The Modernist school has had a huge influence on the history of design - and continues to do so today. Aaron Kitney explains why.
With the advances of technology, Modernism began to break through at the end of the 19th century into the beginning to the 20th century. Western society began to develop new ways to shape human culture and improve the constructed environment.
Modernism covered many creative disciplines from design and art to influencing architecture, music and literature. The power of machines forced artists to strategically re-think their practice, the results were revolutionary and still influences designers to this very day. This new technology provided the opportunity for mass production, and the machine itself became a theme in modernism.
Influential designers of this period range from Walter Gropius from the Bauhaus to the modern architect Le Corbusier, both men were fascinated with all disciplines of design and it reflected greatly in their work.
'Function should always dictate form'
A beautiful poster celebrating the use of sans-serif typography and white space
Modernism particularly inspired fine art, it saw a break in the world of the 'ism' - these art styles include Impressionism, Cubism, Fauvism, Futurism, Brutalism and Surrealism. With the influence making such an impact across multiple creative disciplines Modernism is arguably being the most influential movement of the 20th century.
The Unité d'Habitation (Housing Unit) in Marseilles - residential housing design developed by Le Corbusier
Graphic Design and Typefaces
Modernism especially changed the thinking process for communications, graphic design and typography, the style of design shifted drastically from the prior 19th century approach. Before the concept of Modernism, graphic design and typography was 'overly decorated' and elaborate, every possible inch of a typical poster would be filled with imagery and type.
Designers of the era of Modernism abided to strict, structured grid system with emphasis on negative space, just as important was the use of clean sans-serif type. The idea was to create strong graphics that were against commercialism, greed and cheapness. Typical typefaces used in the Modernism era include Franklin Gothic, Monotype Grotesque, Futura, and Helvetica Neue.
Jan Tschichold designed this poster to promote the fundamental principles of Die Neue Typographie (The New Typography)
Dutch artist Theo van Doesburg practiced painting, architecture and poetry - he also influenced graphic design and is considered the 'ambassador' of the movement De Stijl. He described Modernism times as: "Art should not deal with the 'useful' or the 'nice', but with the 'spiritual' and the 'sublime'. The purest art forms do not cause the decorative change of some detail from life, but the inner metamorphosis of life, the revaluation of all values."
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The Dutch De Stijl advocated pure abstraction combined with block primary hues, along with black and white
Dutch De Stijl
The Dutch De Stijl group was led by architect Theo van Doesburg, who favoured Universal harmony with no emotional overtones. The distinctive De Stjil look consisted of block primary hues, plus the use black and white. No curves allowed.
Aaron Kitney is a freelance graphic designer and art director based in London and Vancouver. He specialises in branding, identity, web design, publication design, packaging and book design. Follow him on Twitter at @aaronkitney.
