MSI's Every Choice campaign is my favourite of the year

MSI Every Choice print campaign that lists choices people have in contrast to text about women's lack of reproductive rights around the world
(Image credit: MSI)

There are hundreds of choices to be made in the modern world, most of them are entirely inconsequential, yet we spend hours thinking about them – what should we have for lunch? What should we wear to that special occasion? And what souvenir should we buy from our trip abroad? 

But not everyone has access to these choices, and many don't have the power to make decisions about their own bodies; 40 per cent of the world's women live in countries where abortion is inaccessible, restricted or banned outright, and 257 million women have no access to contraception.

(Image credit: MSI)

The campaign takes the form of a series of OOH and print adverts that outline the seemingly endless choices that many of us have access to, on the more trivial matters of modern life, juxtaposed with a powerful message about the limits of women's reproductive choices around the world. The call to action asks people to donate to MSI.

The result is an evocative campaign that will have you thinking twice before pondering what type of coffee you'd like, or your next bagel order. Contrasting these choices with the starker options many women face when getting pregnant, for example, is a powerful way to get the message across.

(Image credit: MSI)

The locations of the billboard ads are no coincidence, either. The list of 'souvenirs you can get from one shop' is near Westminster, and the 'bagel filling options' lists are across every corner of Manhattan.

(Image credit: MSI)

This simple yet devastatingly effective print campaign is probably my favourite of the year, though I wish it didn't need to exist. The print and OOH adverts will be live throughout December in New York and London. 

Read more about the campaign on Medium.

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Rosie Hilder
Deputy editor

Rosie Hilder is Creative Bloq's Deputy Editor. After beginning her career in journalism in Argentina – where she worked as Deputy Editor of Time Out Buenos Aires – she moved back to the UK and joined Future Plc in 2016. Since then, she's worked as Operations Editor on magazines including Computer Arts, 3D World and Paint & Draw and Mac|Life. In 2018, she joined Creative Bloq, where she now assists with the daily management of the site, including growing the site's reach, getting involved in events, such as judging the Brand Impact Awards, and helping make sure our content serves the reader as best it can.