How to make a cohesive online design portfolio

Creating an online portfolio is hard work for a designer. We can be our own toughest clients, and making a collection of diverse projects look like they belong together is tricky. However, it is possible to create a folio that is interesting, cohesive, highlights your strengths and shows who you are as a designer.

Firstly, be consistent. For example, each project thumbnail on your main portfolio page should be treated consistently from project to project, even if one is a website and another is an icon set. Use similar image sizes, or angles and lighting if the thumbnails are photos.

The 'less is more' philosophy can help entice the viewer to click on the thumbnail for more detail. Go for a dramatic crop that focuses on the most visually strong part of a project. This works extremely well when showing larger-scale online branding and patterns. Choose an appealing and moody photographic treatment or show a simple, well-crafted logomark on a light, complementary background colour.

Typography sets the tone, so when picking typefaces err on the side of minimalism. The typography should support the work, rather than distracting the viewer. Consider sticking to one extensive type family rather than mixing in too many different tones.

These few steps towards consistent presentation and thoughtful storytelling can help us better present our work and show the world who we are as designers.

Here are three examples of great portfolios that embody these techniques:

01. Alice Lee

Alice Lee

Alice Lee

Alice Lee puts the focus on her work and keeps everything else simple. The design reflects her attention to detail, playful design choices and versatility.

02. Bethany Heck

Bethany Heck

Bethany Heck

Bethany Heck isn’t afraid to show details, zooming into binding on books, and metallic lettering on thank you cards. Her unusual crops and angles add mystery.

03. Fuzzco



Fuzzco presents its work so thoughtfully. All thumbnails, whether they’re for logos or online magazines, have been crafted to connect with the next, and each one becomes part of the project itself.

Words: Sam Kapila

Sam is a designer living in Texas and an instructor at The Iron Yard, an international, immersive coding school. This article originally appeared in issue 274 of net magazine.

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