows generated, it was time to composite the character into the scene permanently. Calis merged the character layers using a Multiply blend mode to ensure the underlying background was darkened naturally without blowing out the black levels.</p><p>A comparison with the original painting was carried out to see how dark the shadows can be. In this case, a Multiply percentage of 50 was used. This was followed by merging the character layer using a Normal blend mode, but only applying it 65%.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="28h5XiuUTSjTjhrcwaFFkN" name="step7_characterTableReflection" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/28h5XiuUTSjTjhrcwaFFkN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-7-character-table-reflection">Step 7: character table reflection</h2><p>To further ground the soldier in the environment, Calis needed to simulate reflections on the shiny surfaces directly beneath him. He achieved this by taking the colour graded character and caching out any unnecessary parts.</p><p>He then flipped the character vertically to create the base of the reflection on the table. Because a perfect mirror reflection would look artificial on a wooden surface, he introduced a Fast Noise node. This was kept static but broken up by distorting the flipped image with a Displace so that it perfectly matched the rough, uneven texture of the painted table beneath his arms.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="zCswtnb4ozVBGFfyW3yeaN" name="step8_FineDetailReflection" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/zCswtnb4ozVBGFfyW3yeaN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-8-fine-detail-reflections">Step 8: fine detail reflections </h2><p>Environmental compositing thrives on micro-details, such as how the character reflects in secondary objects like the foreground wine glass. So, Calis took the total image and applied a dent deformation to it. This slight bend simulated the curvature of the cylindrical glass bottle. Next, he applied a blur to soften the reflection, mimicking the imperfect surface of the thick glass. </p><p>Finally, he merged this distorted, blurred image using a precise polygon mask. This isolated the reflection strictly to the highlights of the bottle, adding an extra realistic physical interaction between the integrated character and the background painting.  </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:54.38%;"><img id="aDxaA74qdKe3yAeD7naHkN" name="step9_GlowAndGrain" alt="Danse macabre" src="https://cdn.mos.cms.futurecdn.net/aDxaA74qdKe3yAeD7naHkN-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1392" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Stijn Calis)</span></figcaption></figure><h2 id="step-9-glow-and-film-grain-finishing">Step 9: glow and film grain finishing </h2><p>The final step in any composite is unifying the disparate elements so they feel like a single piece of film footage. The first step to making this happen was to isolate the brightest parts of the animated fire. He used a Luma Keyer to extract the core flames and then applied a Soft Glow to make the light bleed naturally into the surrounding darkness and over the character's armour. </p><p>Once the glows were there, he applied a global film grain over the entire composition. This grain acted as the ultimate unifier, blending the painted background, the 3D render, the AI stylisation, and the digital particles into one cohesive, cinematic final shot. </p><p>For more behind the scenes of Danse Macabre, take a look at Stijn Calis’ <a href="https://www.youtube.com/watch?v=vcArznIQ2AA" target="_blank">YouTube tutorial The Compositing of a shot in ‘Danse Macabre’</a>.</p><p>Also see our guides to the <a href="https://www.creativebloq.com/buying-guides/best-animation-software">best animation software</a> and the <a href="https://www.creativebloq.com/buying-guides/best-laptop-for-animation">best laptops for animation</a>.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/3d/vfx-cgi/how-fusion-studio-and-expert-compositing-skills-brought-the-striking-animation-danse-macabre-to-life</link>
                                                                            <description>
                            <![CDATA[ Compositing Technical Director Stijn Calis breaks down the whole process, from the background work to final details. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">X8sFwUKoS9g3Hwdja2HMKT</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/aDzkgAHXsBtj5wMuSMz64N-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 09:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 11:57:25 +0000</updated>
                                                                                                                                            <category><![CDATA[VFX & CGI]]></category>
                                                    <category><![CDATA[3D]]></category>
                                                                                                <author><![CDATA[ paulo.n.hatton@gmail.com (Paul Hatton) ]]></author>                    <dc:creator><![CDATA[ Paul Hatton ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/a6cxZCYzi6uMQ3GobwkVrh-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Paul is a digital expert. In the 20 years since he graduated with a first-class honours degree in Computer Science, Paul has been actively involved in a variety of different tech and creative industries that make him the go-to guy for reviews, opinion pieces, and featured articles. With a particular love of all things visual, including photography, videography, and 3D visualisation Paul is never far from a camera or other piece of tech that gets his creative juices going. You&#039;ll also find his writing in other places, including Creative Bloq, Digital Camera World, and 3D World Magazine. &lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/aDzkgAHXsBtj5wMuSMz64N-1920-80.jpg">
                                                            <media:credit><![CDATA[Stijn Calis]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Danse macabre]]></media:description>                                                            <media:text><![CDATA[Danse macabre]]></media:text>
                                <media:title type="plain"><![CDATA[Danse macabre]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/aDzkgAHXsBtj5wMuSMz64N-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Apple's perfect iPhone Duo TikToks nail foldable phone marketing ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Apple's rediscovered the fun in its advertising recently, from the <a href="https://www.creativebloq.com/design/advertising/nope-the-new-apple-ad-isnt-ai-and-theres-a-bts-video-to-prove-it">animated Apple mini advert</a> to the vibrant retro styling of the <a href="https://www.creativebloq.com/design/advertising/apple-ads-havent-looked-this-fun-in-years">MacBook Neo and iPhone 17e ads</a>. Its build up to next month's releases of the iPhone Duo is taking that further.</p><p>Over on TikTok, the tech giant's been making waves with a series of creative videos promoting its first foldable phone. Each one makes the device the star of a mini sketch that illustrates its versatility, and the wide range of customer it could suit. We see the iPhone Duo doing yoga, becoming the display in a portable miniature cinema and being used as a mini laptop in a cafe (complete with mini flat white). It even serves as the display case for an engagement ring.</p>                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7683603111625215263" data-video-id="7683603111625215263" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7683603248678243102">♬ original sound - apple</a></section>                    </blockquote></div>                                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7685050006964882701" data-video-id="7685050006964882701" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7685050110006332174">♬ original sound - apple</a></section>                    </blockquote></div>                                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7683603959109471518" data-video-id="7683603959109471518" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7683604046049200926">♬ original sound - apple</a></section>                    </blockquote></div>                                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7685080942544686366" data-video-id="7685080942544686366" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7685080976417934111">♬ original sound - apple</a></section>                    </blockquote></div>                                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7684740757076446478" data-video-id="7684740757076446478" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7684740835899902734">♬ original sound - apple</a></section>                    </blockquote></div>                                    <div class= "tiktok-wrapper" style="min-height: 750px;"><blockquote class="tiktok-embed" cite="https://www.tiktok.com/@apple/video/7683603590824332574" data-video-id="7683603590824332574" style="max-width: 605px; min-width: 325px;">                        <section>                            <a target="_blank" title="@apple" href="https://www.tiktok.com/@apple">@apple</a>                            <p></p><a target="_blank" title="♬ original sound - apple" href="https://www.tiktok.com/music/original-sound-7683603677101181727">♬ original sound - apple</a></section>                    </blockquote></div>                <p>The short sketches are a lot of fun, but it's also interesting to see that Apple feels the need to do so much explaining around the Duo. Its ads have traditionally been cinematic and aspirational: beautifully produced, with minimalist messaging. There's something about the Duo campaign's insistence that makes me think the company might have some doubt about buying intentions.</p><p>It's also been giving more previews through social media creators and influencers. Whereas the brand would normally set the narrative, the Duo campaign seems designed to get people talking about the product, not just admiring it.</p><p>That could be because in this niche, Apple is the challenger brand. Rivals like Samsung, Huawei and Honor have been selling foldables for years. Apple has to work to distinguish the Duo and convince people that its version was worth waiting for.</p><p> Let me know in the comments what you think of the campaign. The already released <a href="https://www.creativebloq.com/tech/phones-tablets/pre-order-iphone-18-pro-and-pro-max-but-theres-an-elephant-in-the-room">iPhone 18 Pro</a> is the clear winner for photography, but has Apple managed to tempt you to consider a Duo?</p><div data-widget-type="multimodelreview" data-model-name="Apple iPhone 18 Pro,Apple iPhone 18 Pro Max,Apple iPhone 17e,Apple iPhone Air" data-widget-title="iPhone prices"></div> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/advertising/apples-perfect-iphone-duo-tiktoks-nail-foldable-phone-marketing</link>
                                                                            <description>
                            <![CDATA[ But are they the sign of a worried brand? ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">RrMxZhpfLEw3ovLJ9DyQ7</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/RX8cdRBNLLpaG5qo8qMdoW-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 08:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 11:57:25 +0000</updated>
                                                                                                                                            <category><![CDATA[Advertising]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                    <category><![CDATA[Branding]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/RX8cdRBNLLpaG5qo8qMdoW-1920-80.jpg">
                                                            <media:credit><![CDATA[Apple]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[iPhone Duo adverts from TikTok]]></media:description>                                                            <media:text><![CDATA[iPhone Duo adverts from TikTok]]></media:text>
                                <media:title type="plain"><![CDATA[iPhone Duo adverts from TikTok]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/RX8cdRBNLLpaG5qo8qMdoW-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ First McDonald's, now Disney is dejoying its store designs ]]></title>
                                                                                                <dc:content><![CDATA[ <p>The opening of Disney Wonders at Disneyland Paris got a big fanfare for a gift shop. A multi-stage launch involved influencer previews, cast member and Annual Pass previews and finally yesterday's grand opening. </p><p>After all that hype, the general public reaction has been to ask 'where's the wonder?'  Compared with the previous store design, with its vibrant if chaotic colours and 3D models, Disney Wonders looks drab and clinical. Is it another victim of what's been called the "dejoying" of commercial interior design.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102080758127243659"><p lang="en" dir="ltr">By comparison, here it was when I went a year ago.... pic.twitter.com/7RylUWBqUQ<a href="https://twitter.com/cantworkitout/status/2102080758127243659">September 21, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>Disney Wonders replaces the traditional store in the Disney Village at Disneyland Paris. It's more spacious and organised into clear zones themed around the various brands: Disney, Pixar, Marvel, and Star Wars. A cleaner layout and displays are intended to make it quicker and easier for visitors to browse and find the merchandise they want.</p><p>This could well improve the user experience, at least for anyone that wants to get in and out of there as quick as they can. Product visibility is more immediate, customer flow more directed.</p><p>But clinical efficiency isn't something that makes people feel excited about being in a Disney store. </p><p>"it's ugly, soulless," one person writes on X. "Ironic to name this the Disney Wonders shop when there is no wonder at all. It’s boring and clinical and has no Disney Magic to it at all," someone else writes.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102048327336681755"><p lang="en" dir="ltr">Old Disney store vs. new Disney store.In one generation it went from selling a feeling to selling a product.The old store was designed to make you feel; the new store is optimized for flows, traffic, and product visibility. pic.twitter.com/BUEXEpCwJE<a href="https://twitter.com/cantworkitout/status/2102048327336681755">September 21, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>To be fair, there are some decorative design details intended to offer moments of delight. There are light fixtures that change colour, while a bank of digital screens shows animations that interact across the different displays. But these touches disappear when you zoom out to the general store layout. From a wider perspective, it looks as drab as an airport shop.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102287767346544894"><p lang="en" dir="ltr">À Disney Wonders, le shopping passe aussi par de petites séquences d’animation intégrées au décor.La nouvelle boutique de Disney Village accueille notamment un mur d’art 2D conçu avec Disney Animation, sur lequel plusieurs personnages semblent progressivement s’animer et… pic.twitter.com/U9R1YT8klG<a href="https://twitter.com/cantworkitout/status/2102287767346544894">September 22, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>Some think Disney made the change because it recognises that it's fanbase has got older. It's now selling to adults more than children. Others see it as a cultural change: that Disney has shifted from selling a feeling to selling a product.</p><p>Another theory is that it's about guiding visitor behaviour. "Drunk guests? Promise them a wet park, but only 2 at the back in the Canteena in Galaxy’s Edge. Childish unruly excitable adult fans? Take the whimsy out and remind them they’re adults via their surroundings," someone suggests.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102208725281018076"><p lang="en" dir="ltr">It’s the same process everywhere https://t.co/goiYERJkQe<a href="https://twitter.com/cantworkitout/status/2102208725281018076">September 22, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>We've talked before about the <a href="https://www.creativebloq.com/design/branding/the-dejoying-of-mcdonalds-has-lost-me-as-a-customer-and-im-not-alone">dejoying of McDonald's</a>. Some see Disney's store redesign as part of the same malaise. In McDonald's has gradual removed much of the colourful, playful personality that defined it in the 1970s, 80s and 90s. Instead of bright red and yellow interiors, cartoon mascots and cheerful decor, many modern McDonald's locations now feature grey, black, brown and minimalist designs that resemble coffee shops or airport lounges.</p><p>Burger King, Pizza Hut and even Starbucks have followed a similar trajectory to a greater or lesser extent. And it comes just as a countertrend sees some companies are reintroducing retro logos, mascots, and brighter colours as younger consumers embrace nostalgia and more chaotic design elements that stand out from the minimalism of recent years.</p><p>We've seen fans take matters into their own hands and <a href="https://www.creativebloq.com/entertainment/movies-tv-shows/one-of-disneys-biggest-flops-has-been-reimagined-as-a-beautiful-hand-drawn-2d-animation-and-some-fans-think-its-a-big-improvement">remake Disney's Wish</a> the way it was originally supposed to be. Do we need fans to redesign Disney's store for it too?</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/entertainment/movies-tv-shows/first-mcdonalds-now-disney-is-dejoying-its-store-designs</link>
                                                                            <description>
                            <![CDATA[ The new Disney Wonders looks like an airport shop. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">eUYQKtChxtFA5eoHAeKvDD</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/PhreG7bxv4KPmDwaxfY8JS-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 07:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 11:57:25 +0000</updated>
                                                                                                                                            <category><![CDATA[Movies & TV Shows]]></category>
                                                    <category><![CDATA[Entertainment]]></category>
                                                    <category><![CDATA[Film & Video]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/PhreG7bxv4KPmDwaxfY8JS-1920-80.jpg">
                                                            <media:credit><![CDATA[Disney]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Disney Wonders store at Disneyland Paris]]></media:description>                                                            <media:text><![CDATA[Disney Wonders store at Disneyland Paris]]></media:text>
                                <media:title type="plain"><![CDATA[Disney Wonders store at Disneyland Paris]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/PhreG7bxv4KPmDwaxfY8JS-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Chromebooks are not for serious creatives, are they? ]]></title>
                                                                                                <dc:content><![CDATA[ <p>When I wrote my <a href="https://www.creativebloq.com/tech/laptops/the-acer-chromebook-plus-spin-514-is-the-chromebook-ive-spent-the-last-5-years-waiting-for">Acer Chromebook Plus 514 review</a>, I said that it was “the Chromebook I've spent the last 5 years waiting for”. During this time, I’ve had a love-hate relationship with Chromebooks. In fact, a few months ago I posed the question: <a href="https://www.creativebloq.com/tech/laptops/are-2-in-1-laptops-dead-or-is-there-still-time-for-a-comeback">Are 2-in-1 laptops dead, or is there still time for a comeback?</a></p><p>I love that Chromebooks are so affordable and convenient, but when working on serious creative projects, they often come up short. What creative, honestly, is investing in a Chromebook when there are so many more powerful options out there?</p><p>It was therefore with limited enthusiasm that I initially unboxed the Acer Plus 514. Okay, I do love my job, but you can’t be excited about every device that comes your way. That apathy quickly flipped to joy when I started using the device. A 14-inch Chromebook laptop excites no one, but a 14-inch laptop that doubles up as a 14-inch tablet starts to really get the juices flowing.</p><div data-widget-type="merchantlink" data-model-name="Acer Chromebook Plus 514"></div><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="ka8y7SZMqyWEgP9D8FJTnh" name="V3ZdgaMBNZymepJu8hqxmi" alt="The Acer Chromebook Plus Spin 514." src="https://cdn.mos.cms.futurecdn.net/ka8y7SZMqyWEgP9D8FJTnh-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1440" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>I quickly found myself using it to sort through media, edit photos with Snapseed, and produce videos with InShot. Being able to quickly transfer and load up media from a shoot was another big plus. The fact that I could then effortlessly get data transferred into the cloud helped deliver an enjoyable and seamless creative workflow.</p><p>All of this could have been achieved in laptop mode, but it was actually having the flexibility to transform it into a tablet with touch controls that began to win me over. Simple editing tasks are far easier with your finger or a stylus than they are using a standard mouse. </p><p>If you own a tablet, the likelihood is that it’s no more than 11 inches in size or maybe 13 inches if you own an iPad Pro or iPad Air. Heck, it might even be as small as 7 inches. But who owns a 14-inch tablet? Hardly anyone. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="vsMng7pHAKULeX3af5fYyh" name="MreEPnWqnDAxD8wfUVjU2j" alt="The Acer Chromebook Plus Spin 514." src="https://cdn.mos.cms.futurecdn.net/vsMng7pHAKULeX3af5fYyh-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1440" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>The display is big, has a whopping 2.8K resolution, and features a 16:10 aspect ratio, which is perfect for consuming long-form content. It also looks super professional and premium when used in a client meeting or sharing ideas with team members.</p><p>The Acer Chromebook Plus 514 is never going to make it into our <a href="https://www.creativebloq.com/features/best-laptops-for-graphic-design">best laptops for graphic design</a> or <a href="https://www.creativebloq.com/buying-guides/best-laptops-for-3d-modelling">best laptops for 3D modelling</a> guides, but it might just have a chance of making it as one of the best <a href="https://www.creativebloq.com/tech/laptops/5-2in1-laptops">2-in-1 laptop tablets</a>. And if you’re looking for a simple companion for your creative workflows while holding onto your main workstation, the Chromebook Plus 514 might just be it.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/laptops/chromebooks-are-not-for-serious-creatives-are-they</link>
                                                                            <description>
                            <![CDATA[ The Acer Chromebook Plus Spin 514 is an excellent 2-in-1 laptop tablet that proves to be a worthy addition to any creatives workflow ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">rP8JQfjSRpkBvyaktANb9J</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/ibDCunNbbaSfk8RRxvtkeh-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 06:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Laptops]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                    <category><![CDATA[Computers]]></category>
                                                                                                <author><![CDATA[ paulo.n.hatton@gmail.com (Paul Hatton) ]]></author>                    <dc:creator><![CDATA[ Paul Hatton ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/a6cxZCYzi6uMQ3GobwkVrh-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Paul is a digital expert. In the 20 years since he graduated with a first-class honours degree in Computer Science, Paul has been actively involved in a variety of different tech and creative industries that make him the go-to guy for reviews, opinion pieces, and featured articles. With a particular love of all things visual, including photography, videography, and 3D visualisation Paul is never far from a camera or other piece of tech that gets his creative juices going. You&#039;ll also find his writing in other places, including Creative Bloq, Digital Camera World, and 3D World Magazine. &lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/ibDCunNbbaSfk8RRxvtkeh-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[The Acer Chromebook Plus Spin 514. ]]></media:description>                                                            <media:text><![CDATA[The Acer Chromebook Plus Spin 514. ]]></media:text>
                                <media:title type="plain"><![CDATA[The Acer Chromebook Plus Spin 514. ]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/ibDCunNbbaSfk8RRxvtkeh-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Coyote Vs Acme's $100m takings show fan campaigns CAN succeed ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Three weeks after its release, <a href="https://www.creativebloq.com/entertainment/movies-tv-shows/coyote-vs-acmes-rave-reviews-are-about-more-than-looney-tunes-nostalgia">Coyote Vs Acme</a> has passed its box office test. The hybrid live action and animation movie that Warner Bros wanted to scrap for a tax write down has made over $100m. That's not mega blockbuster territory, but it beats expectations for a cancelled film that Ketchup Entertainment reportedly picked up for around $50m.</p><p>Moreover, it's proof that a fan backlash can make a difference that actually turns into sales. For years, Hollywood has seen audiences are passive consumers. Coyote vs. Acme has shown that they're participants. if the coyote finally caught a win, it's because enough people believed he deserved one.</p><div class="instagram-embed"><blockquote class="instagram-media"  data-instgrm-version="6" style="width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><p><a href="https://www.instagram.com/p/Dchqf9QB1-m/" target="_blank">A post shared by |MARCO VACCARO| (@marco.vaccaro1)</a></p><p>A photo posted by </p></blockquote></div><p>The movie's journey reads like a classic underdog screenplay. Directed by Dave Green, Coyote vs Acme follows Wile E as he takes legal action against the Acme Corporation over its countless defective products. It was completed in 2022 in slated to reach the big screen in July 2023, but Warner Bros Discovery decided to cancel the movie to take a reported $30 million write-down.</p><p>Following other high-profile cancellations like Batgirl and Scoob! Holiday Haunt, it become a symbol of Hollywood's focus on financial engineering over creative work. But filmmakers and animation enthusiasts refused to let the film quietly disappear. It became a cause.</p><div class="instagram-embed"><blockquote class="instagram-media"  data-instgrm-version="6" style="width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><p><a href="https://www.instagram.com/p/DcO2GClJZRu/" target="_blank">A post shared by |MARCO VACCARO| (@marco.vaccaro1)</a></p><p>A photo posted by </p></blockquote></div><p>One person who's sure to be celebrating the film's redemption is the famous lone protestor who became a symbol for the campaign to get Warner to release the movie. Later identified as the New York and LA-based dancer Marco Vaccaro, he stood outside the Warner Bros lot in Los Angeles dressed as Wile E.</p><p>Maybe someone at Warner saw him and took note. In early 2025, it sold the rights to Ketchup Entertainment, which had previously helped bring The Day the Earth Blew Up: A Looney Tunes Movie to cinemas. </p><p>For a smaller distributor, it was a brave move. Online passion doesn't always translate into commercial success. But Ketchup managed to turn the movie's cancellation into a superpower, embracing it in the marketing with the tagline "The Movie ACME Didn't Want You to See." </p><p>The film's years-long battle for release gave it irresistible added appeal. When audiences watch it, they aren't just rooting for Wile E against Acme, but for the movie against Warner Bros.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/advertising/coyote-vs-acmes-usd100m-in-takings-show-that-fan-campaigns-can-succeed</link>
                                                                            <description>
                            <![CDATA[ The movie Warner Bros wanted to write down has proven itself. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">36o2SpRR4TYcmGvFsbaLe7</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/DpmstwxdzEQJr7iGF8QXHU-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Wed, 23 Sep 2026 05:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Advertising]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                    <category><![CDATA[Branding]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/DpmstwxdzEQJr7iGF8QXHU-1920-80.jpg">
                                                            <media:credit><![CDATA[Ketchup Entertainment / Marco Vaccaro]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Coyote vs Acme and lone protester ]]></media:description>                                                            <media:text><![CDATA[Coyote vs Acme and lone protester ]]></media:text>
                                <media:title type="plain"><![CDATA[Coyote vs Acme and lone protester ]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/DpmstwxdzEQJr7iGF8QXHU-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ First impressions of the beastly new Bambu Lab R1 laser cutter ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Bambu Lab just announced its brand-new 55 watt R1 CO2 laser cutter, which is the first product to <em>ever</em> exist outside of its 3D printing ecosystem. The company has been the top dog in the maker space for almost 5 years now, manufacturing the <a href="https://www.creativebloq.com/buying-guides/best-3d-printers">best 3D printers on the market</a>, so it's interesting to see Bambu Lab branching out into xTool territory with a standalone laser product. </p><p>I've been beta testing this beastly machine for around 2 weeks now, and I'm thoroughly impressed by its auto-alignment technology, premium design, and how it cuts acrylic like butter. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:56.29%;"><img id="35fuKPgH8wzkFZmupzdXo5" name="20260831_172306" alt="Bambu Lab R1 laser" src="https://cdn.mos.cms.futurecdn.net/35fuKPgH8wzkFZmupzdXo5-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1441" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>It's pretty chonky compared with some of the <a href="https://www.creativebloq.com/buying-guides/best-laser-cutters">best laser cutters and engravers</a> out there, but it packs serious power and works with a wide range of materials, including wood, clear acrylic, leather, paper, and fabric, and it can engrave glass, stone, and coated metals too. </p><p>This isn't a completely new direction from the company, considering that Bambu Lab has been blending modular laser cutting and engraving into its latest H series of 3D printers for a year now. The <a href="https://www.creativebloq.com/creative-inspiration/digital-crafting/my-first-impressions-of-bambu-labs-latest-h2s-3d-printer">Bambu Lab H2S</a> that I currently own has the option to laser cut, but also use a blade, a lot like one of the <a href="https://www.creativebloq.com/buying-guides/best-cricut-machines">best Cricut machines</a>. </p><p>Let's dive into my first impressions of the <a href="https://store.bambulab.com/products/r1" target="_blank" rel="nofollow"><strong>brand-new Bambu Lab R1</strong></a>, or you can check out the video I put together below for a more visual rundown. </p><iframe src="https://content.jwplatform.com/players/OS27vqbe.html" id="OS27vqbe" title="Bambu Lab R1 Laser first impressions" width="1080" height="1920" frameborder="0" scrolling="auto" allowfullscreen></iframe><p>To start with the highlights: In terms of price, the R1 sits at exactly what I'd expect for a laser of this size and power, priced at $2,499.00 / £2,249.00 / €2,499.00 / AU$3,849.00 for the laser alone (no add-ons included). In comparison to entry-level desktop laser units like the xTool P2S, which launched with an MSRP of around $4,299, this is actually pretty competitive. </p><p>The R1's best party trick is that it can automatically align its own optical path, thanks to the TriSense System. This means it can automatically detect where a material is placed, calculate how high the surface is, and map the tool head path in just one click. On other Co2 lasers, this is a painstaking manual process that involves taping thermal paper over a mirror mount, testing different burn marks, and turning each mirror by hand until the course is correct. </p><p>Bambu Lab also sent me a Vision Encoder (sold separately) to test with the R1, which is a handy calibration board that measures and corrects any mechanical drift that may occur after prolonged use. This ensures that the laser will last the test of time if maintained correctly. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:56.29%;"><img id="Qn56yWgtUiG5tPSyVNJLD3" name="20260921_191022" alt="Bambu Lab R1 laser" src="https://cdn.mos.cms.futurecdn.net/Qn56yWgtUiG5tPSyVNJLD3-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1441" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>Makers already familiar with Bambu Lab's ecosystem will get stuck in with this laser cutter quickly, as the R1 does not require you to learn a new method of working and fits into the ecosystem and interface you already know. The touch pad and UI feel almost identical to those of Bambu Lab 3D printers, and you can connect the R1 to Bambu Handy in a matter of minutes for easy app control. </p><p>The BirdsEye camera sits in the top of the laser lid and makes it easy to place your designs accurately, although there's no way to record or monitor the laser activity via the camera or app, so you'll need to be in close proximity to it at all times, as you should with any laser engraver in a home setting. </p><p>The machine utilises Bambu Suite software as opposed to Bambu Studio, which is 100% free with no hidden costs or AI credits needed. I believe it's only available as a desktop download, so keep this in mind if you only have access to a tablet or smartphone. It's easy to use, with basic tools to help you create, with background removal and tracing tools for turning images into SVGs in seconds.</p><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/UwYN4XzJEFu3LMc93FaPx9-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/HADcEUReSu3jTHYFVyxUh9-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/jjMDV6TxYVbLd7bfgoFss9-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure></figure><p>There are some materials that the machine isn't compatible with at the time of testing, but this may change once Bambu rolls out a software update. I attempted to engrave on PLA anyway for the sake of testing, and it all worked fine. A word of caution: don't go against any of the product guidelines and safety measures.</p><p>The machine is Class 1 certified, which means you don't need goggles to operate it, and it's perfectly safe around children and pets. There's a big red safety button to shut down operation, an auto-stop feature when the lid is open, and it has flame detection too, which the Auto Fire Extinguishing System (sold separately) can put out on its own. </p><p>I won't lie, the Bambu Lab R1 is a super heavy and bulky machine (the unboxing and setup process is definitely a 2-person job). But according to the company, the R1 delivers the same working area as a typical CO2 laser while taking up about a third less space. Personally, I'm used to my slimmer <a href="https://www.creativebloq.com/creative-inspiration/digital-crafting/heres-how-i-created-a-dino-sphere-with-the-xtool-f2-ultra-uv">xTool F2 Ultra laser</a>, and this one certainly takes up more space in comparison. </p><p>The good thing is you can comfortably fit 2 sheets of <a href="https://uk.store.bambulab.com/products/bambu-basswood-plywood?" target="_blank" rel="nofollow">Bambu Lab's basswood plywood</a> in there side by side, with a working area of 600 × 300 mm. There's always the conveyor attachment (sold separately), which you can buy if you need to expand the working area for furniture-scale work up to 3,000 mm long.</p><figure role="gallery"><figure><img src="https://cdn.mos.cms.futurecdn.net/FMxWhMJH9KPjX3owgRwrkP-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/KSL7G7onbjb4P6F4om9YsP-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/wertgQzADDj5EvDFDkGYsP-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure><figure><img src="https://cdn.mos.cms.futurecdn.net/oPe22XUpaR33fMnbQsEQiP-1920-80.jpg" alt="Bambu Lab R1 laser" /><figcaption><small role="credit">Future</small></figcaption></figure></figure><p>I think for Bambu Lab's first-ever standalone laser, and non-3D printing product, this is a huge success. I haven't run into any hiccups or negative incidents yet but I'm still testing and looking for flaws each day. </p><p>Stay tuned for my full review of the Bambu Lab R1 coming soon. Pre-orders are live right now through the <a href="https://store.bambulab.com/products/r1" target="_blank" rel="nofollow">official Bambu Lab store</a>, with shipping expected to roll out in October.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/creative-inspiration/digital-crafting/first-impressions-of-the-beastly-new-bambu-lab-r1-laser-cutter</link>
                                                                            <description>
                            <![CDATA[ It's bloomin big. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">gadBqZtxazt2QPxaAoUeiH</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/jjMDV6TxYVbLd7bfgoFss9-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 15:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 10:36:51 +0000</updated>
                                                                                                                                            <category><![CDATA[Digital Crafting]]></category>
                                                    <category><![CDATA[Creative Inspiration]]></category>
                                                                                                <author><![CDATA[ beth.nicholls@futurenet.com (Beth Nicholls) ]]></author>                    <dc:creator><![CDATA[ Beth Nicholls ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/VTYGX5JNwZDwUceNVUmmrf-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Beth is Creative Bloq’s Ecommerce Writer and has the fun job of finding you the very best prices and deals on creative tech. Beth kicked off her journalistic career writing for Digital Camera World and has since earned bylines on TechRadar and PetsRadar too. With a Master&#039;s degree in Photography, Beth loves getting to tinker with new cameras, especially camera phones, as the resident Samsung fan on the team. Her background working as a tester for CeX let her play around with all kinds of weird and wonderful products, including robots, and she’s recently gotten into 3D printing too. Outside of CB, you’ll find her gaming on her PS5, photographing local shows under the alias Bethshootsbands, and making TikToks of her dog, Tilly. &lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/jjMDV6TxYVbLd7bfgoFss9-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Bambu Lab R1 laser]]></media:description>                                                            <media:text><![CDATA[Bambu Lab R1 laser]]></media:text>
                                <media:title type="plain"><![CDATA[Bambu Lab R1 laser]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/jjMDV6TxYVbLd7bfgoFss9-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ These earphones are the  sonic equivalent of sunburn ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Best known for making the excellent $5,000 IEM <a href="https://nobleaudio.com/products/kronos?variant=42690896888017&utm_source=AMZN_US_ShopDirect">Kronos</a>, the superb wireless earphone <a href="https://www.creativebloq.com/tech/headphones-earbuds/nobles-budget-earphones-are-better-than-their-more-expensive-models-and-its-not-even-close">Osprey</a>, and the fantastic<a href="https://www.creativebloq.com/tech/headphones-earbuds/noble-fokus-artemis-review-this-feels-and-sounds-to-me-like-the-future-of-wireless-anc-headphones"> FoKus Artemis</a> ANC headphone, Noble is a US/Taiwanese company that makes beautiful-sounding, beautiful-looking audio products, many of which I've tried and enjoyed. </p><p>Then there's the Vanguard.</p><p>It's tricky when you get an absolute stinker in to review. After all, I don't want to make enemies in the small audiophile world. But the Vanguard is straight up a bad IEM. </p><ul><li><a href="https://nobleaudio.com/products/vanguard?srsltid=AU7gw4W6O3f5JrQLX6DG91ADXD3qqwIYGLf5-M8qGjDdiL8be0W5udNZ"><strong>Buy the Noble Vanguard at Noble for $325</strong></a></li></ul><div  class="fancy-box"><div class="fancy_box-title">Specs</div><div class="fancy_box_body"><p class="fancy-box__body-text"><strong>Price</strong>: $325/£299   <br><strong>Release</strong>: July 2026   <br><strong>3 drivers</strong>: 1x 10mm PEK dynamic driver; 2x custom balanced armatures<br><strong>Materials</strong>: CNC-machined aluminium alloy faceplates, DLP 3D-printed resin shells<br><strong>Cable</strong>: 1.2 m<br><strong>Impedance</strong>: 23 Ω   <br><strong>Sensitivity</strong>: 112 dB SPL/mW   <br><strong>Weight</strong>: 7.5 g each</p></div></div><p>Of course, there will be people out there who'll like its odd tuning and unclear design (each IEM shows a man holding a sword, but it's near-impossible to see). But at $325 I can't shake the feeling that it's a result of a series of mistakes rather than clear intent. </p><p>For context, every single IEM on my list of the <a href="https://www.creativebloq.com/tech/headphones-earbuds/listen-up-these-are-the-best-budget-friendly-in-ear-monitors">best budget IEMs</a> sounds and looks better than the Vanguard – some providing a modular cable too, despite costing a fraction of the Vanguard's price. </p><p>Let's dig into what went wrong. </p><h3 class="article-body__section" id="section-sound-profile"><span>Sound profile</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2000px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="TmzmVcMrYy5cFcuM5A6DwX" name="round" alt="The Noble Vanguard IEMs in various positions in my home office." src="https://cdn.mos.cms.futurecdn.net/TmzmVcMrYy5cFcuM5A6DwX-1920-80.jpg" mos="" align="middle" fullscreen="" width="2000" height="1125" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p><strong>Overall</strong>, the Vanguard's great sin is its imbalance. This is not a case of it not hitting my preferred tuning characteristics. I like all sorts of tunings, and I'll give a glowing review to an IEM that is well-balanced, even if its style of tuning isn't my bag (as with the <a href="https://www.creativebloq.com/tech/headphones-earbuds/at-usd190-the-juzear-light-shuttle-is-one-of-the-most-compelling-earphones-of-2026"><strong>Juzear Light Shuttle</strong></a>). Even a ridiculously coloured basshead set can be excellent, if balanced (<strong>Kiwi Ears x HBB Punch</strong> review in progress!).</p><p>But I believe that whoever tuned the Vanguard had an off day. The bass, midrange and treble all sing from completely different hymn sheets, and taken as a whole, it sounds boxy, bright, lean, dry, crispy, sharp and piercing. </p><p>The timbre is not what you would call realistic. </p><p><strong>Bass:</strong> The first track that I play when reviewing an IEM is always the same: Erykah Badu's Other Side of the Game. It opens with a big fat bass note, swiftly followed by the thwack of a snare drum. It's a great way to know where you are with a set.</p><p>When played through the Vanguard, the bass note sounded like a trumpet, and the snare like a plate of wet jelly being thrown at a wall. I genuinely laughed out loud.</p><p>Now, I've not seen any graphs, but I don't think the problem is a lack of bass. There is some bass to be found here, it's just that in the context of the rest of the frequency response, that bass is being strangled of all its life. It lacks weight and body. It is weak sauce.</p><div  class="fancy-box"><div class="fancy_box-title">Testing kit</div><div class="fancy_box_body"><figure class="van-image-figure "  ><div class='image-full-width-wrapper'><div class='image-widthsetter' ><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="nbsTi6bbqjzn6FYX6XGCt8" name="test-kit" caption="" alt="The Luxsin X8, Mojo 2 and Fosi DS2 DAC/Amps." src="https://cdn.mos.cms.futurecdn.net/nbsTi6bbqjzn6FYX6XGCt8-1920-80.jpg" mos="" link="" align="" fullscreen="" width="" height="" attribution="" endorsement="" class="pinterest-pin-exclude"></p></div></div><figcaption itemprop="caption description" class=""><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p class="fancy-box__body-text">For all my headphone and IEM reviews I play them with my <a data-analytics-id="inline-link" href="https://luxsinaudio.com/products/x8"><strong>Luxsin X8</strong></a>, <a data-analytics-id="inline-link" href="https://www.amazon.com/CHORD-ELECTRONICS-Chord-Electronics-Mojo/dp/B09252BRP1"><strong>Chord Mojo 2</strong></a>, and <a data-analytics-id="inline-link" href="https://www.amazon.com/Fosi-Audio-DS2-Resolution-Pro/dp/B0CTHN2QB3"><strong>Fosi DS2</strong></a> DAC/Amps, as well as straight from my MacBook Air (M4) and Denon RCD-M41DAB player. They all provide a transparent source for a clean, detailed signal. My music sources are Spotify Lossless and CDs.</p></div></div><p><strong>Midrange:</strong> This is the culprit!</p><p>Using a tonal sweep, there's a dip in 300-800Hz, followed by a peak around 2-4kHz – there's usually a mound, but this is a mountain. That translates into a thin lower midrange that makes vocals and instruments sound hollow, then a very pronounced upper midrange that brings a sharp, thin edge to everything. </p><p>If I'm being generous, I'd describe this approach as having attack and clarity.   </p><p>I've come back to the Vanguard several times, each time wanting to 'get it'. Although negative reviews are fun to write, I know this IEM is the result of a team of people working hard, and I want to be fair. But after each session, I walked away thinking the same thing: this tuning is fundamentally misjudged. </p><p>To give Noble credit, this is an IEM that tries something new, which is to be applauded. But I cannot recommend the results. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2000px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="JKGPNorxZyGs6hdCwHG9wX" name="worst" alt="The Noble Vanguard IEMs in various positions in my home office." src="https://cdn.mos.cms.futurecdn.net/JKGPNorxZyGs6hdCwHG9wX-1920-80.jpg" mos="" align="middle" fullscreen="" width="2000" height="1125" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p><strong>Treble:</strong> Taken by itself, I can't find any problematic, sharp peaks here. But due to the shy bass and insane upper midrange, a little treble goes a long way. </p><p>With a balanced set, it's fairly easy to pinpoint what's going on in each area of the frequency response, but because the upper midrange looms so large, everything is in its shadow.</p><p>My treble-forward test tracks come across as piercing. The brightly mixed Lucinda Williams Sweet Old World is close to unlistenable – the tambourine, snare and cymbal crashes are too sharp to enjoy. But is this because of an excess of treble, or the sharp context that the upper midrange frames a modest treble? I can't be sure. </p><p>I don't think there's a shortage of air, but where that would usually add a dimension to the lower frequencies, with the already over-baked upper midrange, it aims a spotlight at the sun.</p><h3 class="article-body__section" id="section-price-value"><span>Price & value</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2000px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="2vhNGriLEyvecLnaWV2EwX" name="speaker1" alt="The Noble Vanguard IEMs in various positions in my home office." src="https://cdn.mos.cms.futurecdn.net/2vhNGriLEyvecLnaWV2EwX-1920-80.jpg" mos="" align="middle" fullscreen="" width="2000" height="1125" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>The Noble Vanguard is $325, which is an incredibly competitive price point. If we put a pin in the tuning for now, and judge the Vanguard on its build, comfort, drivers and accessories, the Vanguard does OK. </p><p>This is a deep, long-style of IEM, and I personally don't find that style very comfortable, but I know that some people do, so we'll leave that in the 'too subjective to talk too much about' pile for now. </p><p>If driver configs are important to you, the Vanguard's three-driver setup is a slightly lower count than many competitors, but the individual transducer quality and component materials are good. </p><p>I personally don't worry too much about drivers, as it can quickly become a numbers game, and I'm unconvinced that more = better. </p><p>However, the aluminium and 3D resin build of the Vanguard is good, and the cable is also a nice thin, black number that doesn't tangle. It isn't modular, however, and it really should be, so that's definitely a point taken off for that. </p><h3 class="article-body__section" id="section-competition"><span>Competition</span></h3><p>When evaluating the Vanguard's value based on its tuning, it doesn't perform well. If you want a bright-leaning IEM around the same price, you can get the <a href="https://www.creativebloq.com/tech/headphones-earbuds/out-of-ziigaats-14-earphones-horizon-is-the-cats-whiskers"><strong>ZiiGaat Horizon</strong></a> ($330) or the <a href="https://www.creativebloq.com/tech/headphones-earbuds/this-usd310-earphone-uses-a-usd1-500-technology-and-it-sounds-really-really-good"><strong>Binary EP321</strong></a> ($310), which are both excellent. If you want that slightly peaked pinna ear region, the <a href="https://www.amazon.com/Moondrop-Blessing-Earphones-Triple-Range-Frequency/dp/B0C1ZBTD2V"><strong>Moondrop Blessing 3</strong></a> ($360) is a great option (because it balances that peak with more bass!).</p><p>But for my main comparison, I'm not going with any of these sets. I think I can make my point comparing it to a $35 IEM instead...</p><h2 id="noble-vanguard-vs-ooopus-op-22">Noble Vanguard vs Ooopus Op.22</h2><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2000px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="Unr79Lmrk6pZvQXsnLSvVP" name="vs" alt="The Ooopus Op.22 earphones next to one of the Noble Vanguard IEMs." src="https://cdn.mos.cms.futurecdn.net/Unr79Lmrk6pZvQXsnLSvVP-1920-80.jpg" mos="" align="middle" fullscreen="" width="2000" height="1125" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>You may think I'm being provocative by comparing the $325 Noble Vanguard with the $35 Op.22, but I'm really not. The truth is, the absurdly-named <a href="https://www.creativebloq.com/tech/headphones-earbuds/budget-banger-the-usd35-op-22-earphone-has-2-sound-profiles-both-great"><strong>Ooopus Op.22</strong></a> is a better-sounding IEM than the Vanguard, in both its sound settings (though admittedly, when it comes to build quality it's not in the same league). </p><p>That's right, the cheap IEM has two sound profiles: a neutral tuning, with a slight upper midrange elevation, and a bass-boosted setting. And I think the Op.22's upper-midrange-elevated tuning is a better version of the Vanguard. </p><p>That's because the Op.22's standard profile balances out a <em>slightly</em> elevated pinna region with a fuller, more linear bass-to-midrange. There's no dip in the lower midrange to reduce a sense of body, as with the Vanguard. The bass response is also well extended with the Op.22, and though subtle, like the Vanguard, it actually registers. </p><p>Bottom line: The Op.22 is just more balanced than the Vanguard. </p><p>And when you flick the bass boost on the Op.22, you get an unholy amount of bass that's really fun. As it's a different tuning approach, it doesn't make much sense to compare it to the Vanguard, so let's move on... </p><h3 class="article-body__section" id="section-should-you-buy-it"><span>Should you buy it?</span></h3><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2000px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="bSNzVMukqFDeXj3UBd8rvX" name="up-close" alt="The Noble Vanguard IEMs in various positions in my home office." src="https://cdn.mos.cms.futurecdn.net/bSNzVMukqFDeXj3UBd8rvX-1920-80.jpg" mos="" align="middle" fullscreen="" width="2000" height="1125" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Can you see it? Me neither.  </span><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>There are a couple of positive reviews of the Noble Vanguard online, so it's definitely worth having a listen for yourself to see who you agree with. Personally, I believe the team at Noble have made an uncharacteristic blunder here.</p><p>The build is good, but the cable isn't modular. There's a good number of ear tips, but the faceplate design of a cool-ass medieval sword-wielding warrior is basically unreadable. For every positive I can think of, there's an equal or greater negative. And that's before you get to the tuning. </p><p>If you have a hankering for a skyscraper peak in the pinna gain region (no shame, feel yourself), then give it a go. But be warned: a weak-ass bass and a troublesome treble accompany that absolute wad of upper midrange.</p><p>I find the Noble Vanguard impossible to recommend. </p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/headphones-earbuds/noble-vanguard-earphones-review-the-sonic-equivalent-of-a-sunburn</link>
                                                                            <description>
                            <![CDATA[ The Noble Vanguard doesn't sound good and costs $330. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">LeYGAoNvfm9cwsNkZ48qB8</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/46d4m7qNHiWe4peVmiDuPX-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 13:00:00 +0000</pubDate>                                                                                                                                <updated>Wed, 23 Sep 2026 08:31:09 +0000</updated>
                                                                                                                                            <category><![CDATA[Headphones & Earbuds]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                                                                <author><![CDATA[ beren.neale@futurenet.com (Beren Neale) ]]></author>                    <dc:creator><![CDATA[ Beren Neale ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/fD3udAuFiVjXfUojSwZ5nf-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Beren has worked on creative tech magazines and websites at Future Publishing for nearly two decades. Cutting his teeth as Staff Writer on the digital art magazine ImagineFX, in 2012 he helped bridge the magazine/website gap as Commissioning Editor on the newly launched Creative Bloq. He went on to lead ImagineFX, the fine art mag Paint &amp; Draw, then worked on the Canon Pro Europe website. As editor of Computer Arts he led a successful redesign of the iconic design mag, then in 2020 he moved back to Creative Bloq, the biggest global art and design website. As Ecom Editor, when he&#039;s not reviewing the best audiophile headphones, ergonomic office chairs, phones, laptops, TVs and monitors, he helps digital creatives get the best deals on the kit that they need and love. &lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/46d4m7qNHiWe4peVmiDuPX-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[The Noble Vanguard IEMs in various positions in my home office. ]]></media:description>                                                            <media:text><![CDATA[The Noble Vanguard IEMs in various positions in my home office. ]]></media:text>
                                <media:title type="plain"><![CDATA[The Noble Vanguard IEMs in various positions in my home office. ]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/46d4m7qNHiWe4peVmiDuPX-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ The bold new Apple Music logo signals the end of minimalism ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Over a decade after the service first launched in 2015, Apple has quietly revealed a brand new logo for its audio streaming service, Apple Music. And if this bold new look is anything to go by, reports of the death of minimalism have not been exaggerated.</p><p>This week, the company launched <a href="https://www.applemusichall.com/" target="_blank">Apple Music Hall</a>, a brand new music venue in London. The intimate 600 capacity venue sits in Battersea Power Station, and promises to "close the gap between intimacy and production value".</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1994px;"><p class="vanilla-image-block" style="padding-top:68.41%;"><img id="7BJzmV3qFV7Z6MptpcvFdi" name="Screenshot 2026-09-22 at 13.18.45" alt="Apple Music Hall website" src="https://cdn.mos.cms.futurecdn.net/7BJzmV3qFV7Z6MptpcvFdi-1920-80.png" mos="" align="middle" fullscreen="" width="1994" height="1364" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Apple)</span></figcaption></figure><p>The venue's website features a new take on the Apple Music wordmark, doing away with the clean and minimal San Francisco font in favour of a bold, lowercase design.</p><p>There's a decidedly retro look to the new design, with many claiming to be getting strong Y2K vibes. "Feels like the font from a music magazine cover or something you’d see on a cassette insert," one Redditor <a href="https://www.reddit.com/r/logodesign/comments/1wn3te4/old_vs_new_apple_music_logo/" target="_blank">comments</a>.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:535px;"><p class="vanilla-image-block" style="padding-top:53.83%;"><img id="UyXsKEX6yeh6ysEhRoam4D" name="Apple-Music-03.jpg" alt="Apple Music" src="https://cdn.mos.cms.futurecdn.net/c49d7d0bac21a87e1a54752193ad95ef-1920-80.jpg" mos="" align="middle" fullscreen="" width="535" height="288" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Apple Music launched in 2015 </span></figcaption></figure><p>When Apple shifts away from a design trend, the world takes notice. Back in 2013, the brand arguably single-handedly killed skeuomorphism when iOS 7 introduced a sea of flat design. Then came <a href="https://www.creativebloq.com/web-design/ux-ui/even-microsoft-is-roasting-apples-liquid-glass-ui-design">Liquid Glass</a>, which spawned countless imitations last year.</p><p>And so, this maximalist bold text could tell us a lot about the next few years of Apple design – and design in general. Maximalism has been in for a while, but with its<a href="https://www.creativebloq.com/design/product-design/i-cant-believe-how-good-the-macbook-neo-looks-and-feels"> colourful new laptops</a> and <a href="https://www.creativebloq.com/design/advertising/cool-or-cringe-apples-unhinged-tiktok-videos-are-dividing-fans">Gen Z-baiting TikTok ads,</a> Apple has been tentatively rediscovering its sense of fun. We're now seeing how that might translate into actual design systems for Apple. The future's bold.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/logos-icons/the-bold-new-apple-music-logo-signals-the-end-of-minimalism</link>
                                                                            <description>
                            <![CDATA[ When Apple shifts away from a design trend, the world takes notice. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">WXueBTA2h6UiEe9berZZTS</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/N3C4pV8VF56evAATLjdAFW-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 12:21:41 +0000</pubDate>                                                                                                                                <updated>Tue, 22 Sep 2026 12:23:16 +0000</updated>
                                                                                                                                            <category><![CDATA[Logos & Icons]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                    <category><![CDATA[Branding]]></category>
                                                                                                                    <dc:creator><![CDATA[ Daniel John ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/YskA3seg76tnjozEnUK5yf-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Daniel John is Design Editor at Creative Bloq. He reports on the worlds of design, branding and lifestyle tech, and has covered several industry events including Milan Design Week, OFFF Barcelona and Adobe Max in Los Angeles. He has interviewed leaders and designers at brands including Apple, Microsoft and Adobe. Daniel&#039;s debut book of short stories and poems was published in 2018, and his comedy newsletter is a &lt;a href=&quot;https://danielpiper.substack.com/&quot; target=&quot;_blank&quot;&gt;Substack Bestseller&lt;/a&gt;. &lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/N3C4pV8VF56evAATLjdAFW-1920-80.jpg">
                                                            <media:credit><![CDATA[Apple]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Apple Music]]></media:description>                                                            <media:text><![CDATA[Apple Music]]></media:text>
                                <media:title type="plain"><![CDATA[Apple Music]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/N3C4pV8VF56evAATLjdAFW-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ McLaren’s new logo looks like a luxury fashion brand ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Luxury car brand McLaren has unveiled a slick new brand identity, evolving its iconic heritage look for the next generation. At the centre of the new look is a fresh wordmark, inspired by the brand's humble origins, marrying classic design with a future-forward spirit. </p><p>With rival brands like <a href="https://www.creativebloq.com/design/branding/one-year-on-was-jaguars-controversial-rebrand-a-triumph-or-disaster">Jaguar</a> proving that a miscalculated logo can cost you public favour, it's never been a more nerve-wracking time for brands to evolve. But with a careful blend of heritage and modern refinement, it seems McLaren has nailed the contemporary car logo. </p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2102296157959467321"><p lang="en" dir="ltr">This is McLaren.Created for what comes next.We are proud to reveal our evolved brand identity, one that expresses the ambition, creativity and confidence that is shaping McLaren’s future. 🧡Our roots remain firmly planted in our legendary history. We’re moving forward with… pic.twitter.com/rlR4mK9ayk<a href="https://twitter.com/cantworkitout/status/2102296157959467321">September 22, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>McLaren's new logo features a clean wordmark in a modern sans-serif. Inspired by the sign above the McLaren family service station in Remuera, Auckland, dating back to the 1920s, the design ties in the brand's rich history while giving the brand a slicker, modern appeal thanks to its lighter weight. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1187px;"><p class="vanilla-image-block" style="padding-top:100.00%;"><img id="Y2ar2cSUGrAYKHXVjTcSGM" name="HSzxD35aYAAayp3" alt="McLaren old service station" src="https://cdn.mos.cms.futurecdn.net/Y2ar2cSUGrAYKHXVjTcSGM-1920-80.png" mos="" align="middle" fullscreen="" width="1187" height="1187" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: McLaren)</span></figcaption></figure><p>A subtle underscore beneath the lowercase 'c' brings a further polish to the design, giving it a luxury feel in line with some of the <a href="https://www.creativebloq.com/features/best-fashion-logos">best fashion logos</a>. The old logo's iconic speedmark is reintroduced for the brand's golf and racing subbrands, reflecting "the value of continuity and its enduring significance to fans around the world." </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2440px;"><p class="vanilla-image-block" style="padding-top:66.64%;"><img id="TZHGsXTVqVYJx5fn5VGYwF" name="HSz8VCxW8AA3mdg" alt="McLaren car with new logo" src="https://cdn.mos.cms.futurecdn.net/TZHGsXTVqVYJx5fn5VGYwF-1920-80.jpg" mos="" align="middle" fullscreen="" width="2440" height="1626" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: McLaren)</span></figcaption></figure><p>"It's a reflection of the journey we are on as a company," explains David Woodhouse, chief creative officer at McLaren Automotive. "It marks the beginning of a new chapter for McLaren, giving a physical expression to the ambition, creativity and forward momentum that is shaping our future."</p><p>"It celebrates the symbols and stories our fans, partners and team mates already know and love, while giving us a more connected expression of where we’re heading next. It feels unmistakeably McLaren," adds Lou McEwen, chief marketing officer at McLaren Racing.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1920px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="J8cZmaGdvVAMSzoLtjZs47" name="logocomp" alt="McLaren logos" src="https://cdn.mos.cms.futurecdn.net/J8cZmaGdvVAMSzoLtjZs47-1920-80.jpg" mos="" align="middle" fullscreen="" width="1920" height="1080" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: McLaren)</span></figcaption></figure><p>As with all new brand identities, I suspect that McLaren's new look will certainly ruffle some feathers. The chunky, retrofuturistic look of the old design was iconic but slightly dated, and while it served a purpose, the new look feels far more in tune with McLaren's past and future. </p><div style="min-height: 250px;">                                <div class="kwizly-quiz kwizly-eJ9jZX"></div>                            </div>                            <script src="https://kwizly.com/embed/eJ9jZX.js" async></script><p>For more car design, take a look at <a href="https://www.creativebloq.com/design/branding/why-the-ferrari-luce-is-so-controversial-and-how-the-car-brand-should-respond">why the Ferrari Luce is so controversial</a> or check out <a href="https://www.creativebloq.com/design/logos-icons/teslas-new-logo-sparks-wild-speculation">Tesla's mysterious new logo design</a> that sparked some surprising theories. </p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/logos-icons/mclarens-new-logo-looks-like-a-luxury-fashion-brand</link>
                                                                            <description>
                            <![CDATA[ It’s a celebration of heritage design. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">F6Pj8TnKYTkWcpXc3XuY9E</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/UsXDmLjFBLy3ASdpiKrMLJ-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 12:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Logos & Icons]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                    <category><![CDATA[Branding]]></category>
                                                                                                                    <dc:creator><![CDATA[ Natalie Fear ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/ieMCBUvEp9jucaWRxi3QGg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/UsXDmLjFBLy3ASdpiKrMLJ-1920-80.jpg">
                                                            <media:credit><![CDATA[McLaren]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[McLaren car in red]]></media:description>                                                            <media:text><![CDATA[McLaren car in red]]></media:text>
                                <media:title type="plain"><![CDATA[McLaren car in red]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/UsXDmLjFBLy3ASdpiKrMLJ-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ This out-there branding is the bravest design I've seen all year ]]></title>
                                                                                                <dc:content><![CDATA[ <p>I've been writing about design for almost two decades now, and I've been to a serious number of creative conferences. And it's always interesting to check out their visual identities.</p><p>Firstly because they tend to be refreshed year-on-year, and secondly because we're generally talking about people at the top of their industry, who both know what they're doing and are keen to impress their peers. </p><p>For that reason, I'm pretty sure I've never seen a <em>bad</em> conference identity. But inevitably, some are going to be better than others. And here's one that really hit all the right notes for me (for others, see our list of the <a href="https://www.creativebloq.com/tag/rebrands-of-the-decade">best rebrands</a>). </p><p>But first, some context. World Design Congress (WDC) is a global event run by the World Design Organization (WDO), an international non-governmental body that promotes the profession of industrial design. </p><p>Launched in 1959, it takes place in a different host city every two years, and the last one took place at the Barbican in London in 2025. The next, the 35th edition, will take place in Seoul, South Korea, from 22–25 September 2027. Its visual identity has just been released, and is in full effect on the <a href="https://worlddesigncongress2027seoul.com/" target="_blank">World Design Congress website</a>. And, well, it's quite a sight.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:48.24%;"><img id="TAhnchyGwby2bSqsNTFN3Q" name="Screenshot 2026-09-18 at 10.02.40" alt="A mustard-yellow congress homepage in grey and orange tones, with lilac circles, magenta triangles and yellow hexagons clustered across the right-hand side." src="https://cdn.mos.cms.futurecdn.net/TAhnchyGwby2bSqsNTFN3Q-1920-80.png" mos="" align="middle" fullscreen="" width="2560" height="1235" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: World Design Organisation/Everyday Practice)</span></figcaption></figure><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:48.24%;"><img id="39wqsGon4qhxP3esuuTD3Q" name="Screenshot 2026-09-18 at 10.02.33" alt="A homepage in orange and lilac tones, with green dots and small yellow, blue and orange shapes scattered across the right-hand side" src="https://cdn.mos.cms.futurecdn.net/39wqsGon4qhxP3esuuTD3Q-1920-80.png" mos="" align="middle" fullscreen="" width="2560" height="1235" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: World Design Organisation/Everyday Practice)</span></figcaption></figure><p>Clashing colours, scattered shapes, a logo that looks like a seesaw mid-wobble, all brought to life by motion graphics. It's the kind of thing you'd expect from a fun 'n' funky startup, not a prestigious body like the WDC.</p><p>But that doesn't mean I don't like it. In fact, I think they've actually nailed it. And that's especially pleasing in an era in which design festival mainly plays it safe. One typeface. One colour. A logo that could belong to a bank just as much as festival. I don't wish to name names, but we've all seen branding like this, right?</p><p>In contrast, for WDC 2027, Seoul studio <a href="https://everyday-practice.com/">Everyday Practice</a> has gone in a very different direction. It's loud, chaotic and, frankly, a bit weird. </p><p>Which is very pleasing, because an organisation like WDO, marking its 70th anniversary, could have rested on its laurels and gone for something familiar and safe. And at a time when so much design feels focus-grouped into sameness, that feels like a risk, albeit it one that's paid for.</p><h2 id="underlying-concept">Underlying concept</h2><p>It's not just different for different's sake, though: this is an identity built on something deep and real. Everyday Practice has taken the idea of Seoul as a city of contrasts – ancient palaces next to glass towers, humble villages a few streets from neon-soaked nightlife – and built that tension into the DNA of the identity.</p><p>The seven-colour palette does a real job, too. Green is for the city's parks, blue for the Han River, orange for its sunsets, magenta for its nights out. It all works together visually, subtly reflecting the idea of a city where different ideas can sit side by side without being in conflict. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1698px;"><p class="vanilla-image-block" style="padding-top:56.24%;"><img id="cERUTn57hLdFe3LdxV3atP" name="color" alt="A "Color" slide showing seven vertical photo strips of Seoul each labelled with its inspired colour name: Green, River Blue, Sunset Orange, Dawn Violet, Autumn Yellow, Midnight Magenta and Stone Gray." src="https://cdn.mos.cms.futurecdn.net/cERUTn57hLdFe3LdxV3atP-1920-80.jpg" mos="" align="middle" fullscreen="" width="1698" height="955" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: World Design Organisation/Everyday Practice)</span></figcaption></figure><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:952px;"><p class="vanilla-image-block" style="padding-top:49.37%;"><img id="LEpqExoCDEs7sxy3ipMTfP" name="1" alt="The World Design Congress logo on a cream background, showing a lilac ring, orange square and green triangle on a blue seesaw beside the text "World Design Congress Think · Make · Change Seoul 2027"." src="https://cdn.mos.cms.futurecdn.net/LEpqExoCDEs7sxy3ipMTfP-1920-80.jpg" mos="" align="middle" fullscreen="" width="952" height="470" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: World Design Organisation/Everyday Practice)</span></figcaption></figure><p>I think the key takeaway here is that "bold and different" doesn't have to mean reckless or chaotic. Everyday Practice hasn't just thrown together clashing shapes and hoped for the best. Every colour ties back to something specific about Seoul, and the generative, scattering system behind the mark gives it a logic that holds up across the applications shown, the pastel-poster homepage, the greyscale variant, the bright orange one. </p><p>That's the discipline underneath what looks like chaos, and it's what stops this being a gimmick. And overall, this branding stands as proof that a reasoned, well-constructed piece of maximalism can still get approved by a serious institutional client; not <em>despite</em> being loud, but because the loudness is actually doing the work.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/branding/this-out-there-branding-is-the-bravest-design-ive-seen-all-year</link>
                                                                            <description>
                            <![CDATA[ The visual identity for 2027 World Design Congress is anything but safe and predictable. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">SnJUuNkqRPBP2i6X4jMHYn</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/TU9k3DTLKtcdLXt43SYQ3Q-1920-80.png" type="image/png" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 11:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Branding]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                                                                <author><![CDATA[ journo.tommay@gmail.com (Tom May) ]]></author>                    <dc:creator><![CDATA[ Tom May ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/dT9Sds28YazWSnthFky3dW-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/png" url="https://cdn.mos.cms.futurecdn.net/TU9k3DTLKtcdLXt43SYQ3Q-1920-80.png">
                                                            <media:credit><![CDATA[World Design Organisation/Everyday Practice]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A mustard-yellow congress homepage in grey and orange tones, with lilac circles, magenta triangles and yellow hexagons clustered across the right-hand side.]]></media:description>                                                            <media:text><![CDATA[A mustard-yellow congress homepage in grey and orange tones, with lilac circles, magenta triangles and yellow hexagons clustered across the right-hand side.]]></media:text>
                                <media:title type="plain"><![CDATA[A mustard-yellow congress homepage in grey and orange tones, with lilac circles, magenta triangles and yellow hexagons clustered across the right-hand side.]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/TU9k3DTLKtcdLXt43SYQ3Q-1920-80.png" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ This weird Walmart banana hack could save you $20 on Nintendo Switch games like Fire Emblem: Fortune’s Weave, apparently ]]></title>
                                                                                                <dc:content><![CDATA[ <p>The <a href="https://www.creativebloq.com/entertainment/gaming/the-huge-nintendo-switch-tariff-refund-sale-has-begun-and-theres-30-percent-off-iconic-games">Nintendo tariff refund sale</a> is in full swing in the US, but some gamers have found a more unusual way to save cash on Switch games. People have apparently been adding a banana to their basket at <a href="https://www.walmart.com/" target="_blank">Walmart</a>to unlock discounts of up to $20. And there are suggests that some locations now have banana shortages as a result.</p><p>The Walmart Switch game hack appears to be an unintended workaround that allows the discount codes FAST30 or SAVE3X to be applied to game orders. While a Switch game meets the monetary threshold for the discount, it seems the codes may only be valid only for groceries. Some report that adding a single banana to a purchase appears to get around that restriction.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2100684567254274202"><p lang="en" dir="ltr">Thanks bro pic.twitter.com/7vngyKjplC<a href="https://twitter.com/cantworkitout/status/2100684567254274202">September 17, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>The loophole seems to have been first spotted by people shopping for <a href="https://www.walmart.com/ip/Fire-Emblem-Fortune-s-Weave-Nintendo-Switch-2-Edition/20399918800" target="_blank"><strong>Fire Emblem: Fortune’s Weave</strong></a>, which was released last week. The physical edition launched at a standard price of $79.99, but Walmart has been selling it for less. Applying promo codes can slash the price further to around $60, according to some of the people posting on social media.</p><p>Bananas seem to be overwhelmingly the favourite choice for this checkout trickery – perhaps due to people's love of Donkey Kong, or perhaps because they only cost around 20 cents. If you're not a fan of bananas, any small grocery item should do, but it appears that you might not actually have to buy the fruit anyway: some report that the hack still works if you remove the banana after adding a Switch game or other non-qualifying product to your cart. </p><p>The SAVE3X code is intended for a customer's first three pickup or delivery orders from a local store, so you'll need to make sure that both the game and fruit you want are in stock. There does seem to be some inconsistency in how the codes work, though. Some people report being able to skip the banana workaround completely simply by  switching from delivery to store pickup.</p><p> “If code doesn’t work, try switching to pickup. If that doesn’t work, add a banana,” one person writes on X.</p><p>Walmart has yet to issue any public alert about banana shortages, but some people claimed their local store now shows the fruit as "out of stock." If that's your case, you can always make do with the Nintendo sale deals below.</p><ul><li><strong></strong><a href="https://www.nintendo.com/us/store/sales-and-deals/customer-appreciation-sale" target="_blank"><strong>Browse Nintendo Customer Appreciation Sale</strong></a><strong></strong></li><li><strong></strong><a href="https://www.amazon.com/s?k=nintendo+switch+games&i=prime-day&crid=2FDAJQYUS4W8Q&sprefix=nintendo+switch+games%2Cprime-day%2C188&ref=nb_sb_ss_p13n-expert-pd-ops-ranker_ci_hl-bn-left_1_21"><strong>Shop Nintendo Switch games at Amazon</strong></a></li></ul>        <div class="featured_product_block featured_block_hero" data-id="7a318002-b5c9-11f1-af82-7793611382c2">            <a href="https://www.nintendo.com/us/store/products/nintendo-switch-2-camera-123682/" data-model-name="Camera" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:104.22%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/JgbJVZ5SfhmuGSHunLKNzV.png" alt="Nintendo Switch 2 camera"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Switch 2</div>                                        <div class="featured__title">Camera</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318070-b5c9-11f1-a936-9507ebd95cca">            <a href="https://www.nintendo.com/us/store/products/the-legend-of-zelda-tears-of-the-kingdom-switch/" data-model-name="Tears of the Kingdom" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/ByWGbwuvGFyEnGuQj7QftA.jpg" alt="The Legend of Zelda: Tears of the Kingdom"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>The Legend of Zelda: </div>                                        <div class="featured__title">Tears of the Kingdom</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3180d4-b5c9-11f1-8168-6b83162d3a5a">            <a href="https://www.nintendo.com/us/store/products/super-mario-odyssey-switch/" data-model-name="Odyssey" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/Y8Ep3dU9RmHsKDpr9wqNra.jpg" alt="Super Mario Odyssey"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Super Mario</div>                                        <div class="featured__title">Odyssey</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318156-b5c9-11f1-8f8e-0f65b09aad43">            <a href="https://www.amazon.com/Luigis-Mansion-Nintendo-Switch-Digital/dp/B07SMBG5TR" data-model-name="3" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/hweRrj32sc4VxHUspcnhS.webp" alt="Luigi's Mansion 3 - Nintendo Switch"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Luigi's Mansion </div>                                        <div class="featured__title">3</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3181ce-b5c9-11f1-8de5-b30ab70a473c">            <a href="https://www.amazon.com/Sonic-X-Shadow-Generations-Nintendo-Switch/dp/B0D6JKTRHP" data-model-name="Sonic X Shadow Generations " data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/y5JooDRcGHBnJo4ehW3TgD.jpg" alt="Sonic x Shadow"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>SEGA</div>                                        <div class="featured__title">Sonic X Shadow Generations </div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318232-b5c9-11f1-af0c-811baaef9ef7">            <a href="https://www.nintendo.com/us/store/products/metroid-prime-4-beyond-switch/" data-model-name="Metroid Prime 4: Beyond - Nintendo Switch 2" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:150%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/nLeRBT9G5mYrzZQ27a4vL8.jpg" alt="Nintendo Switch games sale"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Nintendo</div>                                        <div class="featured__title">Metroid Prime 4: Beyond - Nintendo Switch 2</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3182b4-b5c9-11f1-ae60-7dd304cb1b57">            <a href="https://www.amazon.com/Mario-Vs-Donkey-Kong-Standard/dp/B0CQQRNQSC" data-model-name="Mario Vs. Donkey Kong - Standard - Nintendo Switch [digital Code]" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/iDXzHrH5dBeH5TFLjUnHUN.jpg" alt="Mario Vs. Donkey Kong"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Nintendo</div>                                        <div class="featured__title">Mario Vs. Donkey Kong - Standard - Nintendo Switch [digital Code]</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318322-b5c9-11f1-af70-3df6d5913c26">            <a href="https://www.nintendo.com/us/store/products/suikoden-i-and-ii-hd-remaster-for-nintendo-switch-2-gate-rune-and-dunan-unification-wars-switch-2/" data-model-name="HD Remastered Gate Rune and Dunan Unification Wars – Nintendo Switch 2" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/EsEYERaRKMnYocmnGHhEdT.jpg" alt="Nintendo games"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Suikoden I & II </div>                                        <div class="featured__title">HD Remastered Gate Rune and Dunan Unification Wars – Nintendo Switch 2</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a31839a-b5c9-11f1-9241-7d2cdca52e88">            <a href="https://www.nintendo.com/us/store/products/suikoden-i-and-ii-hd-remaster-for-nintendo-switch-2-gate-rune-and-dunan-unification-wars-switch-2/" data-model-name="Breath of the Wild" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:150%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/guyAsZHEvZNxbnX7YJUPpb.jpg" alt="The Legend of Zelda: Breath of the Wild - Us Version"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>The Legend of Zelda</div>                                        <div class="featured__title">Breath of the Wild</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3183fe-b5c9-11f1-9934-e7e1b758b393">            <a href="https://www.nintendo.com/us/store/products/animal-crossing-new-horizons-switch/" data-model-name="New Horizons" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/RgHjFUPiyVTQGggdhncprb.jpg" alt="The Animal Crossing New Horizons game"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Animal Crossing</div>                                        <div class="featured__title">New Horizons</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318462-b5c9-11f1-8a19-c5a5aa28409c">            <a href="https://www.nintendo.com/us/store/products/super-mario-party-jamboree-switch/" data-model-name="Jamboree" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.93%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/JGLDtS3ffogKtGfA7ZNwVD.jpg" alt="Mario Party jamboree"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Super Mario Party</div>                                        <div class="featured__title">Jamboree</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3184d0-b5c9-11f1-9233-31b2eeb806be">            <a href="https://www.nintendo.com/us/store/products/pikmin-4-switch/" data-model-name="4" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:150%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/GWvqP3XZDhxvadpQjxFNBN.jpg" alt="Pikmin 4"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Pikmin</div>                                        <div class="featured__title">4</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318534-b5c9-11f1-be2f-0f5ca5cd02ef">            <a href="https://www.nintendo.com/us/store/products/kirby-and-the-forgotten-land-switch/" data-model-name="and the Forgotten Land" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/7LC7orJXcvNdiQkavdfWRF.jpg" alt="Amazon Prime deals; kirby"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Kirby</div>                                        <div class="featured__title">and the Forgotten Land</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318598-b5c9-11f1-b36f-4f466a25be40">            <a href="https://www.nintendo.com/us/store/products/metroid-dread-switch/" data-model-name="Dread" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:56.26%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/uPDj9ko96ypBdQbxcfwxvg.jpg" alt="Metroid Dream cover featuring sci-fi warrior"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Metroid</div>                                        <div class="featured__title">Dread</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3185fc-b5c9-11f1-8588-ad5cde5fc880">            <a href="https://www.nintendo.com/us/store/products/donkey-kong-country-tropical-freeze-switch/" data-model-name="Country Tropical Freeze" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:150%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/jRHisjAKDVPg5dA9mDV6qk.jpg" alt="Donkey Kong"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Donkey Kong</div>                                        <div class="featured__title">Country Tropical Freeze</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318660-b5c9-11f1-bb01-0b97870cb0d6">            <a href="https://www.nintendo.com/us/store/products/super-mario-bros-wonder-switch/" data-model-name="Wonder" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/y8wonWmhMMfsP7h6uUn9Am.jpg" alt="Nintendo Switch games:Super Mario Bros Wonder"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Super Mario Bros</div>                                        <div class="featured__title">Wonder</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a3186c4-b5c9-11f1-996b-c76d4eab8314">            <a href="https://www.nintendo.com/us/store/products/super-mario-galaxy-switch/" data-model-name="Galaxy" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:56.27%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/akNv8R8KBDGrDAPenBiDPB.jpg" alt="Super Mario Galaxy + Super Mario Galaxy 2"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Super Mario </div>                                        <div class="featured__title">Galaxy</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="7a318728-b5c9-11f1-bfcf-2996a6557b81">            <a href="https://www.nintendo.com/us/store/products/mario-kart-8-deluxe-bundle-game-plus-booster-course-pass-switch/" data-model-name="Kart 8 Deluxe + Booster Course Pass" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:100.00%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/vLDBhauhJSGKhPTXh7SQ8a.jpg" alt="Nintendo Switch deals: Mario Kart 8 Deluxe"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Super Mario </div>                                        <div class="featured__title">Kart 8 Deluxe + Booster Course Pass</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div><p>If you don't have a console yet and you're not sure which is right for you, read <a href="https://www.creativebloq.com/entertainment/gaming/one-year-on-why-nintendo-switch-2-has-become-my-console-of-choice">why the Switch 2 has become our digital art/3D editor's console of choice</a>.</p><div data-widget-type="multimodelreview" data-widget-title="More deals" data-model-name="Nintendo Switch,Nintendo Switch 2,Nintendo Switch Lite,Nintendo Switch OLED,Nintendo Switch case,Nintendo Switch Dock,Nintendo Switch Pro Controller,Nintendo Pro Controller"></div> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/entertainment/gaming/the-weird-walmart-banana-hack-could-save-you-usd20-off-nintendo-switch-games-apparently</link>
                                                                            <description>
                            <![CDATA[ It's perfect for Donkey Kong fans. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">u4yBrRjbvUzbhGABWCgUkP</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/C4MaSEb7PAGNK4hevXmauh-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 10:00:00 +0000</pubDate>                                                                                                                                <updated>Tue, 22 Sep 2026 15:33:09 +0000</updated>
                                                                                                                                            <category><![CDATA[Gaming]]></category>
                                                    <category><![CDATA[Entertainment]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/C4MaSEb7PAGNK4hevXmauh-1920-80.jpg">
                                                            <media:credit><![CDATA[Nintendo / Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Nintendo Switch logo and a banana from Donkey Kong]]></media:description>                                                            <media:text><![CDATA[Nintendo Switch logo and a banana from Donkey Kong]]></media:text>
                                <media:title type="plain"><![CDATA[Nintendo Switch logo and a banana from Donkey Kong]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/C4MaSEb7PAGNK4hevXmauh-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ I finally learned to enjoy 3D art with this workflow using 3DCoat, Quixel Mixer, Blender and Photoshop ]]></title>
                                                                                                <dc:content><![CDATA[ <p>How to make 3D process fun? That is a question I have been asking myself for quite some time now. Recent years of working in the gaming concept art field have shown me how valuable 3D usage could be for many clients and projects, but also for personal works. It provides the possibility of showing designs from different views, quickly iterate on lighting or materials and more. </p><p>For a long time, however, I did not enjoy working in 3D, as I was mostly used to – and preferred – 2D workflows, which felt more natural to me since I already had some basic drawing and painting skills learned at architecture college. But after noticing the strengths that 3D could offer, I started trying to find an approach – one that suited me better, and one that felt less rigid, which was something I had previously associated with 3D. </p><p>Only after discovering 3DCoat, and finding it surprisingly fun to use, it quickly became my software of choice. Its voxel-based workflow allowed me to create more freely and intuitively in 3D. Since then I’ve become more open to other 3D softwares, using 3DCoat as my base (see our guide to the <a href="https://www.creativebloq.com/features/best-3d-modelling-software">best 3D modelling software</a>, and you might want one of the <a href="https://www.creativebloq.com/buying-guides/best-laptops-for-3d-modelling">best laptops for 3D modelling</a>).</p><p>In this tutorial, I will show you how I create a 3D scene of an overgrown robot, mixing those tools. Hopefully you will find it inspiring enough to try yourself. You can also check out our other <a href="https://www.creativebloq.com/3d-tips/blender-tutorials-1232739">Blender tutorials</a>.</p><h2 id="a-complete-3d-art-process-using-3dcoat-quixel-mixer-blender-and-photoshop">A complete 3D art process using 3DCoat, Quixel Mixer, Blender and Photoshop</h2><section class="howto-block">                    <h3>01. Initial idea and sketching </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/njjHNxMAWkMJXquEMgLeyH.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/njjHNxMAWkMJXquEMgLeyH.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>After having the idea of an overgrown site in my mind, I gathered a few references and quickly tried to put my thoughts onto “paper”. This is usually the most important step for me when creating any work, as it will provide a foundation for the rest of the image. For this practice project, I chose something simple that would not overwhelm me along the way. </p><p>I start with a composition sketch, trying to establish the idea through bold shapes, together with a simple sketch for the robot. I incorporate tribal features to make it more intriguing, like an old artefact from an another world. At this point, I also already had a colour scheme in my mind – green for the overgrown part, and orange tones for the rusty robot. </p></p>                </section><section class="howto-block">                    <h3>02. 3D coat: sculpting main shapes </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/vse3A7ZXcCksH4TTSDEX79.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/vse3A7ZXcCksH4TTSDEX79.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>After figuring out what I want to create, I jump into 3DCoat (these steps can also be done using other software such as ZBrush or Blender). I start by importing a free skeleton model that I found on Sketchfab that serves as a base for the robot. </p><p>Then I begin establishing basic proportions through large, simple shapes, using tools like sphere, clay, move, cut and pose. Try to keep parts of robot as separate layers – this will come handy later as they will be treated as separate objects.</p></p>                </section><section class="howto-block">                    <h3>03. Detail: phase one</h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/QHUtyS6xd9LTYHZkGiaWg8.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/QHUtyS6xd9LTYHZkGiaWg8.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>In this phase, I add details that belong to the robot’s design. As mentioned, I chose to add tribal features on the robot. Most of the details, mainly the repeated convex stripes and cutlines, were made using the surface pinch tool and the extrude tool with a simple circle alpha brush.</p></p>                </section><section class="howto-block">                    <h3>04. Detail: phase two </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/mQ9K5ZQAYnVJPLjfnKuAo8.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/mQ9K5ZQAYnVJPLjfnKuAo8.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Here, I add a second lot of details that will make the robot look worn out, rusty and damaged. To achieve this, I use the extrude tool with a noisy alpha brush. </p><p>I find this step fun, as I like to try different brushes and how they affect the surface, and it allows me to add detail quickly, though I try to not overdo it, leaving some areas intact so that the original armour design remains recognisable.</p></p>                </section><section class="howto-block">                    <h3>05. Add stencil masks </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/ccqHqLcGqYhJ8qNHmu4a89.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/ccqHqLcGqYhJ8qNHmu4a89.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Another strong technique is working with stencil alpha masks. Some ways it can be used include to add another layer of surface details, or as a pattern to cut parts of the volume, as the tools will only affect the model over its white parts. </p><p>This becomes even more powerful when working with voxels, as they allow you to create holes and complex cuts in the model easily. </p></p>                </section><section class="howto-block">                    <h3>06. Rock and export </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/HJoqvkNpSDNGGcUyLSfs99.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/HJoqvkNpSDNGGcUyLSfs99.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Once I am relatively happy with the main asset, I quickly create a few rock shapes that I will later use to build the surroundings. The next step is to retopologise our voxel model (that you can access by right-clicking on it and selecting ‘autopo’), and create UV maps (available under the “bake” window in retopo workspace), which are necessary for the next step: texturing in Quixel Mixer.</p></p>                </section><section class="howto-block">                    <h3>07. Bring model to Quixel Mixer </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/NjKSqoZzdjTksERRfCg479.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/NjKSqoZzdjTksERRfCg479.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Using this software was one of the reasons for creating this piece, as I had just tried it for the first time and liked how simple and playful it is. Although it is not being updated anymore, I still think it’s quite a powerful tool, allowing you to create textures based on scanned materials. </p><p>It's free to use, with a default library of various materials that can be extended with Fab, but it’s best if you claimed Quixel assets with your Epic account in the past. To import a custom model, go to the Setup tab on the top right, and select “custom model” under Type. </p></p>                </section><section class="howto-block">                    <h3>08. Adding material layers </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/DPMBtEa4tJXWZhBF2Y2dRH.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/DPMBtEa4tJXWZhBF2Y2dRH.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Now I add rust material layers that you can find in the Mixer library. With each material, you can set up its height, blend radius and opacity. By doing it over my main rust layer, I am able to create some interesting patterns of different materials mixed together, making the model feel more believable. </p><p>In the same way, I am adding moss texture on top of my rust. By playing with the height and blending, I was able to find a level of coverage that I liked. I repeat the same process for the rest of the model, as well as for the rocks. </p></p>                </section><section class="howto-block">                    <h3>09. Bring everything to Blender </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/PcjSbGuRddSVFGfebjFMk8.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/PcjSbGuRddSVFGfebjFMk8.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Now I move to Blender, where I build the scene, to set up the lighting and render. It will be composed mostly with those few assets that I created previously, with the addition of scattered foliage I then add later. As you can see, I create two differently textured rock sets in Quixel Mixer to add some variety.</p></p>                </section><section class="howto-block">                    <h3>10. Compose the scene </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/dk8zM6uc8FwmKEBuoxdHpG.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/dk8zM6uc8FwmKEBuoxdHpG.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>With assets brought into Blender, I put them together to create a feeling of a place that has been formed long time ago, burying the robot between mossy stones. Using only a few rocks, and by scaling and rotating them, I am able to achieve quite a natural looking structure. </p><p>Having the robot’s parts as separate elements also makes it easy place them in a way that feels broken, perhaps even defeated, in the past. During this step, I also check how everything looks in a camera frame that I set up, and roughly match it to the sketch. </p></p>                </section><section class="howto-block">                    <h3>11. Adding particles in Blender</h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/3ufpCat65Ra8JtHjPz2piH.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/3ufpCat65Ra8JtHjPz2piH.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Next, I add an extra layer of vegetation on top, to increase variety. To do this, I scatter moss/grass assets, using weight paint for better control. The assets that I use can be downloaded for free from <a href="https://store.gscatter.com/assets" target="_blank">https://store.gscatter.com/assets</a>. </p></p>                </section><section class="howto-block">                    <h3>12. Lightening and render </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/Zfvu84QMfhbPE8wyB4t5cH.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/Zfvu84QMfhbPE8wyB4t5cH.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>Once I am satisfied with placement of the elements, and how they look in the camera frame, I lock in the lighting. From the beginning, I knew I wanted a bright and idyllic tone – something often seen in Studio Ghibli movies – and attempt to achieve this with a simple sun (with blackbody node at 5500 temp) and an HDRI of clear sky. </p><p>While doing this, I also look for interesting shadow shapes, and a sun angle that helps the image and subject read clearly. I usually render additional passes, such as mist and light passes, that help me make changes later in PhotoShop. This is how a raw render from Blender using cycles looks </p></p>                </section><section class="howto-block">                    <h3>13. Finish in PhotoShop </h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/rEkj8sFb9LBwZXyk9s2pFH.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/rEkj8sFb9LBwZXyk9s2pFH.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>The biggest change achieved in PhotoShop is swapping out the sky with my own photo of clouds. The rest mostly involves cleaning up some areas and filling the vegetation gaps with the mixer brush (using a “dry” setup and scattering brush). </p><p>Lastly, I apply the camera filter Raw (that you can find under the Filter window at the top), change contrast, values, and play with hue, saturation and luminosity of separate colours to balance the overall image. </p></p>                </section><section class="howto-block">                    <h3>14. Extra shots</h3>                    <figure>                            <p class="bordeaux-image-check">                                <img    src="https://cdn.mos.cms.futurecdn.net/X9c5A9JzzuCRY84NuaSFn8.jpg"                                        alt="3D art tutorial"                                        onerror="this.parentNode.replaceChild(window.missingImage(),this)"                                        data-pin-media="https://cdn.mos.cms.futurecdn.net/X9c5A9JzzuCRY84NuaSFn8.jpg"                                        class="expandable van-old-layout-image">                            </p><div class="credit">(Image: © Marcin Basta)</div></figure>                    <p><p>As mentioned at the beginning, working in 3D has a lot of advantages – one of which is the ability to quickly create new shots using the same setup, showing different views. Here, I tried to compose an aerial shot that would tell us more about the layout, scale and the setting.</p></p>                </section><p><em>This article originally appeared in ImagineFX. </em><a href="https://www.awin1.com/awclick.php?awinmid=2961&awinaffid=103504&clickref=cbq-gb-1125834900022594786&p=https%3A%2F%2Fwww.magazinesdirect.com%2Faz-magazines%2F6936559%2Fimaginefx-magazine-subscription.thtml" target="_blank"><em>Subscribe to ImagineFX</em></a><em> to never miss an issue. Print and digital subscriptions are available.</em></p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/poster-design/i-finally-learned-to-enjoy-3d-art-with-this-workflow-using-3dcoat-quixel-mixer-blender-and-photoshop</link>
                                                                            <description>
                            <![CDATA[ Concept artist Marcin Basta shows his full process, from sketching to modelling, texturing and render, to create a strange overgrown vista. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">AegArf9phNZUkVX6sZJJuF</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/Zfvu84QMfhbPE8wyB4t5cH-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 08:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Poster Design]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                                                                                    <dc:creator><![CDATA[ Marcin Basta ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/tDaLZEhkc72jQ6o97Ea7t7-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/Zfvu84QMfhbPE8wyB4t5cH-1920-80.jpg">
                                                            <media:credit><![CDATA[Marcin Basta]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[3D art tutorial]]></media:description>                                                            <media:text><![CDATA[3D art tutorial]]></media:text>
                                <media:title type="plain"><![CDATA[3D art tutorial]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/Zfvu84QMfhbPE8wyB4t5cH-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ One of Disney's biggest flops has been reimagined as a beautiful hand-drawn 2D animation, and some fans think it's a big improvement ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Disney's Wish was not a great success, to say the least. Released in the animation giant's centenary year in 2023, it grossed only $254.2 million on a budget reported to have run up to $200 million. Critics didn't like it either, with many feeling it was generic and too reliant on corporate nostalgia. Time hasn't softened those opinions. Today, the movie's score on Rotten Tomatoes languishes at 48%.</p><p>Ever since the movie's release, there have been those who think Wish would have been better if Disney had stuck to its original, more romantic concept for the film. Now a group of independent artists is bringing that idea to life. They've just released the trailer for Asha & Starboy, their own hand-animated musical vision of what Wish could have been.</p><div class="youtube-video" data-nosnippet ><div class="video-aspect-box"><iframe data-lazy-priority="low" data-lazy-src="https://www.youtube-nocookie.com/embed/U-XzzD_ZJQA" allowfullscreen></iframe></div></div><p>Early concept art for Wish depicted the character of Star as a shape-shifting young man with golden hair and a flowing cloak. As shown in the Reddit post below, he was conceived as a potential love interest for the film's main character, Asha. The movie's main song, At All Costs, was going to be a duet between them. </p><p>But in the end, Disney made Star a literal star: a cute but silent ball of wish-granting energy. There was no duet, and no romance. Instead, the movie became the story of Asha's personal journey. Many Disney fans felt that the original, more fairy tale-like idea had more personality and potential.</p><figure><blockquote class="reddit-card"  ><a href="https://www.reddit.com/r/disneyprincess/comments/1fllyn9/what_do_you_think_asha_and_starboys_love_story">What do you think Asha and Starboy’s love story would have looked like?</a><figcaption><cite> from <a href="https://www.reddit.com/r/disneyprincess">r/disneyprincess</a></cite></figcaption></blockquote></figure><script async src="//embed.redditmedia.com/widgets/platform.js" charset="UTF-8"></script><p>Directed by voice actor Griffin Puatu and animator Gabriele Camicioli, Asha & Starboy reimagines Wish as a musical romance with an original score, complete with that duet. It also makes Queen Amaya a villain alongside King Magnifico, again as she was originally imagined before she was turned into a supportive character in Disney's final film.</p><p>Instead of Disney's modern 3D CG style, the short film uses hand-drawn 2D animation. The excitement around the reveal of <a href="https://www.creativebloq.com/art/animation/disneys-finally-returning-to-2d-animation-for-a-nostalgic-tribute-to-its-oldest-character">Disney's Oswald </a>at D23 this year shows how much Disney fans have been clamouring for that. Sure enough, there are comments on the trailer from people who are already saying that it looks better than Disney's film.</p><p>"The irony is that fan fiction is actually better than the Disney version," one person writes. "Who knew a 57 second trailer could already be better than a 1 1/2 hour movie made by one of the largest, most successful filmmakers ever?" someone else writes.</p><p>After the success of <a href="https://www.creativebloq.com/entertainment/movies-tv-shows/coyote-vs-acmes-rave-reviews-are-about-more-than-looney-tunes-nostalgia">Coyote Vs ACME</a>, Asha & Starboy might be another chance for animation lovers to rejoice at the resolution of what they see as historic wrong committed by a behemoth of the industry, albeit on a very different scale. Will someone now do something similar for <a href="https://www.creativebloq.com/entertainment/movies-tv-shows/disneys-hexed-controversy-isnt-going-anywhere-after-its-d23-character-reveal">Hexed</a>, which has faced its own controversy over changes made to the original story concept? If you're inspired, see our guide to the <a href="https://www.creativebloq.com/buying-guides/best-laptop-for-animation">best laptops for animation.</a></p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/entertainment/movies-tv-shows/one-of-disneys-biggest-flops-has-been-reimagined-as-a-beautiful-hand-drawn-2d-animation-and-some-fans-think-its-a-big-improvement</link>
                                                                            <description>
                            <![CDATA[ Asha & The Starboy revives the original concept for Wish. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">Uk6Gb7AqB7eq4ZfNuWas4b</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/X3ZVpCoSGubkAsAUBzP8sc-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 07:00:00 +0000</pubDate>                                                                                                                                <updated>Tue, 22 Sep 2026 10:35:52 +0000</updated>
                                                                                                                                            <category><![CDATA[Movies & TV Shows]]></category>
                                                    <category><![CDATA[Entertainment]]></category>
                                                    <category><![CDATA[Film & Video]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/X3ZVpCoSGubkAsAUBzP8sc-1920-80.jpg">
                                                            <media:credit><![CDATA[Disney / Griffin Puatu and Settecamicie]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Disney wish poster and image from the trailer of Asha and The Star Boy]]></media:description>                                                            <media:text><![CDATA[Disney wish poster and image from the trailer of Asha and The Star Boy]]></media:text>
                                <media:title type="plain"><![CDATA[Disney wish poster and image from the trailer of Asha and The Star Boy]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/X3ZVpCoSGubkAsAUBzP8sc-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ The Tesla Cybercab has a pretty silly design fail ]]></title>
                                                                                                <dc:content><![CDATA[ <p>After all the Tesla <a href="https://www.creativebloq.com/design/product-design/can-we-finally-admit-the-tesla-cybertruck-was-a-total-design-fail">Cybertruck fails</a>, it maybe shouldn't be surprising to discover that the Cybercab is also causing a spot of controversy in terms of its design. </p><p>There's been a lot of debate about the potential safety implications of a fully autonomous vehicle with no manual controls, but it seems there's also a more minor but fairly annoying oversight. You need to be careful about where you and any companions are standing when those automatic butterfly doors open.</p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2101708482210623919"><p lang="en" dir="ltr">Cybercab door will bump you if you stand in the blind spot. But it is just a love tap. I don’t want to make this video to dunk on the Cybercab. In fact I want everyone to know that these are just taps and you don’t really feel anything. So the Cybercab doors are definitely safe… pic.twitter.com/DdXZWlVAis<a href="https://twitter.com/cantworkitout/status/2101708482210623919">September 20, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>The Cybercab's dramatic butterfly-style doors make it look more like a concept sports car than a taxi intended for mass production. Now it turns out that the striking design could also end up striking passengers physically.</p><p>Some had already questioned the practicality of the Cybercab's doors for tight urban environments and crowded pickup zones. In the video above, one person finds that there is indeed a potential issue with the automatic opening mechanism: the doors won't stop if you're standing in the way.</p><p>While the OP suspects that it's due to a blind spot in the car's camera and sensor system, it seems that the doors simply aren't designed to stop if someone's there. The OP stresses that it's "just a love tap". They see the doors as safe, but others suggest that they could be problematic for some people.</p><p>"The taps may be soft to you, but they may not be safe for the elderly, children, or people with several conditions.  Imagine those doors knocking off a pricey phone off their hands!" one person writes.</p><p>"Sure it is safe but I feel like it would still be problematic for some people. Who wants a door to 'tap' them when they try to get in?," someone else comments. </p><p>Given that other Tesla vehicles have been involved in fatal accidents in self-driving mode, I'd be more worried about the Cybercab's fully autonomous driving than the doors giving "love taps", but it's another thing to be wary of.</p><p>The launch of the Cybertruck was mired with issues, including reports that the electric pickup <a href="https://www.creativebloq.com/design/product-design/drivers-are-just-discovering-yet-another-tesla-cybertruck-design-fail-as-winter-hits">struggled with snow</a>, could <a href="https://www.creativebloq.com/design/product-design/the-tesla-cybertruck-design-disaster-just-keeps-getting-worse">fall apart at high speeds </a>and, contrary to what Tesla CEO Elon Musk once promised, is definitely <a href="https://www.creativebloq.com/design/product-design/a-driver-believed-elon-musks-wildest-cybertruck-design-claim-and-it-didnt-end-well">not a boat</a>.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/product-design/the-tesla-cybercab-has-a-pretty-silly-design-fail</link>
                                                                            <description>
                            <![CDATA[ Why am I not surprised? ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">gDKgx4QH7k4B5YoCC9x4gU</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/ybZg9ttgzPBWB8YS8f2p7D-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Tue, 22 Sep 2026 06:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Product Design]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                                                                <author><![CDATA[ joe.foley@futurenet.com (Joe Foley) ]]></author>                    <dc:creator><![CDATA[ Joe Foley ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/hbsproUCeW5KrAmq2srjBY-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/ybZg9ttgzPBWB8YS8f2p7D-1920-80.jpg">
                                                            <media:credit><![CDATA[Abhimanyu Yadav]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Tesla Cyberlab]]></media:description>                                                            <media:text><![CDATA[Tesla Cyberlab]]></media:text>
                                <media:title type="plain"><![CDATA[Tesla Cyberlab]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/ybZg9ttgzPBWB8YS8f2p7D-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Art students: save up to 53% on supplies before term starts ]]></title>
                                                                                                <dc:content><![CDATA[ <p>With the school season starting up again, it's the perfect opportunity to pick up those last-minute creative supplies. Whether you're an art student or just a keen hobbyist looking for an escape from lectures, there are plenty of deals to be had on top brands, from Posca to Prismacolor. </p><p>In this roundup, I've included some of the best art supplies, from delicate watercolours to rich oil paints and detailing pens for that final flourish. If you're starting your creative kit from scratch, check out our guide to the <a href="https://www.creativebloq.com/buying-guides/art-supplies">best art supplies </a>to discover all you'll need for the perfect creative setup. </p>        <div class="featured_product_block featured_block_hero" data-id="67268ae4-b5d2-11f1-9b59-1be9eb4fa3b6">            <a href="https://www.amazon.com/Markers-Acrylic-Reversible-Recommended-Assorted/dp/B07Z86PHP8/ref=sxin_16_pa_sp_search_thematic_sspa" data-model-name="Water-Based Acrylic Paint Markers" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.37%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/TvinGVUdqL36P58xEr6ZFm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>POSCA</div>                                        <div class="featured__title">Water-Based Acrylic Paint Markers</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268b5c-b5d2-11f1-aa38-05746add8b4c">            <a href="https://www.amazon.com/Prismacolor-24261-Graphite-Sharpeners-18-Piece/dp/B00251EHJW/ref=sr_1_4" data-model-name="Graphite Drawing Pencils" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.37%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/4nbPWkPrBaUzC3fbWrAgKm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Prismacolor</div>                                        <div class="featured__title">Graphite Drawing Pencils</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268bca-b5d2-11f1-addd-a1ec243ba575">            <a href="https://www.amazon.com/Winsor-Newton-Winton-Colour-Paint/dp/B004OKRI9S/ref=sr_1_6" data-model-name="Oil Paints" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/CogFEXgcGc3BRmKebkQfsm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Winsor & Newton</div>                                        <div class="featured__title">Oil Paints</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268c38-b5d2-11f1-8ac1-63443d7aa09c">            <a href="https://www.amazon.com/Prismacolor-Premier-Colored-Pencils-Assorted/dp/B00006IEEU/ref=sr_1_9" data-model-name="Coloured Pencils" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/7kRu2zdV7Uszgpwxb35JYm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Prismacolor</div>                                        <div class="featured__title">Coloured Pencils</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268c9c-b5d2-11f1-b95d-3f3feae176af">            <a href="https://www.amazon.com/Brusarth-Dual-Tip-Sketching-Illustration-Journaling/dp/B0F324QWY9/ref=sr_1_3_sspa" data-model-name="White Detailing Gel Pens" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.37%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/jtUHpYGqmGCGBEbMEJTy7m.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Brusarth</div>                                        <div class="featured__title">White Detailing Gel Pens</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268d00-b5d2-11f1-a08a-4f95d48d750e">            <a href="https://www.amazon.com/Faber-Castell-9000-Graphite-Sketch-Pencil/dp/B000I5MNC0/ref=sr_1_7" data-model-name="Graphite Sketch Pencils" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/kKkVwCvhyQtV93TprbefSm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Faber-Castell</div>                                        <div class="featured__title">Graphite Sketch Pencils</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268dbe-b5d2-11f1-bdd4-0d19b353fe86">            <a href="https://www.amazon.com/Winsor-Newton-Cotman-Sketchers-14-Pieces/dp/B00004THXI/ref=sr_1_5_sspa" data-model-name="Watercolor Paint Set" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.37%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/7x3TgxMptXPiEg4JPAKzYm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Winsor & Newton</div>                                        <div class="featured__title">Watercolor Paint Set</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268e2c-b5d2-11f1-a4f7-1bd971acba60">            <a href="https://www.amazon.com/Nicpro-Professional-Paintbrushes-Paintings-Watercolor/dp/B0FGPS38TW/ref=sr_1_1_sspa" data-model-name="Paint Brush Set" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/TY9ZNTUQGzBaiYN8eSNnrm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Nicpro</div>                                        <div class="featured__title">Paint Brush Set</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268e9a-b5d2-11f1-bcd4-8572f9f9789d">            <a href="https://www.amazon.com/Grabie-Multicolor-Waterproof-Illustration-Journaling/dp/B0G5XLCQZL/ref=sr_1_8" data-model-name="Micro Fineliner Pens" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/qzBhtHs74qTx54ZXRTawBm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Grabie</div>                                        <div class="featured__title">Micro Fineliner Pens</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268efe-b5d2-11f1-8dfd-9d8f906b2dd1">            <a href="https://www.amazon.com/GETHPEN-Professional-White-Charcoal-Pencils/dp/B09XGZ5FGY/ref=sr_1_3_sspa" data-model-name="White Charcoal Pencils" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/sxNti6rAGfRYtXxeNEJWPm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>GETHPEN</div>                                        <div class="featured__title">White Charcoal Pencils</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268f62-b5d2-11f1-8344-9947e4aa8736">            <a href="https://www.amazon.com/Magic-Rub-Eraser-1954-12Box/dp/B00006IFAY/ref=sr_1_23" data-model-name="Magic Rub Vinyl Erasers" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.37%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/UgRBgnXqsq4hK3eaxozWqm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Prismacolor</div>                                        <div class="featured__title">Magic Rub Vinyl Erasers</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="67268fd0-b5d2-11f1-8a57-ffb64fc2d392">            <a href="https://www.amazon.com/Faber-Castell-GRIP-Trio-Pencil-Sharpener/dp/B003UVL3RK/ref=sr_1_35" data-model-name="Trio Manual Pencil Sharpener" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:137.05%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/BJVeW3CxT5tH8W66qWQvrm.jpg" alt="Art Supplies"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>Faber-Castell</div>                                        <div class="featured__title">Trio Manual Pencil Sharpener</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/art/art-supplies/art-students-grab-your-last-minute-supplies-with-up-to-53-percent-off</link>
                                                                            <description>
                            <![CDATA[ Save on top brands like Prismacolor and Posca. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">WPNEe94wYgAqm4PeReVjTH</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/nYvSMzCLd6jGad9LtthHZm-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 16:19:37 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Sep 2026 23:11:40 +0000</updated>
                                                                                                                                            <category><![CDATA[Art Supplies]]></category>
                                                    <category><![CDATA[Art]]></category>
                                                    <category><![CDATA[Traditional Art]]></category>
                                                                                                                    <dc:creator><![CDATA[ Natalie Fear ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/ieMCBUvEp9jucaWRxi3QGg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/nYvSMzCLd6jGad9LtthHZm-1920-80.jpg">
                                                            <media:credit><![CDATA[Amazon]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Art Supplies]]></media:description>                                                            <media:text><![CDATA[Art Supplies]]></media:text>
                                <media:title type="plain"><![CDATA[Art Supplies]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/nYvSMzCLd6jGad9LtthHZm-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ The HP Omen Max 16 is everything a student laptop shouldn’t be – so why do I recommend it? ]]></title>
                                                                                                <dc:content><![CDATA[ <p>I open the lid, and the keyboard LEDs purr to life and pulse blue and purple, lighting up my room and turning what should feel like another day at the office into more of a trip to a Vegas nightclub. That's the HP Omen Max 16's first impression, and while it’s more subtle than some gaming laptops, the gamer DNA is here. If you're demoing a portfolio to a lecture hall or a potential employer, turn the RGB off first. Everything else about this laptop is more persuasive than its lighting.</p><p>I braced for a brick when I tried out the <a href="https://www.creativebloq.com/tech/laptops/weve-tested-the-new-hp-omen-max-16-and-its-gaming-power-can-be-put-to-good-3d-and-video-use">Omen Max 16</a>. Laptops with an <a href="https://www.creativebloq.com/tech/laptops/pny-geforce-rtx-5080-oc-slim-review-hold-all-the-cards">RTX 5080 </a>and a Core Ultra 9 275HX usually arrive with the heft of a paving slab. But the Omen Max 16 is lighter than it has any right to be, a machine you'll carry to a lecture, on a train or into a client meeting without resenting it. Okay, it’s not as light as less powerful laptops, but it’s not far off my usual MacBook Pro. That matters because a laptop this powerful is only useful if it goes places.</p><p>What surprised me more is how quickly it stops feeling like two machines in one chassis. Nvidia has spent years pitching RTX at two audiences at once. Gamers get DLSS 4 and the potential of <a href="https://www.creativebloq.com/3d/is-nvidias-dlss-5-an-ai-slop-machine-or-a-game-changing-technology-that-will-take-us-closer-to-artists-original-vision">DLSS 5</a> – frame generation and path-traced lighting. Creators get CUDA and OptiX, with the RTX cores doing the heavy lifting in Cycles. It's a neat pitch on a slide, something I’ve tried in demos, and I didn't expect it to work as a daily routine. Swapping between the two setups – Gamer Ready and Studio drivers – takes a few clicks, so you're deciding what the GPU is <em>for</em> that afternoon rather than struggling with what it can be.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1760px;"><p class="vanilla-image-block" style="padding-top:75.45%;"><img id="TkNapvGQzkKKnrMbwT7kWj" name="omen-7-new" alt="Photos of a laptop on a wooden desk" src="https://cdn.mos.cms.futurecdn.net/TkNapvGQzkKKnrMbwT7kWj-1920-80.jpg" mos="" align="middle" fullscreen="" width="1760" height="1328" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">The Omen Max 16 is a 3D powerhouse, cable of running Blender and other apps easily. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><h2 id="two-worlds-one-laptop">Two worlds, one laptop</h2><p>So I spent the morning in <a href="https://www.creativebloq.com/3d-tips/blender-tutorials-1232739">Blender</a>, and it whizzes. The viewport stays fluid, Cycles chews through scenes that would have me making yet another cup of coffee on lesser hardware, and with 16GB of GDDR7 on the GPU, I wasn't worrying over textures and stalls. In the evening I played <a href="https://www.creativebloq.com/entertainment/gaming/control-resonant-review-step-outside-to-an-apocalyptic-manhattan-as-youve-never-seen">Control Resonant</a> – an early review build – fully specced, ray tracing on, framerates zippy. Same lid, same desk, same bag, and all working incredibly smoothly and hassle-free – and coming from someone with a love/hate relationship with Windows, this is good, really good, in fact.</p><p>It's that blend of high-end work and play I keep thinking about, especially as back-to-school deals are all the rage and our default is to look down at cheaper offers instead of up at laptops like the Omen Max 16. Game artists are gamers; 3D artists and animators like to game on the side, and seeing how a shipped, ray-traced game runs on serious hardware is part of the education. Having the option to do both in one laptop, albeit with some caveats – it eats battery life, and lecturers may not love the LEDs as much as you – and never have to worry about performance seems a no-brainer. So why aren’t we all doing it? Ah, yes, <em>the price</em>.</p><p>Now the uncomfortable bit: HP's RRP for this top-end model – GeForce RTX 5080, Intel Core Ultra 9 275HX, 32 GB RAM, 1 TB SSD – is £2,999, and at the time of writing <a href="https://www.very.co.uk/hp-omen-max-16-ah0007na-geforce-rtx-5080-intel-core-ultra-9-series-2-32gb-ram-1tb-ssd-16in-laptop-black/1601132958.prd" target="_blank">Very has it at £2,619, so </a><a href="https://www.very.co.uk/hp-omen-max-16-ah0007na-geforce-rtx-5080-intel-core-ultra-9-series-2-32gb-ram-1tb-ssd-16in-laptop-black/1601132958.prd" target="_blank">that’s a £380 discount</a>. That's a decent saving on a still frightening number. It's also the number that makes me hesitate, because at 18, as a student, borrowing is astonishingly easy. Loans arrive in your account, and overdrafts are offered like chocolate mints with a restaurant bill. Retailers will happily let you buy now and pay later, and the small print on that same Very page shows a representative APR of 44.9% if you miss the window, which is astonishing. The cost of this laptop feels oddly painless at exactly the moment you're least able to absorb it.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1760px;"><p class="vanilla-image-block" style="padding-top:75.45%;"><img id="KPpf69Hz6ExXhuAyaNTKWj" name="omen-4-new" alt="Photos of a laptop on a wooden desk" src="https://cdn.mos.cms.futurecdn.net/KPpf69Hz6ExXhuAyaNTKWj-1920-80.jpg" mos="" align="middle" fullscreen="" width="1760" height="1328" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Switch to Gamer Ready mode and play top end PC games at max settings. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><p>I used to make the easy argument here: a Chromebook or a <a href="https://www.creativebloq.com/tech/laptops/macbook-neo-review-apple-thinks-different">MacBook Neo</a>, which is essentially a large iPhone, won't open a Nanite-heavy <a href="https://www.creativebloq.com/tag/unreal-engine">Unreal Engine 5</a> scene without a wince. That's true, and it's also a straw man, because nobody serious is choosing between this and a Chromebook. The honest rival is the cheaper Omen. <a href="https://www.hp.com/gb-en/shop/products/laptops/omen-gaming-laptop-16-ap0002na-bn8d2ea-abu" target="_blank">HP's OMEN 16 with an RTX 5060 is £1,299 right now, down from £1,600</a>. It's a properly capable gaming laptop, and for plenty of first-years it would be plenty.</p><p>But look at what the extra £1,320 buys. That cheaper machine has 8GB of VRAM to the Max's 16GB, 16GB of RAM to 32GB, a 512GB drive to 1TB, and an eight-core Ryzen where this has 24 cores. You can upgrade storage and RAM later, but you can't improve VRAM. It's the ceiling on how dense a scene you can sculpt, how big a texture set you can bake and how much of a UE5 level you can light before things start to stutter, and you'll hit that ceiling in your final year, right when your showreel matters most.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1760px;"><p class="vanilla-image-block" style="padding-top:75.45%;"><img id="iyKre7rYBv2U7kZqFa3Fqi" name="omen-3-new" alt="Photos of a laptop on a wooden desk" src="https://cdn.mos.cms.futurecdn.net/iyKre7rYBv2U7kZqFa3Fqi-1920-80.jpg" mos="" align="middle" fullscreen="" width="1760" height="1328" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">It features the kind of LED details gamers love, but in a subtle way to be used all day. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Future)</span></figcaption></figure><h2 id="consider-the-lower-specced-omen">Consider the lower specced Omen</h2><p>So this is the real argument I think I’m coming around to: you're paying an extra £1,320 not to be stopped in your third year by the tech you avoided paying for years before. It won't make you talented, it won’t do all the hard graft for you, and it could tempt you to play another hour of Call of Duty when you really should be working on your Call of Duty killer. </p><p>But plenty of brilliant artists started on hardware that would make the 5060 look decadent, and if you're dabbling, you don't need the power of Omen Max 16 (RTX 5080), and the lower-end-spec Nvidia laptops (see below) can still handle both creative and gamer needs. Also, let's be real, if the only way to afford the premium Omen Max 16 is a 44.9% credit card, don't. Even then, the 1TB drive will fill faster than you think once UE5, a few projects and a Megascans library move in.</p><p>But if you already know the next four years are Blender, Unreal and games that make your GPU sweat and games you want to be inspired by to create your own worlds, this is the rare case where the indulgent option and the sensible one might be the same laptop. Now, I'm not entirely comfortable with how well that argument works on me, given the cost of things, and you’re taking advice from someone who spent their student loan on a <a href="https://www.creativebloq.com/entertainment/gaming/why-the-new-neogeo-aes-console-changes-everything-about-retro-gaming">Neo Geo AES</a>, but there is a line of common sense in here – an Omen, or similar Nvidia RTX laptop (see below) will last you through your course and beyond if you’re serious about playing and making games.</p><div data-widget-type="productname" data-model-name="Acer Predator Helios Neo 16 AI,Acer Predator Helios Neo 16s AI,ASUS V16,HP OMEN MAX 16 (2025),HP Omen Max 16,HyperX Omen Max 16,Acer Nitro 18 AI" data-widget-title="More Nvidia RTX laptops"></div> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/laptops/the-hp-omen-max-16-is-everything-a-student-laptop-shouldnt-be-so-why-do-i-recommend-it</link>
                                                                            <description>
                            <![CDATA[ This Nvidia RTX 5080 gaming laptop works as well for Blender and UE5 as it does Control Resonant. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">SsThX4wee8KQMycJMjrfpb</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/2iaciaK8vxrssa2rQQrq2m-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 15:44:35 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Sep 2026 15:46:09 +0000</updated>
                                                                                                                                            <category><![CDATA[Laptops]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                    <category><![CDATA[Computers]]></category>
                                                                                                                    <dc:creator><![CDATA[ Ian Dean ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/quozhVpr48BAH6CBd6saBg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Ian Dean is Editor, Digital Arts &amp; 3D at Creative Bloq, and the former editor of many leading magazines. These titles included ImagineFX, 3D World and leading video game title Official PlayStation Magazine. In his early career he wrote for music and film magazines including Uncut and SFX. Ian launched Xbox magazine X360 and edited PlayStation World. For Creative Bloq, Ian combines his experiences to bring the latest news on AI, digital art and video game art and tech, and more to Creative Bloq, and in his spare time he doodles in Procreate, ArtRage, and Rebelle while finding time to play Xbox and PS5. He&#039;s also a keen Cricut user and laser cutter fan, and is currently crafting on Glowforge and xTools M1.&lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/2iaciaK8vxrssa2rQQrq2m-1920-80.jpg">
                                                            <media:credit><![CDATA[Future]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Photos of a laptop on a wooden desk, one plays Blender the other Control Resonant]]></media:description>                                                            <media:text><![CDATA[Photos of a laptop on a wooden desk, one plays Blender the other Control Resonant]]></media:text>
                                <media:title type="plain"><![CDATA[Photos of a laptop on a wooden desk, one plays Blender the other Control Resonant]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/2iaciaK8vxrssa2rQQrq2m-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Converse forced to remove ad over racist allegations ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Converse has been forced to remove an ad after receiving heated criticism online, with claims that the design evoked extreme racist imagery. While harmless in theory, the misplaced lighting and composition were enough to spark outrage among critics who called the advert "disgusting" and "abhorrent".</p><p>In keeping with the <a href="https://www.creativebloq.com/features/best-adverts-of-all-time">best adverts</a>, Converse clearly aimed for a stylised, editorial look for the new campaign. Unfortunately, the resulting design was painfully miscalculated, sparking cries for boycotts and all-out cancellation. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1170px;"><p class="vanilla-image-block" style="padding-top:142.14%;"><img id="wiHPE3argEA5hLffaBoYzC" name="HSdqzu0boAAdiLJ" alt="Converse advert" src="https://cdn.mos.cms.futurecdn.net/wiHPE3argEA5hLffaBoYzC-1920-80.jpg" mos="" align="middle" fullscreen="" width="1170" height="1663" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Converse)</span></figcaption></figure><p>The advert in question stars K-Pop artist Karina holding a pair of Converse Chuck 70 X trainers. Lighting on her white skirt makes a sharp triangular shape thanks to a projection of the Chuck Taylor star logo, which critics claimed resembled hoods worn by the KKK. </p><p>To make matters worse, Karina's cut-off upper torso leaves the image slightly indistinct at a glance. The loose positioning of the shoes in her hand appeared to some like the dangling feet of a lynching victim, sparking internet-wide outrage. </p><div class="see-more see-more--clipped"><figure><blockquote class="twitter-tweet hawk-ignore" data-lang="en" cite="https://twitter.com/cantworkitout/status/2101292604889456979"><p lang="en" dir="ltr">for those who don‘t see it https://t.co/DhyEoLqdaL pic.twitter.com/dhKpARPVBp<a href="https://twitter.com/cantworkitout/status/2101292604889456979">September 19, 2026</a></p></blockquote></figure><div class="see-more__filter"></div></div><p>"I cannot fathom why Converse would greenlight something so abhorrent. Lynchings of Black people in the US is NOT ancient history," one X user wrote. "'It’s just a shoe ad' is not a defence,' another added, while one critic wrote, "Even if the intent was unintentional, the tone deafness of the entire campaign is shocking." </p><p>Converse soon removed the ad, issuing the following statement to <a href="https://people.com/converse-apologizes-for-deeply-upsetting-sneakers-ad-12128977" target="_blank">PEOPLE</a>: “We’re sorry. We understand why this image is deeply upsetting and recognise that we got this wrong. We removed it from our channels and are working to remove it everywhere it appeared. This should not have happened, and we will do better.”</p><div style="min-height: 250px;">                                <div class="kwizly-quiz kwizly-X11BwX"></div>                            </div>                            <script src="https://kwizly.com/embed/X11BwX.js" async></script><p>The imagery of Converse's new campaign is jarring, to say the least, and it bewilders me that this imagery wasn't spotted before the campaign launch. With controversies like <a href="https://www.creativebloq.com/design/branding/the-sydney-sweeney-ad-for-american-eagle-revisited-what-can-it-teach-us-about-branding-in-the-2020s">Sydney Sweeney's jeans ad</a> bringing this issue to the forefront of the advertising world, it seems brands should be hyper-vigilant to ensure campaigns avoid controversy. </p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/advertising/converse-forced-to-remove-ad-over-racist-allegations</link>
                                                                            <description>
                            <![CDATA[ The internet questions how it got approved. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">RmyD6PamJNeHWezDAfgLoV</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/p5mXYAW4PrQykYXeQvvwQm-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 14:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Advertising]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                    <category><![CDATA[Graphic Design]]></category>
                                                    <category><![CDATA[Branding]]></category>
                                                                                                                    <dc:creator><![CDATA[ Natalie Fear ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/ieMCBUvEp9jucaWRxi3QGg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/p5mXYAW4PrQykYXeQvvwQm-1920-80.jpg">
                                                            <media:credit><![CDATA[Converse]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[Converse ad]]></media:description>                                                            <media:text><![CDATA[Converse ad]]></media:text>
                                <media:title type="plain"><![CDATA[Converse ad]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/p5mXYAW4PrQykYXeQvvwQm-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Forget iPhone 18's Dark Cherry, these gorgeous cases let you play with seasonal colours in a less permanent way ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Autumn is officially upon us, and with it a gorgeous palette of seasonal colours to channel. After Apple leapt on the trend with its dark cherry-hued <a href="https://www.creativebloq.com/tech/phones-tablets/pre-order-iphone-18-pro-and-pro-max-but-theres-an-elephant-in-the-room">Burgundy handset</a>, it got me thinking about how to enjoy the new season's colours in a less permanent way. After all, you cover your phone in a case so it matters less what the phone itself looks like and more the case you put on it. </p><p>With burgundy, royal blue and butter yellow leading the colour trends for the season, I went hunting for the phone cases that will showcase these sumptuous shades. I've tried several of these cases myself so can vouch for the quality. After all, the performance of a case is as important as the looks. See some gorgeous options below, which will fit any iPhone, not just the new model.</p>        <div class="featured_product_block featured_block_hero" data-id="3fd6c5b4-b5b2-11f1-926e-1384a2460ef7">            <a href="https://www.casetify.com/en_GB/product/floral-spell--royal-blue-phone-case/iphone-17-pro/compact-case-magsafe-compatible#/16009424" data-model-name="Floral Spell - Royal Blue" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/LDEBikcz6TeE66UCLeskFk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>CASETiFY</div>                                        <div class="featured__title">Floral Spell - Royal Blue</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c62c-b5b2-11f1-b6fa-8f9cd973b05e">            <a href="https://www.casetify.com/en_GB/product/moonlight-hydrangeas-phone-case/iphone-17-pro-max/magsafe-compatible-impact-case#/16009395" data-model-name="Moonlight Hydrangeas" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/mqX9BkzCug8ofT5SXMf2Jk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>CASETiFY</div>                                        <div class="featured__title">Moonlight Hydrangeas</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c69a-b5b2-11f1-9312-a7c57f3eb539">            <a href="https://www.casetify.com/product/ripple-case#16011698" data-model-name="Ripple Case - Fig purple" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/R5GbshABnxRaFCUzJbsoAk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>CASETiFY</div>                                        <div class="featured__title">Ripple Case - Fig purple</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c708-b5b2-11f1-b2c0-19c08ea0d03c">            <a href="https://www.casetify.com/en_GB/product/zigzag-stripes-phone-case/iphone-17-pro/magsafe-compatible-impact-case#/16009386" data-model-name="Zigzag Stripes" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/NpMdrSyGU52r8LqZsKQGJk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>CASETiFY</div>                                        <div class="featured__title">Zigzag Stripes</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c776-b5b2-11f1-b36b-3994bdef1ad0">            <a href="https://uk.burga.com/products/dark-cherry-iphone-18-pro-max-case?variant=58720633520512&case-type=Tough%20(MagSafe)&case-details-color=N%2FA" data-model-name="Dark Cherry - Iphone 18 Pro Max Case - Tough (magsafe)" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/TfnikNhYpWGjWHoW2gGrAk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>BURGA</div>                                        <div class="featured__title">Dark Cherry - Iphone 18 Pro Max Case - Tough (magsafe)</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c7e4-b5b2-11f1-879b-a5ca38c5a9ac">            <a href="https://uk.burga.com/products/neptune-iphone-18-pro-max-case?variant=58720499335552&case-type=Tough%20(MagSafe)&case-details-color=N%2FA" data-model-name="Neptune - Iphone 18 Pro Max Case - Tough (magsafe)" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/Knzsz2aTfpfVJF3SJXanCk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>BURGA</div>                                        <div class="featured__title">Neptune - Iphone 18 Pro Max Case - Tough (magsafe)</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c852-b5b2-11f1-b637-2b245f7e65bd">            <a href="https://uk.burga.com/products/mirage-iphone-18-pro-max-case?variant=58720851722624&case-type=Tough%20(MagSafe)&case-details-color=N%2FA" data-model-name="Mirage - Iphone 18 Pro Max Case - Tough (magsafe)" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/n5nrctZWGy4dxYppJJjFFk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>BURGA</div>                                        <div class="featured__title">Mirage - Iphone 18 Pro Max Case - Tough (magsafe)</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c8c0-b5b2-11f1-a0dd-1b2da7e4ecd4">            <a href="https://uk.burga.com/products/core-memory-iphone-18-pro-max-case?variant=58720790053248&case-type=Tough%20(MagSafe)&case-details-color=N%2FA" data-model-name="Core Memory - Iphone 18 Pro Max Case - Tough (magsafe)" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/oM7VBdih6PjAMDsbM8XYEk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>BURGA</div>                                        <div class="featured__title">Core Memory - Iphone 18 Pro Max Case - Tough (magsafe)</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c924-b5b2-11f1-8e61-c7db36282ba8">            <a href="https://uk.burga.com/products/red-velvet-iphone-18-pro-max-case?variant=58889129230720&case-type=Tough%20(MagSafe)&case-details-color=N%2FA" data-model-name="Red Velvet - Iphone 18 Pro Max Case - Tough (magsafe)" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/GpXt9cZue4fSQmZ7wBvmDk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>BURGA</div>                                        <div class="featured__title">Red Velvet - Iphone 18 Pro Max Case - Tough (magsafe)</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6c992-b5b2-11f1-ac8a-b381402e31ec">            <a href="https://www.amazon.co.uk/MOFT-iPhone-MagSafe-MOVAS-Caseless-Peony-Cheery-Laquer/dp/B0H6BFTMK6" data-model-name="Moft for Iphone 18 Pro Max Case, Magsafe Movas Frame Case, Caseless Feel" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/vahMbaFYLsAwXWN5iGgYBk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>MOFT</div>                                        <div class="featured__title">Moft for Iphone 18 Pro Max Case, Magsafe Movas Frame Case, Caseless Feel</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6ca00-b5b2-11f1-8789-0d9b6147fe25">            <a href="https://www.amazon.co.uk/MOFT-iPhone-Case-MagSafe-MOVAS-Blackberry/dp/B0H5Q2TNZS" data-model-name="Moft for Iphone 18 Pro Case, Magsafe Movas Snap Case, Slim & Soft" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/NrnpJajw7ccfmiZXHbbYBk.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>MOFT</div>                                        <div class="featured__title">Moft for Iphone 18 Pro Case, Magsafe Movas Snap Case, Slim & Soft</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div>        <div class="featured_product_block featured_block_hero" data-id="3fd6ca6e-b5b2-11f1-9270-af3a3f12ee65">            <a href="https://www.amazon.co.uk/MOFT-iPhone-Case-MagSafe-MOVAS-Panna-Cotta/dp/B0H5QDT48T" data-model-name="Moft for Iphone 18 Pro Max Case, Magsafe Movas Snap Case, Slim & Soft" data-model-brand="" ><div class='product-image-widthsetter'><p class='vanilla-image-block' data-bordeaux-image-check style='padding-top:133.33%';><img style="width: 100%" class="featured_image" src="https://cdn.mos.cms.futurecdn.net/5ASZ9NXP9Q8iVCjENxb2Ck.jpg" alt="iPhone cases"></p></div></a>            <div class="featured_product_details_wrapper">                <div class="featured_product_title_wrapper">                                        <div class='featured__brand'>MOFT</div>                                        <div class="featured__title">Moft for Iphone 18 Pro Max Case, Magsafe Movas Snap Case, Slim & Soft</div>                                    </div>                <div class="subtitle__description">                                                            <p></p>                </div>                            </div>        </div> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/tech/accessories/forget-iphone-18s-dark-cherry-these-gorgeous-cases-let-you-play-with-seasonal-colours-in-a-less-permanent-way</link>
                                                                            <description>
                            <![CDATA[ Your phone will just be covered up anyway, right? ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">BWLv5E39RUbHDpUQT84U4e</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/pfezRXkvQtdXfFmXAmJp38-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 12:30:00 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Sep 2026 12:42:25 +0000</updated>
                                                                                                                                            <category><![CDATA[Accessories]]></category>
                                                    <category><![CDATA[Tech]]></category>
                                                                                                                    <dc:creator><![CDATA[ Georgia Coggan ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/HcjR8BkM5JsXASkz5GzUV8-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/pfezRXkvQtdXfFmXAmJp38-1920-80.jpg">
                                                            <media:credit><![CDATA[Casetify, Burga]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[iPhone cases]]></media:description>                                                            <media:text><![CDATA[iPhone cases]]></media:text>
                                <media:title type="plain"><![CDATA[iPhone cases]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/pfezRXkvQtdXfFmXAmJp38-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Autodesk's own AI film has a continuity error nobody could prompt away ]]></title>
                                                                                                <dc:content><![CDATA[ <p>Autodesk's own AI demo film Robots of the Wild West, shown at Autodesk University 2026, has a continuity error, and the company knows exactly where it is. A character sits down next to another at a table; a shot or two later, he's across the corner from her. Maurice Patel, Autodesk's VP of M&E Industry Strategy, brought it up himself when we spoke at AU26 in Las Vegas, in the calm after the keynotes. His team tried to prompt the problem away and couldn't. Starting again would have cost more than a demo warranted, so they left it in.</p><p>AU26 has been dominated by Autodesk's argument that AI should help artists, not replace them, with <a href="https://www.creativebloq.com/ai/flow-studio-is-the-ai-filmmaking-tool-built-by-filmmakers-for-filmmakers">Flow Studio</a> as the flagship and tools like <a href="https://www.creativebloq.com/3d/autodesks-siggraph-announcements-look-unrelated-but-they-all-solve-the-same-huge-problem">MotionMaker</a> arriving inside Maya. The table is where I started.</p><h2 id="ai-39-s-happy-accident-bonus">AI's happy accident bonus</h2><p>"AI is great at serendipitous content and is terrible at directed content," Patel says. He sorts it into tasks, shots and worlds. <a href="https://www.creativebloq.com/3d/autodesks-siggraph-announcements-look-unrelated-but-they-all-solve-the-same-huge-problem">MotionMaker</a> is a task: a small model trained to do one thing well, now covering locomotion for humans, dogs and horses, with cats on the way. The demo film is shots, which is where generative video sits today. Worlds that persist and understand physics are "the holy grail" and still far off, and he says the idea of prompting a whole movie is a myth.</p><p>The table problem is what shots look like at scale. Run the same prompt twice and "I'm probably going to get something slightly different." Change one thing, and the model can change others you liked; Patel says the models can also get stuck, reproducing the same result no matter how you rephrase, and when that happens, the only way out is back to the beginning.</p><p>So the aim is never to go back to the beginning. Use AI to make a 2D image, use that to make a 3D scene, use that to feed a clip, and you can return to any stage. Flow Studio's <a href="https://www.creativebloq.com/3d/autodesk-tackles-ai-filmmakings-biggest-problem-with-3d-control">3D Editor + Canvas</a> works on a related principle, letting you block cameras, characters and performance in 3D before the AI generates the final look. </p><p>"We fundamentally believe that the future of AI is orchestration," Patel says. "We don't believe there's going to be one model to rule them all, even though that's what they might be trying to do", a slight dig at how some AI platforms view their place and goals. He expects real footage, CG and AI to be mixed, sometimes for efficiency alone. "Sometimes it's just quicker to shoot a fire and use that," he laughs, gesturing.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:66.72%;"><img id="xosPqgMCHNNK97pCsJ4KWX" name="BES12409_AULV26" alt="A stage showing how to make an AI animation" src="https://cdn.mos.cms.futurecdn.net/xosPqgMCHNNK97pCsJ4KWX-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1708" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Live on stage at AU26, Flow Studio was demoed to create an animated short using AI and traditional Maya animation. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Autodesk)</span></figcaption></figure><h2 id="when-the-flaws-are-the-point">When the flaws are the point</h2><p>Short clips are getting hard to tell from the real thing in AI film, showing where the tech sits right now in terms of quality and use. "We sometimes forget people used to do bad visual effects," Patel reflects, and AI tends to break down over longer stretches, suggesting that everything often starts from flawed beginnings.</p><p>But quality isn't always what an AI project is for, as in Patel's view, the <a href="https://www.creativebloq.com/creative-inspiration/advertising/coca-colas-ai-ad-just-ruined-christmas-again">Coca-Cola Christmas AI ad</a> was "full of flaws" creatively, and its notoriety as AI helped sell it. He describes a credit card ad where the AI got the logo wrong, and the text was unreadable, something a VFX vendor would have rejected outright back in his day when he worked in visual effects. As he tells it, the fact that these ads were made with AI mattered more than the quality.</p><p>But sometimes AI in film can do things never before possible. Patel cites <a href="https://www.youtube.com/watch?v=27_IyD3pfA8&t=4s" target="_blank">Dreams of Violets</a> as a case where AI let a filmmaker tell a story he couldn't shoot, in this case in Iran, where director Ash Koosha would be arrested on arrival. He's sceptical of the roughly $2,000 price tag said to have been needed to make the film. He hasn't spoken to the director, but Koosha's an AI engineer, and Patel suspects the only way that budget works is free compute from his own company. Prompts on a feature-length project, he says, can run into the hundreds of thousands. </p><p>It's "a very real cost to this", admits Patel. If you don't care about the content, he says, you can do something quickly and cheaply and "you get AI slop, essentially."</p><p>The cost problem he cares about more is the industry's. Games that cost $15–20m to make now run to $200m, which he thinks pushes studios towards sequels and reboots – safe options that iron out any invention or gamble. He points to low-budget horror films from A24 and Blumhouse – Backrooms and Obsession – as proof audiences want something different, and hopes that lower costs mean more variety. It's close to what <a href="https://www.creativebloq.com/3d/autodesk-says-ai-should-give-artists-time-to-experiment-not-make-them-work-twice-as-fast">Diana Colella told me about AI</a> bringing in more creators.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:66.72%;"><img id="4cxAeZSWhfCzJW6YfWsWVf" name="BES12462_AULV26" alt="A conference stage and demo" src="https://cdn.mos.cms.futurecdn.net/4cxAeZSWhfCzJW6YfWsWVf-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1708" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Robots of the Wild West, an AI-made animation demo created live at AU26 had 'continuity errors', proving why humans are still needed. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Autodesk)</span></figcaption></figure><h2 id="a-million-rabbits">A million rabbits</h2><p>For context, Patel's first job in the industry was training people in digital compositing using Avid, when computers were new. Roto artists and optical compositors had to learn their trade in a completely new way. Asked whether AI is replacing jobs or changing them, he doesn't pick one: "It's replacing jobs. It's changing jobs. It's allowing people to enter who would never have been able to enter before." Digital effects, he notes, turned a niche cottage industry into one employing hundreds of thousands of people.</p><p>What he says next comes from experience, not principle. "Everything I've experienced with AI, including doing the AI work for this [Robots of the Wild West]," he says, is that "you still need artists who have a vision, who drive this AI, because the AI itself is actually terrible." He means it as a description of steering a model toward something specific, not as a verdict on the technology. It's the same critique as the table in the demo film, from a man whose company makes the tools, because, as he says, we're so early in the AI journey, nothing is yet perfect.</p><p>He reflects on the animator's role specifically when it comes to AI use. "The art of an animator isn't knowing how to use animation curves," he says. "The art of an animator is understanding how to make the performance shine." </p><p>Cel tracing, curves and prompts are just ways of getting there. A model could train on a million rabbits, he says, and never produce Bugs Bunny, because nothing in the real world tells you Bugs should move like that, act like that; it's human imagination. It's "a pure artist thing," he says, reflecting that he doesn't expect this process to be autonomous anytime soon.</p><p>Is he enjoying any of it? "It's a love-hate thing," Patel admits. He was the CG expert once. Now, he says, he's "a newbie", and it's "scary, but it's also kind of fun."</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/3d/autodesks-own-ai-film-has-a-continuity-error-nobody-could-prompt-away</link>
                                                                            <description>
                            <![CDATA[ VP of M&E Strategy, Maurice Patel, reveals why AI will never replace human animators. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">xjYBRCtwygTad5t72HGa25</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/9kGMDnugdbeytmqCubhjSm-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 12:00:00 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Sep 2026 13:45:00 +0000</updated>
                                                                                                                                            <category><![CDATA[3D]]></category>
                                                                                                                    <dc:creator><![CDATA[ Ian Dean ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/quozhVpr48BAH6CBd6saBg-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ &lt;p&gt;Ian Dean is Editor, Digital Arts &amp; 3D at Creative Bloq, and the former editor of many leading magazines. These titles included ImagineFX, 3D World and leading video game title Official PlayStation Magazine. In his early career he wrote for music and film magazines including Uncut and SFX. Ian launched Xbox magazine X360 and edited PlayStation World. For Creative Bloq, Ian combines his experiences to bring the latest news on AI, digital art and video game art and tech, and more to Creative Bloq, and in his spare time he doodles in Procreate, ArtRage, and Rebelle while finding time to play Xbox and PS5. He&#039;s also a keen Cricut user and laser cutter fan, and is currently crafting on Glowforge and xTools M1.&lt;/p&gt; ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/9kGMDnugdbeytmqCubhjSm-1920-80.jpg">
                                                            <media:credit><![CDATA[Future / Autodesk]]></media:credit>
                                                                                                                                                                                                                                    <media:description><![CDATA[A wireframe cowboy render and a man]]></media:description>                                                            <media:text><![CDATA[A wireframe cowboy render and a man]]></media:text>
                                <media:title type="plain"><![CDATA[A wireframe cowboy render and a man]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/9kGMDnugdbeytmqCubhjSm-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Forget Pixar: Laika is the animation house of the future ]]></title>
                                                                                                <dc:content><![CDATA[ <p>When I was a kid in the 1970s, I loved cartoons. Possibly more than anything else in the world. And that wasn't particularly unusual. We all loved cartoons. My only issue was that I couldn't get enough of them. When I heard that American kids with cable had the option of watching cartoons <em>all day</em> I almost fell off my chair in jealousy. </p><p>I still love cartoons, although now as a fully grown man I call them "animations" or "anime" and tend towards stuff that's a little more cerebral than Wile. E. Coyote having an anvil fall on his head. But realistically, I am still a big kid at heart. And so you'd think the fact my dreams have come true – that I could theoretically now stream cartoons 24/7 – would make me very happy. </p><p>But like most things in life, the more you get of something, the more it all starts to feel the same. Even my beloved Pixar, these days, no longer excites me visually. Yes, it's all so astonishingly detailed these days, as I celebrated in my article <a href="https://www.creativebloq.com/news/mind-boggling.toy-story-4-facts">Mind-boggling facts about the making of Toy Story 4</a>. But it also feels like something is being lost. Everything looks slick. Everything looks incredible. And yet, increasingly, everything looks the same.</p><h2 id="how-laika-39-s-different">How Laika's different</h2><p>Laika, the stop-motion studio behind Coraline, ParaNorman and Kubo and the Two Strings, though, is the shining exception. And its new film Wildwood, about a teenager called Prue who enters a magical, hidden forest to rescue her baby brother, is making me far more excited that anything coming out of Disney, Pixar or Dreamworks.</p><p>Based on Colin Meloy and Carson Ellis's 2011 novel, Wildwood has been in development for 15 years. And from a production standpoint, it's a huge step up from anything the studio has attempted before. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:66.68%;"><img id="d2kpmpvTKHwD54xcqMcukR" name="Image Courtesy of LAIKA 5" alt="A close-up of a craftsperson's hands using tweezers to thread wire through an intricately braided blonde puppet hairpiece." src="https://cdn.mos.cms.futurecdn.net/d2kpmpvTKHwD54xcqMcukR-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1707" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Laika)</span></figcaption></figure><p>The movie has been crafted across 136 unique locations (more than twice Kubo's 60), with everything built as physical, tangible sets. That's more than even most live action films can boast these days, right?</p><p>And "craft" is exactly the word to use in this context. Because let's face it, stop-motion is not exactly the easiest way to make a film in 2026. Every gesture, every blink, every gust of wind through a puppet's hair has to be built and moved by hand, one frame at a time. It's slow, it's expensive, it's wildly inefficient.</p><p>Then again, what would be the exact opposite of that? AI animation, of course. Which absolutely makes me want to run into the street and shout: "Give me slower and inefficient, or give me death!"</p><p>Watch the Wildwood trailer and you can see this philosophy in action. There's a shot of Prue cycling, hair swaying in the breeze, and you can practically feel the individual strands being placed, frame by frame, by a real hand. </p><div class="youtube-video" data-nosnippet ><div class="video-aspect-box"><iframe data-lazy-priority="low" data-lazy-src="https://www.youtube-nocookie.com/embed/dtr5JL1zkiM" allowfullscreen></iframe></div></div><p>It's the same quality that made Coraline's Other Mother so unsettling: not the design of her buttoned eyes, but the tiny, imperfect flicker in how she moved, a flicker no algorithm would ever generate. </p><h2 id="why-it-works">Why it works</h2><p>Kubo's giant skeleton fight had the same effect: a colossal puppet lumbering across a beach, its joints catching the light in ways that felt weighty rather than simulated. Wildwood's crows, swarming down to snatch Prue's baby brother, evoke that same unnerving physicality. You believe they could actually grab him, because in a physical sense, something in that studio actually did.</p><p>It's not like Laika doesn't use digital technology to help make its films; it definitely does. But it's the manipulation of physical objects that lies at the heart of its process. So you're not just watching a story, you're watching thousands of individual creative decisions, made by actual people. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:2560px;"><p class="vanilla-image-block" style="padding-top:66.68%;"><img id="asVypcd7ttAgzMpcDZKArR" name="Image Courtesy of LAIKA 3" alt="A craftsperson leans over a workbench, using a coloured pencil to add detail to a miniature horse puppet dressed in dark armour and a red velvet saddle." src="https://cdn.mos.cms.futurecdn.net/asVypcd7ttAgzMpcDZKArR-1920-80.jpg" mos="" align="middle" fullscreen="" width="2560" height="1707" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Laika)</span></figcaption></figure><p>Screenwriter Chris Butler has said he hopes Wildwood becomes something of a rallying cry for the industry against AI. And I reckon it well might. </p><p>Because whether or not you're a creative yourself, we all have a deep-down craving for work that visibly bears the fingerprints of the people who made it. And Wildwood looks like being the perfect vehicle to remind us all of that. </p><p>Making your own? See our <a href="https://www.creativebloq.com/buying-guides/best-laptop-for-animation">best laptops for animation</a> guide.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/art/animation/forget-pixar-laika-is-the-animation-house-of-the-future</link>
                                                                            <description>
                            <![CDATA[ Its focus on stop-motion is what we all need in the AI era. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">jwNGG3eoR3FVKpG249Y9hf</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/JFL7Lbn3BqEAnUrRqjMCiR-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 09:00:00 +0000</pubDate>                                                                                                                                                                                                                                <category><![CDATA[Animation]]></category>
                                                    <category><![CDATA[Art]]></category>
                                                                                                <author><![CDATA[ journo.tommay@gmail.com (Tom May) ]]></author>                    <dc:creator><![CDATA[ Tom May ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/dT9Sds28YazWSnthFky3dW-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/JFL7Lbn3BqEAnUrRqjMCiR-1920-80.jpg">
                                                            <media:credit><![CDATA[Laika]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[A still from Wildwood, showing Prue and her father sharing a warm family moment at home before her adventure begins.]]></media:description>                                                            <media:text><![CDATA[A stop-motion still showing a teenage girl holding a cracker box, a toddler and a bearded man in a red beanie gathered around a kitchen table lit by warm lamplight.]]></media:text>
                                <media:title type="plain"><![CDATA[A stop-motion still showing a teenage girl holding a cracker box, a toddler and a bearded man in a red beanie gathered around a kitchen table lit by warm lamplight.]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/JFL7Lbn3BqEAnUrRqjMCiR-1920-80.jpg" />
                                                                                                                                    </item>
                                <item>
                                                            <title><![CDATA[ Affinity 3.3 shows that Canva is serious about taking on Adobe ]]></title>
                                                                                                <dc:content><![CDATA[ <p>It's funny how things turn out. When Serif, a software firm based in Nottingham, England, first released Affinity Designer as a free download back in 2014, almost no one paid attention. But they'd had the sense to travel down to meet me and a bunch of other tech journalists at Future Publishing's Bath offices, showed us a demo, and we were all hugely impressed. </p><p>This wasn't just as good as Adobe Illustrator, in some ways (such as their million-times zoom) it was better. And for a limited period, it was free! I wrote this <a href="https://www.creativebloq.com/illustration/serif-free-alternative-71412389?utm_source=gemini"><u>news story</u></a> for Creative Bloq, downloads erupted, and the rest is history.  </p><p>The software went on to win awards and adherents up and down the industry. And although Serif did start charging for Affinity Designer – along with Affinity Photo and Publisher as they followed in its wake – it remained much cheaper than Adobe's ever-increasing Creative Cloud subscription. </p><p>Then in 2024, everything changed again, as <a href="https://www.creativebloq.com/news/canva-acquires-affinity" target="_blank">Affinity was sold to Canva</a>. And for a while, I was nervous. A social-media-friendly design app buying up a professional Adobe alternative felt like it could go horribly wrong. </p><p>But so far, things have actually gone pretty well. In October 2025, the <a href="https://www.creativebloq.com/photography/photo-editing-software/affinity-just-combined-three-apps-into-one-free-program-for-all-creatives" target="_blank">Affinity suite became free</a> once more. And if I had fears that these tools would be dumbed down and absorbed into Canva's main platform, the recent launch of Affinity 3.3 has put all those fears to bed. </p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1920px;"><p class="vanilla-image-block" style="padding-top:56.25%;"><img id="U8LowTkutmYVLhrh6H4uwH" name="scripting_example" alt="A screenshot of Affinity's Scripting interface with JavaScript code for adding crop marks, a scripts library panel on the right, and a "Malicious script advisor" pop-up confirming the script is safe." src="https://cdn.mos.cms.futurecdn.net/U8LowTkutmYVLhrh6H4uwH-1920-80.png" mos="" align="middle" fullscreen="" width="1920" height="1080" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="caption-text">Affinity's new Scripting Studio, showing a crop-marks script being edited alongside a built-in malicious script check. </span><span class="credit" itemprop="copyrightHolder">(Image credit: Canva)</span></figcaption></figure><h2 id="what-39-s-new-in-3-3">What's new in 3.3</h2><p>Version 3.3 is a huge step forward, featuring more than <a href="https://www.affinity.studio/help/release-notes/" target="_blank">60 new features</a> spanning image editing, vector work, page layout and now scripting. And it all dovetails nicely with a newly branded Canva ProSuite, which also includes Cavalry, Leonardo.Ai and Flourish. </p><p>In truth, there's no one big standout feature here, but that's actually a good thing. Canva aren't just leaning on one or two headline-grabbing additions. Instead, they've gone long and deep into the unglamorous but actually-professionally-useful stuff instead.</p><p>Take the new Blend Tool, which creates live, editable transitions between vector shapes, complete with independent controls for position, rotation, shape and colour. Or the ability to visualise G2 curve energy on the Pen tool, a niche feature aimed squarely at font and logo designers who care about the precise mathematics of a curve.</p><p>Elsewhere, the RAW photography engine has been reworked, with hue-preserving curves, new saturation and hue adjustments, and global presets that finally behave the way photographers expect. </p><p>Best of all, everything remains free. No subscription, no watermark, no free vs paid for tier. Yes, you have to pay if you want Canva's AI models. But everything else – the Blend Tool, the new Astrophotography Studio, the ability to import InDesign and Publisher files directly – is available for absolutely no pennies at all.</p><figure class="van-image-figure  inline-layout" data-bordeaux-image-check ><div class='image-full-width-wrapper'><div class='image-widthsetter' style="max-width:1080px;"><p class="vanilla-image-block" style="padding-top:73.98%;"><img id="WowPiaCNuiggaNbPG3fLU9" name="tools_genUpscatle_after" alt="This close-up macro shot of a fungus on tree bark was sharpened and enlarged using Affinity's Generative Upscale AI tool." src="https://cdn.mos.cms.futurecdn.net/WowPiaCNuiggaNbPG3fLU9-1920-80.jpg" mos="" align="middle" fullscreen="" width="1080" height="799" attribution="" endorsement="" class="inline"></p></div></div><figcaption itemprop="caption description" class=" inline-layout"><span class="credit" itemprop="copyrightHolder">(Image credit: Canva)</span></figcaption></figure><p>None of this means Adobe's going anywhere. Creative Cloud still has deeper integration, a bigger plugin ecosystem and a decades-old professional reputation. To put it bluntly, if you want a job in a creative field, you need to know Adobe, and that won't change any time soon.</p><p>But increasingly, I don't think of these kinds of tools as in direct competition. For many designers, it's not a choice between them, but a choice to have both, and use each where appropriate. And if Canva can keep full-blooded Affinity free over the long time, I can't see that changing any time soon either.</p> ]]></dc:content>
                                                                                                                                            <link>https://www.creativebloq.com/design/design-software/affinity-3-3-shows-that-canva-is-serious-about-taking-on-adobe</link>
                                                                            <description>
                            <![CDATA[ The latest update to the free Creative Cloud alternative packs in a blend tool, RAW overhaul and scripting studio. ]]>
                                                                                                            </description>
                                                                                                                                <guid isPermaLink="false">k5pczD8vJVgrfj949gN5YJ</guid>
                                                                                                <enclosure url="https://cdn.mos.cms.futurecdn.net/gYstVjtvdqs2zKpkzxJevm-1920-80.jpg" type="image/jpeg" length="0"></enclosure>
                                                                        <pubDate>Mon, 21 Sep 2026 08:06:25 +0000</pubDate>                                                                                                                                <updated>Mon, 21 Sep 2026 08:10:39 +0000</updated>
                                                                                                                                            <category><![CDATA[Design Software]]></category>
                                                    <category><![CDATA[Design]]></category>
                                                                                                <author><![CDATA[ journo.tommay@gmail.com (Tom May) ]]></author>                    <dc:creator><![CDATA[ Tom May ]]></dc:creator>                                                                                    <dc:source><![CDATA[ https://cdn.mos.cms.futurecdn.net/dT9Sds28YazWSnthFky3dW-320-70.jpg ]]></dc:source>
                                                                <dc:description><![CDATA[ null ]]></dc:description>
                                                                                                                                <cf:isSponsored>false</cf:isSponsored>
                <cf:hasAffiliateLinks>false</cf:hasAffiliateLinks>
                <cf:isPaid>false</cf:isPaid>
                                                                                                                                <media:content type="image/jpeg" url="https://cdn.mos.cms.futurecdn.net/gYstVjtvdqs2zKpkzxJevm-1920-80.jpg">
                                                            <media:credit><![CDATA[Canva]]></media:credit>
                                                                                                                                                                        <media:description><![CDATA[The Decompose Layers feature splits a flat photo of an Italian coastal town into separate, individually editable elements]]></media:description>                                                            <media:text><![CDATA[A photo-editing interface showing a coastal Italian town with a layers panel listing separated elements including moored fishing boats, a beachgoers crowd, a domed church and a hillside building.]]></media:text>
                                <media:title type="plain"><![CDATA[A photo-editing interface showing a coastal Italian town with a layers panel listing separated elements including moored fishing boats, a beachgoers crowd, a domed church and a hillside building.]]></media:title>
                                                    </media:content>
                                                    <media:thumbnail url="https://cdn.mos.cms.futurecdn.net/gYstVjtvdqs2zKpkzxJevm-1920-80.jpg" />
                                                                                                                                    </item>
            </channel>
</rss>