Why Sega's Japanese logo is confusing fans
The video game developer seems to have different versions of its logo.
Twitter was buzzing with theories over the weekend after Japanese developer, Yuichiro Kitao, pointed out that video games company Sega uses a different version of its famous text-based logo in Japan. And what's more, it appears that nobody really knows for sure why Sega has two versions of its logo.
So how does its logo look different? Simple: the Japanese version uses a lighter blue, while the logo for other territories is darker. Cue rampant speculation as to whether this decision is motivated by colour theory.
In his tweet, Kitao posts an image comparing the two different logos. The Japanese one appears first, followed by the darker alternative.
意外と知られてない気がするんですが、セガのロゴは国内と海外で色が少し違います。並べてみるとわかるんですが、受ける印象がちょっと違いますよね。 pic.twitter.com/THC3FCwcaLAugust 23, 2019
For a passing thought about logo colours, this status appears to have captured Twitter's imagination. Hundreds of users have given it a like and have commented with their thoughts on why Sega has two logos.
Sega of America’s director of production, Sam Mullen, even got in on the action by confirming that, yes, the video games developer does in fact operate two logos, each with a different colour.
I can confirm this is true. The Japan and International logos for SEGA are different shades of blue. If you have a JP and EN copy of any recent game, check the boot sequence and compare for yourself. https://t.co/j1se4rrdm0August 24, 2019
But the important question is why does Sega have two different coloured logos? Sadly, we don't know for sure. Mullen has his theories, including the idea that it's the result of a printing mix-up, or that the Japanese colour could be seen as more kid friendly.
Either way, it's a curious detail that adds to the Sega brand. And considering that Sega's startup sound ranks alongside the best audio logos, it looks like the company knows how to use its branding to excite interest.
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Dom Carter is a freelance writer who specialises in art and design. Formerly a staff writer for Creative Bloq, his work has also appeared on Creative Boom and in the pages of ImagineFX, Computer Arts, 3D World, and .net. He has been a D&AD New Blood judge, and has a particular interest in picture books.