Polaroid Now+ review

Our Polaroid Now+ review looks at one of the most sophisticated instant cameras ever made.

Polaroid Now+ review image on blue background with accessories and smartphone app
(Image: © Polaroid)

Our Verdict

The Polaroid Now+ is the best Polaroid camera, and probably the best instant camera, full stop. It produces gorgeous images full of detail and character, and thanks to the revamped app experience, users have more options than ever for creating retro-styled Polaroid prints. The only real downside is one that’ll keep on hurting – the film is expensive, discouraging play and experimentation in a format that otherwise seems built for it.

For

  • Gorgeous proper-size prints
  • Genuinely good app integration
  • Manual exposure control

Against

  • Continually pricey to run
  • Overexposes easily

Why you can trust Creative Bloq Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

In our Polaroid Now+ review, we’re going to be looking at what might be the best instant camera ever made. Since the brand’s unexpected and welcome revival by the Impossible Project in 2017, Polaroid has gone from strength to strength, releasing a range of instant cameras including the sophisticated Polaroid OneStep+, the pocket-sized Polaroid Go, and the straightforward Polaroid Now.

Polaroid Now+ specs

• Compatible films: Polaroid i-Type, Polaroid 600
• Lenses: 40mm standard, 35mm close-up
• Power: Lithium-ion 750mAh battery, charges via USB
• Tripod mount: yes
• Construction: Polycarbonate + ABS plastics
• Dimensions: 150.16 x 112.2 x 95.48mm
• Weight: 457g (without film pack)

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The Verdict
8

out of 10

Polaroid Now+

The Polaroid Now+ is the best Polaroid camera, and probably the best instant camera, full stop. It produces gorgeous images full of detail and character, and thanks to the revamped app experience, users have more options than ever for creating retro-styled Polaroid prints. The only real downside is one that’ll keep on hurting – the film is expensive, discouraging play and experimentation in a format that otherwise seems built for it.

Jon Stapley

Jon is a freelance writer and journalist who covers photography, art, technology, and the intersection of all three. When he's not scouting out news on the latest gadgets, he likes to play around with film cameras that were manufactured before he was born. To that end, he never goes anywhere without his Olympus XA2, loaded with a fresh roll of Kodak (Gold 200 is the best, since you asked). Jon is a regular contributor to Creative Bloq, and has also written for in Digital Camera World, Black + White Photography Magazine, Photomonitor, Outdoor Photography, Shortlist and probably a few others he's forgetting.