Latest about How we made
"It's the perfect amount of creative challenge": How we made the Hades II artwork
Art lead Jen Zee discusses the process of delivering a contemporary twist on ancient Greek mythology and creating powerful female figures.
"We wanted to go for the punk aesthetic that the BIA has always encapsulated": How we made the new Brand Impact Awards identity
Taxi Studio takes us through its new BIA rebrand.
"When people have it in their hands, it could become their favourite trophy": How we made the new BIA Mallet
Taxi Studio explains how it crafted the iconic new Brand Impact Awards trophy.
How we made our animation tribute to Akira Toriyama
Umeshu Lovers walk us through creating their Akira Toriyama-inspired April Fools’ demo.
How we made animated film No Dogs or Italians Allowed
The team at studio Foliascope explain their compositing process.
How we made a stunning cinematic in Unreal Engine 5.2
Mondlicht Studios explains how it pushed the boundaries of Unreal Engine 5.
"A weird, wonderful and demanding job": How Gina Alessi made the graphic design in Apple TV's Manhunt
There's an art to recreating 19th century America.
"We wanted to ensure we weren't just copying what's out there": How we made Linearity Move
The team behind new animation software Linearity Move talk through its development.
