Hitfilm 2022 review

The free video editing tool has been redesigned and renamed. Our Hitfilm 2022 review asks if it's still worth downloading.

HitFilm 2022 interface showing footage of fruitbat
(Image: © Tom May)

Our Verdict

Improving on its predecessor in a number of ways, HitFilm is a slick, feature-packed and user-friendly video editing program. It's not the best choice if you're either an absolute beginner or a seasoned pro. But YouTubers, students, and anyone else who wants to move beyond the basics of video editing will find this free download quite remarkably sophisticated and useful.

For

  • Sophisticated editing features
  • Free video and audio assets
  • Structured for learning

Against

  • Advanced features watermarked
  • Display settings may need tweaks

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Hitfilm specs

Best suited for: YouTubers, vloggers, amateur/enthusiast video editors

Features: Cut, slice, trim, split, crop and flip clips; drag and drop transitions; customisable presets; audio sync

Export resolution: HD (free version), 4K-8K (paid versions)

Built-in assets: Stock footage, music, sound FX, templates

Operating system: Microsoft Windows 11 (64-bit), Microsoft Windows 10 (64-bit), macOS 12 Monterey, macOS 11 Big Sur, macOS 10.15 Catalina

System requirements: 8GB RAM (16GB recommended), 1.5GB of free hard disk space.

Released this year, HitFilm 2022 has replaced HitFilm Express. So is it a worthy successor? Our HitFilm 2022 review reveals all.

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The Verdict
8

out of 10

Hitfilm 2022

Improving on its predecessor in a number of ways, HitFilm is a slick, feature-packed and user-friendly video editing program. It's not the best choice if you're either an absolute beginner or a seasoned pro. But YouTubers, students, and anyone else who wants to move beyond the basics of video editing will find this free download quite remarkably sophisticated and useful.

Tom May

Tom May is an award-winning journalist and editor specialising in design, photography and technology. Author of the Amazon #1 bestseller Great TED Talks: Creativity, published by Pavilion Books, Tom was previously editor of Professional Photography magazine, associate editor at Creative Bloq, and deputy editor at net magazine. Today, he is a regular contributor to Creative Bloq and its sister sites Digital Camera World, T3.com and Tech Radar. He also writes for Creative Boom and works on content marketing projects.