Branding books continue to dominate design publishing, with more and more designers (and clients) acknowledging that the presentation of a company can be just as important as its service.
Much of the fascination with the science of branding is that it provides tangible proof of the power of design. The power of branding has also entered the wider consciousness of consumers. Controversial rebrands can trigger furious debate, like when Slack rebranded, or weary cynicism, as with Facebook's 2019 corporate look, but everyone has an opinion.
Many of the branding books on this page also delight as physical objects. Skimming through a beautifully designed book (see our favourite graphic design books for more recommendations) can also inspire one's own creativity. We hope you make the most out of these best branding books available.
This mammoth book by modern design legend Michael Johnson is a stone cold classic, and is packed with illuminating analysis of the very best branding across the world. In Branding: In Five and a Half Steps, Johnson cuts through to the heart of iconic logos, adverts, campaigns and rebrands to explain the idea, execution and impact with clinical accuracy. Priceless anecdotes from his own seminal campaigns – including Shelter UK and the Science Museum – reveal both the theory and alchemical art of of creative thinking.
Johnson is a phenomenal writer, whose passion is infectious, and the book has a compelling narrative. Every page is generously scattered with carefully chosen examples, and In a specialist genre prone to pseudo-science and hyperbole, Johnson reassuringly emphasises the art of storytelling and empathy that underpin great brand building. Zero bullshit jargon-busting and expert insights make this a must-buy for newcomers and professionals alike.
Despite being an accomplished branding designer himself, David Airey steps back to allow world-class creatives to talk about their own projects in this new book, Identity Designed: The Definitive Guide to Visual Branding. Branding books live or die the quality of the showcased projects and frankness of the talent involved, and with years of industry experience behind him, Airey proves an excellent judge of killer campaigns and stellar talent. Sixteen inspiring projects by such famed agencies as Freytag Anderson and Together Design reveal a wide range of creative problem solving, with every step of the designer/client process explored. Elegantly presented as a coffee-table tome of brand porn, this is an essential addition to the serious brand designer's bookshelf.
As well as running the small London-based agency Brand Nu, author Radim Malinic has forged a successful second career as a writer, his Book of Ideas Vol 2 and (and Vol 1 before it) seamlessly combining both his distinctive graphic style and earnest insights into the creative industry. The dynamic entrepreneurial spirit that has enabled him to carve a unique niche in the industry makes him a perfect guide to brand design. His informal, frank writing style is easy to digest, and despite only featuring his own work in the case studies, his enthusiasm and passion ensure that this a massively detailed and approachable book, and essential reading for anyone wishing to follow in his footsteps and launch their own agency. From copyright laws and client presentation strategies to refining contracts and dealing with disappointments, Malinic excels at the nitty gritty detail and hard graft behind boutique studio branding.
Creating a Brand Identity: A Guide for Designers is a fabulously rich and informative introduction to everything a new student of design needs to know about creating brand identity, from the psychology of consumers to the execution and delivery of finished campaigns. Author Slade-Brooking is a senior lecturer on BA Graphic Communication at the University for the Creative Arts, so the attention to detail is phenomenal, with exercises and tip boxes scattered throughout. From the most basic of beginnings (“Why do we brand?”) to sophisticated advice on analysing competitor markets, this book will be invaluable to beginner and pro alike. As befits a book about design, the art direction of Brand Identity is sophisticated and intelligent, with an abundance of visual references and perfectly chosen examples.
Endorsed by Paula Scher no less, and now in it’s 5th edition, this enormous book, Designing Brand Identity: An Essential Guide for the Whole Branding Team, is probably the most comprehensive branding book available. A staggeringly in-depth explanation of the principles, theories and practicalities of branding – from brand architecture to managing assets – are detailed and illustrated in exhaustive step-by-step detail. Any reader who still doubts the power of branding as a marketing tool will find the 40+ case studies – from Coca Cola to Mozilla – provide irrefutable evidence of the power of intelligent design. Every page of this book has a fascinating insight or thought provoking quote, and the art and craft of branding is clearly revealed as a seamless hybrid of science and creativity.
The final book by industry legend Wally Olins, Brand New: The Shape of Brands to Come, is a thrilling analysis of how branding and globalisation have shaped one another, and how the rapid evolution of technology (and consumers) has made selling and branding an increasingly complex occupation. With the wisdom accumulated from dealing with some of the biggest companies and brands in the world, Olins is unwavering in his championing of high moral standards and ethical solutions. From the opening chapter – a thrilling call out on the ‘new authenticity’ that has dominated marketing for the last decade – to understanding the zeitgeist and the questioning the responsibilities of ‘Big Brand’, Olins is an exceptional guide, fearless in shaming those who fail to live up to his high ideals. But beneath the tough call-to-arms for a more compassionate industry lies the enthusiastic idealism of an advertiser in love with the beauty of meaningful design. This is essential reading for understanding the deeper undercurrents of branding strategy.
Based in south-east London, design consultancy Rose has been delivering superlative work for two decades now. This longevity may surprise some, because the studio – which has just six full-time employees – has enjoyed a relatively discreet profile to date. But in this 20th anniversary year it’s making an exception, launching Rose: Two Decades. It’s a stunning 352-page monograph that showcases just why it’s won over 150 international creative awards.
While some studios try to push boundaries with the layout and design of their monograph, Rose has taken a calmer and more measured approach here, allowing the work to speak for itself through full-page images and minimal text (a Bob Dylan quote, a one-page preface and credits at the back). And what great work it is.
Showcasing the best of Rose’s brand identities, marketing campaigns, exhibition branding and publication design for more than 90 selected clients – as diverse as BAFTA, Tate Modern, the NFL, Royal Mail and 10bet – this is both a treat for the eyes and inspiration for the design soul. As an added twist, each copy comes with a bespoke foil-blocked, case-bound cover, courtesy of luxury wallpaper brand Sanderson. It’s an inspired and original touch that adds a personal feel to this confident and elegant publication.