4 ads that tried to be cool, but failed

In the wake of last week’s Pepsi fiasco, here are three more examples of commercials that missed the mark entirely.

Over the years, many highly successful advertising campaigns have either surfed the wave of popular culture, or in some cases, managed to subvert the status quo and garner a cult following all of their own.

A great ad can be an artform in its own right, boosting a brand’s credibility by combining a killer idea with skilful execution and top production values.

At the other end of the scale are ads that don’t aspire to brand-inflating greatness. Their purpose is to sell based on simple facts, or price points, or some other quantitative hook. They might not win awards, but they can be effective.

Where it goes spectacularly wrong, as it did last week for Pepsi’s hastily-pulled Kendal Jenner vehicle, is when an ad aims for the stars and aspires to be the former, but shoots itself straight in the foot instead, and doesn’t deliver on the latter criteria either.

This can be particularly cringeworthy when brands attempt to engage with, or appropriate, counter-culture movements – not often a happy bedfellow with adland. Here are some examples that came short of the mark… 

 01. Pepsi tries to bring people together

An impressively unconvincing protest march provided the backdrop to Pepsi's now-pulled ad

Unless you were under a stone last week, you’ve heard about this one. And it’s perhaps most grating for Pepsi that comparisons with its bitter rival Coca-Cola, and particularly its iconic 1971 ‘Hilltop’ spot, are all too easy.

Hilltop will be familiar to Mad Men fans. After going off the radar and embracing a New Age lifestyle, Don Draper is meditating on a hilltop when a knowing smile comes over his face, and it cuts to the iconic ad – implying that his own personal experience with counter-culture translated onto the screen as one of the most iconic ads of all time. There's a twist of ambiguity, however: did Draper have an epiphany about cross-cultural unity, or just shrewdly appropriate the hippy zeitgeist that he’d witnessed just to shift some cola?

In reality, McCann Erickson’s Bill Backer got the inspiration when he was stranded at an airport and spotted a group of his fellow passengers laughing and bonding over bottles of Coke. It was a simple observation about how the brand could bring people together, expressed at a time when protests against the Vietnam War were coming to a head in the States, promoting unity and peace over division and war.

Crucially, however, it was an abstract message, told through song, sentiment and simple but beautiful filmmaking. Over 45 years later, Pepsi's in-house ad was both heavy-handed and trite against the backdrop of another hugely turbulent period of political protests, from the Black Lives Matter movement to anti-Trump marches and more.

Handing a Pepsi to a riot gear-clad cop to diffuse a pretty anodyne, corporate-feeling ‘protest’ is far too literal a metaphor, and as industry commentators have reported in unison, is spectacularly tone-deaf in terms of how the brand tried to position itself as a catalyst for unity and harmony – especially when compared to that Coca-Cola spot. 

It even had the dubious honour of being ripped into by Saturday Night Live:

02. Sony attempts to tap into graffiti culture 

Pepsi has received plenty of flak over the last few days, but it’s far from alone in missing the mark when it comes to tackling counter-culture references.

Another global corporate behemoth that tried to take its marketing to the streets in a different way was Sony. In an attempt to engage with the urban youth market for its PSP handheld console back in 2005, the Japanese tech giant decided to pay graffiti artists in key cities to spray its message on selected buildings.

Sony paid graffiti artists to stealthily spray its message onto buildings

It was a direct assault on rival Nintendo’s grip on the handheld gaming market, and made use of original commissioned artwork, depicting kids treating PSPs like skateboards, ice creams, rocking horses and more – without Sony or PSP branding anywhere. 

Unfortunately, the public quickly recognised the ads for what they were

But the urban youth market was too savvy to be fooled and many of the images were subsequently vandalised, directly calling the scheme out as "advertising directed at your counter culture”, thus neutralising any stealth marketing value they may have had. 

03. Reebok risks glorifying gun violence 

So far we’ve had street protests and street art. But sportswear brand Reebok went the whole hog, and decided to take on street shootings. Brand association with hip-hop culture is nothing new, and there have been plenty of notable successes, but this particularly gritty choice of content backfired in Reebok's infamous 50 Cent-fronted ad.

Part of Reebok's global ‘I am what I am’ campaign, the spot focused mostly on how the rapper had been shot nine times, and even used the phrase ’Who do you plan to massacre next?’ (albeit in the context of 50 Cent's next album release).

50 Cent's association with gun violence played a key role in this campaign

The ad was pulled after attracting widespread criticism for portraying gun violence as edgy and cool with a view to selling trainers; another example of how an attempt to align with counter-culture can backfire very expensively for a brand if it’s not pitched carefully.

04. Rappers refuse to sell out for McDonald's 

Controversial or not, at least 50 Cent agreed to the Reebok spot in the first place. This cringeworthy attempt at stealth marketing didn’t even get off the ground, but unfortunately the backlash happened anyway.

McDonald's' attempt at a stealth campaign never got off the ground

Marketing firm Maven Strategies attempted to replicate its success in getting product placement for Seagram's Gin worked into the lyrics of top rappers such as Kanye West and Petey Pablo with another, rather less edgy client: McDonald’s. 

Various big-name rappers were approached to name-check the Big Mac in their tracks, and would be paid for every play. But details of the stealth marketing plan made their way onto the internet beforehand, and not a single high-profile rapper would touch the offer with a bargepole. The campaign imploded before it started.

The lesson here, similar to the Sony example, is that attempting to infiltrate the counter-culture space through the back door is rarely a good idea, as people will be all too ready to call BS the first chance they get.

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