.net Awards 2011: top 10 designers

You have spoken! Over the last few months you have nominated the web designers that have excelled with jaw-dropping, drool-worthy work this year.

Our shortlist includes former print designers, dance teachers and taxidermists, designers that have been in the web game since their teenage years and some that have only fairly recently made the move to front-end development. We've asked them to tell us a little bit more about themselves and what has really improved their work this year.

Based in: North Wales, UK
Got into web design: Later than most
Education: A degree in Fine Art (from Trent Polytechnic). The kind of degree where you arrive and they say, “Hi!” Then, three years later they ask, “So, what did you do?”
First job: I made ‘My Little Ponies’ in a factory. No word of a lie
Areas of expertise: Graphic and UI design, HTML mark-up and CSS
Online: stuffandnonsense.co.uk and @malarkey

.net: What's significantly improved your work over the last months?
DD: Over the past year, I was thrown head-first into some serious JavaScript development. I previously had gained modest experience with jQuery. Learning about foundational JavaScript and some intermediate concepts like [prototypes] closures, constructor patterns and event delegation has taken my front-end development skills to the next level. The Mozilla Developer Network's JavaScript section is the reference I am constantly looking over.

Based in: Sydney, Australia
Got into web design aged: I'm not saying I've wanted to be a web designer since I was a kid, but I've always had a fascination with the way things are designed. I started designing for print and progressed to interaction design. As a medium, the web appeals to me because of this interaction between website and user. The best sites are ones where this interaction is seamless. I got into web design because I wanted to design that sort of site
Education: Bachelor Visual Communication Design
Areas of expertise: User experience design, user interface design, mobile, brand and identity
Online: imagemechanics.com.au and @imagemechanics

.net: What's significantly improved your work over the last months?
JC: There's no substitute for hard work, but working with and for people who share the same passion and have respect for design really helps. As a company, we've learnt by being more selective with the projects we take on, ones where we believe in the product or service and where we're working with great people. I guess being a small team further solidifies this. We can't crank out hundreds of projects a year, so we have to be a little more selective. A by-product of this has been a definite improvement in our work - less, but better, you could say.

In fact, I've been really influenced by Dieter Rams in everything I've been doing this year, getting back to the principles that made his designs so influential and so successful. It's all too easy to get caught up in the latest technology whether that be a nice JavaScript code, or latest kit due to the nature of the work – but it's the thought process behind a concept that's really important. Good design is built on principles, and they need to be good principles. Dieter Rams' philosophy does just that.

.net: What have you been working on this year?
MF: The biggest change 2011 brought was my move from Salem (a small town north of Boston) to Brooklyn. I came to New York to work with Hoefler & Frere-Jones on its upcoming web-related service, which was thrilling to be a part of. I've since left H&FJ, and now I work remotely with the fantastic team at MetaLab. Since long-distance work can be quite lonely, I've also joined the collaborative space at Studiomates. It's a dream to be working (and at our weekly Beer Fridays, drinking) alongside so many of my design heroes in one of the coolest neighbourhoods in Brooklyn.

.net: What's significantly improved your work over the last months?
MF: Last year I was mainly doing independent work from my small apartment. When you're the sole UX designer, interface designer, and front-end developer on most projects, the stress can be overwhelming at times. Your growth can also be stunted when no one is pushing you to try new techniques, or add that extra level of polish. This year has been all about collaboration, whether I'm getting feedback from the team at MetaLab, or bouncing around ideas with my fellow Studiomates. It's been such a relief to have the support system that comes with co-workers and community, and my work is better for it.

In terms of tools, at MetaLab we use Notable to post designs and give feedback; it's a great service for adding notations to a design right in the browser. I'm also a fairly scatterbrained person, and Flow has been a huge help with keeping my life organised, both personally and professionally.

.net: What have you been working on this year?
MK: I've been working on a ton of projects – website design, branding and illustration for Amazeelabs.com. I've designed the web, branding and iPhone app for getzeroapp.com, a social app that's now in beta, and a web app with Joe Stump from simplegeo.com. I've also designed a couple of themes for Zerply.com and have just finished designing the branding and website design for GiftRocket.com for both web and mobile. I’m currently finishing off a site for Liverpool University's Careers and Employability service department. There’s also a lot in the pipeline.

.net: What have you been working on this year?
NA: This has been a great year so far on many levels. I've worked with some fantastic clients in the non-profit and charity world. I've created the brand identity and guidelines for Locality (a merger of community-centric organisations DTA and Bassac), reworked Livability's website as its position shifts from charity to service provider due to government cuts (yet to go live), and I'm currently working with Lymphoma and Leukaemia Research, bringing its website inline with its recent rebrand, as well as working closely with its team to build a responsive and fully flexible site.

I've also worked with some great start-ups, helping them realise their ideas through carefully thought-out wireframes and beautiful interfaces. The only downside (it's literally the only one) is not being able to currently share any of the work publicly!

I'm part of the team behind Animatable which we've all been getting increasingly giddy about this year – we've had a fantastic response to it and demand is high. We're simply making sure that the app is at it's absolute best in every way before releasing it to the market.

As a break from the norm, I was able to flex my creative muscles on an opening sequence to Web Directions London in May – a mini-project I thoroughly enjoyed – creating the concept, storyboard and design, and assisting with the animation (using Animatable) and the music. My dream brief! (You can see it here: vimeo.com/25355309).

.net: What's significantly improved your work over the last months?
NA: I moved into a new apartment in April – to say I adore it is an understatement. I'm in the city centre, just a minute's walk from the river and castle. I now have space to work comfortably, host clients and colleagues, and probably most importantly have enough space to get away from my work and switch off. I'm not a big clothes shopper, but I make up for it in spending my spare money on surrounding myself with beautiful, inspiring things: lithographs, photography, a lamp, vintage packaging or lettering, or a good book. Let's just say it's a good job the place is big!

I've fully embraced 'responsive web design' in all of my recent work, making sure it's always implemented in everything I now do. I'm very keen to see how we as designers and developers can improve our skills – and the web – by designing and building this way, as I have no doubt that we all eventually will.

.net: What have you been working on this year?
RK: During my second year into self employment for Komodo Media, I've been working on wrapping up a UI/website overhaul for Mad Mimi and just finished a brand spanking new website for Bellstrike. I designed my first Mac app ever for Flexibits, called Fantastical – a super handy menubar app for interacting with your calendar.

I'm anticipating the release of icons, T-shirts and more on Fine Goods – my pet project. Other than that, I've been trying to share and give back more on my blog rogieking.com. Here I share design and illustration inspiration as well as snippets of code. Lastly, but surely not least, I've been reigniting my desire to be an illustrator. Lots more illustrations to come this year!

.net: What have you been working on this year?
SP: I've been working on two really amazing apps, almost exclusively for the last four months. One is really going to change the way people read on their iPads. It's just a shame a lot of the apps are so cool, they are under NDA for long periods of time, so I can't share my work online as much as I would like. I'm really proud of my work with 'Beyond the Shock' for the National Breast Cancer Foundation of America, this year. Its iPhone and iPad apps are directly helping women, all over the world, who suffer from breast cancer.

Based in: Deinze, Belgium
Got into web design aged: 26
Education: I studied Graphic Design (I don't know the English term for my degree I'm afraid). I am also completely self-taught in everything I do today, as the internet didn't exist during my education (the mid-80s), and everything I learned was still the analogue way (Adobe didn't exist yet) and aimed towards print
First job: Running my own graphic design studio, Duoh!
Areas of expertise: Graphic design, illustration, logo design, print design, web design (including HTML/CSS front-end coding), and UX design
Online: veerle.duoh.com and @vpieters

.net: What have you been working on this year?
VP: I've worked on several client projects, from logo and web design work to iPhone app design, with some illustration work involved here and there as well. The biggest project I've worked on (and still am working on) is the logo, website and GUI of the iPhone app for Fab.com. Smaller projects are: Jolena.be (logo and website design), a book cover design for 'Adaptive Web Design' by Aaron Gustafson, Acturent.com (logo design, website design and GIU design of the CMS), and BiaCreations.com (logo design and website design).

Projects in progress are Suikerdraakje.be (logo and website design) and Planet-Liebe.de (web site design).

.net: What's significantly improved your work over the last months?
VP: This is really hard to answer as I couldn't think of anything, at least not something that qualifies under 'significantly' … So since I can't come up with anything that applies to the last months, I've decided to mention something (a methodology) that applies to a longer period of time:

For a long time I never showed any sketches to my clients when designing a logo, only final designs. I was afraid it would create this indecisiveness, or that it wouldn't really give them the right impression of what I had in mind, or even be totally misjudged and seen as me doing a rather sloppy, unfinished job. Then when a client specifically asked if he could see some sketches first, and after having worked like that a couple of times – each time with great success – I started to use this as my default way of working. The chance of you spending endless hours on a creation that's totally in the wrong direction is reduced, as sketches do give a perfect sense of direction.

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.net Awards 2011: top 10 designers

1. Andy Clarke

2. David DeSandro

3. Jason Cotterell

4. Meagan Fisher

5. Mike Kus

6. Naomi Atkinson

7. Rogie King

8. Sarah Parmenter

9. Trent Walton

10. Veerle Pieters

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