36 impactful poster designs
Classic and contemporary posters to inspire your own designs, from film and art, to sports and politics.
I've been writing about posters for a solid 30 years ago now. And as society has relentlessly moved from print to digital, and from large screens to small, at times I've wondered if they'll eventually become a dying art.
In 2026, though, that couldn't feel further from reality. Not only are we still fascinated by posters, but the digital age has given us new tools to examine their details and, often, endlessly argue about them. Indeed the main challenge for designers today is that there are so many rival posters competing for attention, it's tough to know how to stand out.
To help you with that challenge, we've pulled together 36 poster designs from past and present that absolutely nail it. They may all take different approaches, but a thread runs through all of them: a clear idea, executed with conviction.
For more inspiration, see our roundup of the best film posters. And if you want to create your own designs, check out our picks of the best laptops for graphic design and the best graphic design software.
Contemporary poster designs
We'll start with some inspiring modern poster designs. If you're more interested in delving into the archive further back, skip to the best classic poster designs.
01. Digger
A Tom Cruise film poster that shows zero Tom Cruise? That's intriguing for starters. Instead, this teaser for Alejandro González Iñárritu's dark comedy Digger (2026) created by BLT Communications in Los Angeles, elegantly stacks the film's title into the shape of a man, with a spade slung over his shoulder and a pair of ornate cowboy boots planted at the bottom. While the debt to Saul Bass is clear, you can't deny it's attention grabbing.
02. Frankenstein
If the Digger poster above is a lesson in reduction, James Jean's poster for Guillermo del Toro's Frankenstein (2025) is the opposite: a maximalist feast packed with detail that offers a beautiful balance between body horror and beauty. The Taiwanese-American artist built the composition from exclusive stills from the production. "Like flowers blooming from a rotting corpse, the film was a vast bouquet of visuals and I plucked at them greedily," he explained.
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03. The Guardian
Created by BBH in 2016 for the Guardian, this campaign focuses on the fact that the paper asks questions that others can’t, in contrast to many other major news outlets that are owned by shareholders who can influence content.
“The Guardian’s campaign celebrating their independence features a series of provocative lines, written in the iconic and instantly recognisable Guardian Egyptian Bold font,” says Ciara Stonley, a creative at agency syn. . “It is heavily graphic, resulting in a completely clear and unapologetic message; in my opinion, everything that makes up the perfect printed ad.”
04. Portrait of a Lady on Fire
Céline Sciamma's 2019 period drama is about a painter, so it's fitting that Akiko Stehrenberger's poster is all about paint. Thick, glossy brushstrokes in orange, red and yellow rise out of a black background to form a flame, which also reads as the silhouette of a woman in a flowing dress. Stunning.
There's also more here than meets the eye. Study the negative space on either side of the flame and you'll spot two faces in profile, about to kiss. Exactly the kind of detail that makes you go back for a second look.
05. UK Election
This naughty series of posters created by Saatchi and Saatchi aimed to encourage young people to register and vote in the UK general election of 2024. It’s based on research commissioned for the campaign, which found that 40% of 18-24 year-olds think people who vote regularly are more attractive. “The headline is prominently and unapologetically used across the top and bottom of each poster, and uses a series of differently executed Xs across the campaign to reflect an X in a voting form,” says Ciara. “It is provocative and bold.”
06. Backrooms
A24's design for the 2026 psychological horror Backrooms takes the phrase 'less is more', and runs with it as fast as it can. Depicting nothing but sickly yellow-green wallpaper, with the title, studio logo and release date set tone-on-tone at the bottom, lots of people thought it was an uncompleted mistake. For anyone who knows the source material, though, the wallpaper is the monster. A great example of trusting your audience to fill in the blanks.
07. London Olympics
This abstract design for the London 2012 Olympics uses the recognisable Olympic rings made to look like marks from cups of tea – a nod to the host country's favourite tipple – without losing their role as a symbol of unity and inclusivity.
Several of Britain’s best-known artists, including Tracey Emin, Bridget Riley, Chris Ofili and Howard Hodgkin, were invited to propose designs for the official poster, with the final poster created by Rachel Whiteread.
08. MSI Reproductive Choices
In 2024, MPs in the UK were voting on whether women should no longer face criminal investigation for ending their own pregnancy (this finally became law in April in 2026). At the time, global sexual and reproductive health provider MSI Reproductive Choices partnered with Uncommon Creative Studio to create this striking poster. Illustrated by Noma Bar.
The image depicts a woman behind bars, in the shape of the female reproductive system. The text read: "In many countries around the world, women can face prosecution for having an abortion. UK Parliament has the opportunity to change that in England and Wales. Join our fight for global reproductive choice. Choice Choice." It ran across online, social and press, including The Guardian and The Times in 2024.
09. Back to the Future
It can be hard to find new angles for something that's already been the subject of tons of posters, but DKNG found one with their Back to the Future poster for Mondo. The poster focuses on the DeLorean time machine like many that came before it, but it zooms in closer on the detail through the gull-wing doors and throws in a few easter eggs. The neon 80’s colour palette sets the perfect mood.
10. Go Vote
Posters aim to get attention, and this poster certainly achieves that. Based on Barack Obama's phrase "Don't boo, vote", it promoted voting in the 2016 US elections with a simple concept that the eye can't ignore. The poster was designed by San Francisco-based graphic designer and illustrator Viet Huynh
11. Lost & Found by Alva Skog
Swedish illustrator Alva Skog created this vibrant poster for a commission by Lost & Found market – a big vintage market in Barcelona. Skog was asked to create images of a man and a woman drinking Estrella beer and wearing something they had bought at the market. Her response was to draw the characters so you can't tell which is the man and which is the woman.
The bright block colours were deliberately chosen because Skog feels that colours can feel gendered. "I try to find a balance between the pinks, blues and greens in my work," she told Computer Arts.
The message lies in the detail, says Skog. "The addition of painted nails and a ring on one character, as well as earrings and what could be interpreted as a more feminine-looking top on the other, make it difficult to distinguish whether either whether either is male or female."
12. Typografische Monatsblätter by Fatih Hardal
Fatih Hardal is a graphic and type designer who is inspired by Swiss designers and designs from the past. This selection of posters includes work created for the Typografische Monatsblätter (a journal that celebrates Swiss typography), plus typographic experiments printed on transparent paper using silkscreen.
13. Sometimes Always
Sometimes Always, a graphic design studio based between São Paulo and Berlin, unveiled a striking series of posters for São Paulo fashion boutique Cotton Project’s AW 2019 collection, named Contra. Studio founder Gabriel Finotti said the collection "explores the counterculture spirit behind the rise of surfing and rock climbing" – sports that he states have "questioned a conservative and consumerist society" through participating in more "libertarian and hedonistic lifestyle" pursuits since the 1950s.
Gabriel adds that the aesthetic draws on a "magical moment" in the history of the sports: "a golden age" defined by neither money nor social status but "driven by a group of young people living on the edge of society, questioning morals and venturing into the unknown."
14. Annik Troxler for Jazz Festival Willisau
Swiss designer Annik Troxler created the visual identity for the 2018 Jazz Festival Willisau, and her poster designs combine playfulness with a strict coherence and attention to functionality.
In developing her design vocabulary for this project, Troxler referred to the systems of rhythms and forms in music, creating shapes and typographic elements. Troxler’s intention was to make movement ‘visible’ by using a simple device: circle elements rotating with and against each other on different layers of the surface.
The design identity began with an accident. “As I zoomed in on an area a ‘pixel pattern’ appeared. I immediately knew that I wanted to make something out of it using varying densities, brightnesses and typography,“ explains Troxler.
Annik Troxler’s works are usually vibrant and colourful, but for this identity, she chose black and white with silver accents. “I think the shapes and patterns have more impact in black and white – but when I added silver to the silkscreen, it gave the image the elegance of reflective light.”
15. Noise x GIF Fest identity
Noise x GIF Fest is Singapore’s biggest GIF festival. When it came to crafting the event’s loud identity, local studio BÜRO UFHO realised the design would need to work as both a static piece of print as well as an animation. “It was pretty much set from the start that the poster would have to be an animated GIF,” laughs BÜRO UFHO creative director Jun T.
The team created 13 different logo variations, which, when played as a sequence, create an illusion of movement. Meanwhile, textures move across the event’s poster to produce a sense of depth and animation. “We also constructed the face in 3D,” adds Jun T, “resulting in a looping GIF poster that’s in line with the theme and concept.”
16. The Evil Dead
Illustrator Olly Moss is well known for his clever, minimalistic poster designs. As well as this officially licensed screenprinted poster for a 2010 screening of The Evil Dead, he’s also created posters for the Harry Potter posters, The Jungle Book, Star Wars Trilogy and more.
17. It Follows
Making a character stare directly out of a movie poster is a sure-fire way to grab the attention of passers-by. Brilliantly illustrated by Akiko Stehrenberger, this poster for 2014 horror hit It Follows ramps up the intensity by framing the figure's eyes in the reflection of a car windscreen mirror. Stehrenberger has crafted posters for a huge range of indie and commercial releases, and it's easy to see why he's in such demand.
18. The Lobster
Who couldn't stop and stare at this one? An unconventional poster design for an unconventional film, artist Vasilis Marmatakis has captured the characters embracing empty silhouettes of each other. Marmatakis has also crafted the titles for Dogtooth as well as working on a range of other movie posters.
19. Vintage Heroes
Back in 2013 comic book lover Grégoire Guillemin attracted our attention with his superhero inspired, minimalist vintage-style posters. The likes of Batman, the Green Hornet and the Silver Surfer were all included in the retro re-imaginings, combining gorgeous typography with brilliantly sketched illustrations.
20. Barack Obama 'Hope' poster
With his roots in the skateboarding scene, South Carolina-born graphic designer and illustrator Shepard Fairey built a name for himself with his 'Andre the Giant' guerrilla sticker campaigns – but it was his involvement in the 2008 US Presidential election that really catapulted him towards global recognition.
Fairey's now-iconic Barack Obama 'Hope' poster, featuring a four-colour portrait of the then-Senator in red, beige, light and dark blue, also came in 'Change' and 'Progress' versions, and was created in a day. Having started life as a screen-printed poster (which sold out almost immediately), the design spread virally across the United States and the rest of the world as a symbol of what American politics could become.
The revelation the following year that Fairey had based the design on a photograph by Associated Press photographer Mannie Garcia without permission – and later admitted to destroying evidence in the ensuing legal battle with AP – led to community service and a hefty fine. Amongst designers, it's now as much a symbol of copyright infringement as it is a piece of political iconography. But whatever the circumstances of its creation, its influence during the election campaign was enormous.
21. This is Pacifica for Surf City Festival
Make Waves is a series of three-dimensional posters on silk paper with fibreglass coating (shown close up in the article's hero image), created by communication agency This is Pacifica for the international Surf City Festival held in Barcelona.
The process of creating the posters was similar to that of building a surfboard. “To shape the posters, a professional surfboard shaper was invited to create a series of structured casts that allowed him to shape each poster with different waveforms and volumes, transforming a graphic piece that is usually flat into a poster with three-dimensional waves,” explains This is Pacifica creative director Pedro Serrão.
Overall, he describes the collection as “a formal piece of design and the spirit of surf together in a singular and human representation of the sea.”
22. Mass Non-Violent Direct Action
November 17 2011 was a day of action organised two months after the first Occupy Wall Street demonstration. R. Black’s poster for the event includes a single protester coming forward from the massed ranks – a callback to the Chinese man who blocked the path of a tank in Tiananmen Square in 1989.
“Like many effective protest posters, R. Black’s blocky, constructivist design for Occupy has the stridency and urgency of a brick lobbed through a window,” says critic and writer Rick Poynor. This memorable poster is all over the internet and, as with many images of this kind, it is far more likely that it was viewed on a laptop or tablet than encountered as a print.”
Classic poster designs
23. Jaws
This is arguably the most iconic film poster of all time. A great white shark rises from the deep, ready to attack its unwitting victim. Designed by Roger Kastel for the 1975 film Jaws, the strength here is in the simplicity of the design that still retains the tension of the moment to create an inspired example of visual marketing. Details such as the rows of jagged teeth give it a visceral, unnerving quality, that manages to trigger thalassophobia (the fear of large bodies of water) in viewers an swimmers alike.
24. The Lure of the Underground
The branding of the London Underground began early in the 20th century when, with dwindling passenger numbers and a shaky public view of the dirty subterranean rail system, Frank Pick saw a need to step up the self-promotion of the tube. Pick overhauled the way the Underground marketed itself, even holding public exhibitions of the art produced for Underground ads. The Lure of the Underground was created by comic strip illustrator Alfred Leete in 1927.
25. 1923 Bauhaus Exhibition in Weimar
Joost Schmidt’s now iconic poster for the 1923 Bauhaus Exhibition shows a cross comprised of circles and squares, and includes the Bauhaus logo designed by Oskar Schlemmer. Produced for a competition, the poster had to incorporate the logo, exhibition information, venue details and the date. Schmidt was one of the pioneers of Bauhaus typography, and the original version of this poster was placed in 120 railway stations in Germany.
26. Metropolis
German graphic artist and painter Heinz Schulz-Neudamm designed this art-deco poster for the premiere of Fritz Lang's groundbreaking 1927 sci-fi film Metropolis. Only four known surviving copies of the poster exist, one of which took the record for being the most expensive ever sold, after reaching a record price of £398,000 in London in 2005.
27. Lord Kitchener Wants You
This 1914 advertisement by Alfred Leete – often referred to as 'Britons Wants You' – became an icon of the enlistment frenzy in Britain during WWI. The poster features Lord Kitchener, the British secretary of state for war, above the words “wants you”, and set the tone for hundreds of copycat posters the world over.
28. Le Chat Noir
Perhaps one of the most well known posters of all time, this iconic advertisement for the Parisian entertainment establishment, Le Chat Noir, was created by Swiss-born French Art Nouveau painter and printmaker, Théophile Steinlen. It epitimises the Bohemian, Art Nouveau style and Cabaret culture of late 19th century Paris that stemmed from the legendary venue, which, in its heyday, served as an artist salon, music hall and busy nightclub.
29. We Can Do It!
Perhaps one of the most iconic images of the 20th Century, American graphic designer, J. Howard Miller's beloved Rosie the Riveter was designed to boost morale in during WW2. This poster is still used today and re-modelled on everything from modern feminist texts to tattoos as well as spawning numerous parodies. His bold, modern illustrative style, mirrors the comic books popular at the time and defined an era of advertising.
30. Moulin Rouge
This poster design for the Moulin Rouge is another by French artist Henri Toulouse-Lautrec. When the cabaret opened, Lautrec was commissioned to create a series of posters, with this design being one of his most well known. The piece features images of Moulin Rouge dancer La Goulue and her partner Valentin le Desosse. Lautrec captured La Goulue's provocative kicks and Valentin's lanky frame perfectly in this design.
31. Harper's
It's impossible to talk about American poster design without mentioning graphic artist Edward Penfield. Often referred to as a master of graphic design, it was during a school exhibition that Penfield's work was first noticed by the art editor of Harper's Magazine, the company that he went go on to create no less than 75 poster designs for.
32. Berlin 1936 Olympic Games
The 1936 Olympics in Germany was dominated by propaganda, as Hitler grasped the opportunity to promote his ideas on racial superiority. Thankfully, the black athlete Jesse Owens won four gold medals and made Hitler look pretty stupid. We can't deny, however, that the poster designed by Franz Würbel was brilliant, showcasing one of Berlin's most iconic landmarks. It made the Führer happy it seems, after 44 of Germany's finest artists had failed.
33. Absinthe Robette
In the late 19th Century, the popularity of Absinthe coincided with the increase of large lithographic advertising posters as a commercial and artistic medium. Some of the greatest artists of that period created posters for the alcoholic beverage, including Belgian posterist Henri Privat-Livemont, who illustrated this iconic Art Nouveau Absinthe Robette image in 1895.
34. Monaco 75
This striking design for the 1975 Monaco Grand Prix was created by talented artist Michael Turner. With minimal type, Turner let his illustration do all the talking, using a vibrant and eye-catching colour palette, the car takes centre stage with the beautiful destination of Monaco in the background.
35. Die Gute Form
The Swiss graphic designer Armin Hofmann was one of the leading figures in the International Typographic Style, also known as the Swiss style, which emerged as the dominant style in poster design after World War II. The use of bold sans serif typefaces and monochrome in this poster is typical of the movement's philosophy of creating striking but clear communication in what was becoming a globalised world.
36. The original Star Wars poster
This Tom Jung poster for the original Star Wars film is another classic movie poster. It's not his best known (see our pick of the best Star Wars posters) but we think it was the most original and evocative design. The asymmetric composition is unsual for a movie poster, arresting our attention, and the illustration encapsulates George Lucas's intention of combining sci-fi, fantasy and adventure. The beefy Luke Skywalker and Princess Leah look like they've walked out of a swords and sorcery flick. Conan the Barbarian anyone?
Rosie Hilder is Creative Bloq's Deputy Editor. After beginning her career in journalism in Argentina – where she worked as Deputy Editor of Time Out Buenos Aires – she moved back to the UK and joined Future Plc in 2016. Since then, she's worked as Operations Editor on magazines including Computer Arts, 3D World and Paint & Draw and Mac|Life. In 2018, she joined Creative Bloq, where she now assists with the daily management of the site, including growing the site's reach, getting involved in events, such as judging the Brand Impact Awards, and helping make sure our content serves the reader as best it can.
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