Drawing animals is no easy feat – specially the four-legged kind. How to draw a bear may seem like an easy task to some of you more well-seasoned illustrators, but for those of you who need a bit of help, Brynn Methene offers up some insightful drawing techniques that could help you for years to come.
How to draw a bear
Drawing animals is the first step to designing your own fantasy creatures. Nature has an amazing variety of solutions, shapes, colours and sizes to solve the challenge of survival. You'll find that drawing and studying animals will yield more exciting and unique ideas to your artwork.
I always begin with broad gestures and light pencil marks when starting a sketch. I'm only trying to find the animal's gesture, so I tend to work quickly. This is especially key when drawing from life, where animals move about as you draw. So, get your best pencils at the ready as I reveal how to draw a bear in five simple steps.
01. Create a light sketch
I begin with a light sketch when working out how to draw a bear. I don't want to make any solid marks or bold lines yet, I'm just finding the shapes of the animal's form. I will break it into a wire skeleton and shapes to start. This is the foundation of my study.
02. Drawing through forms
As I begin to build up my drawing, I'll draw through forms. This means that I'm not worried about forms covering each other, but rather I begin to see through them.
This helps to keep the drawing fluid and keeps me aware of where the forms are overlapping in space. I'm also looking for landmarks, such as the scapula and knee caps, to help me locate the anatomy of the animal as it develops on the paper.
03. Finding the muscle groups
This is where my experience in drawing real-life animals frequently comes to help. I'm able to locate and find a variety of different muscle groups based on both my previous studies and memory.
However, I'm always sure to really look at my subject so as not to miss out on what's actually in front of me.
04. Introducing form and value
Now that I've got a solid blueprint in place, I can begin to add in some quick values. This is where heavier lead comes in handy.
I tend to alternate from HB and B lead, but you can use what you’re comfortable with. I'll draw with these heavier pencils to nail in those lines, and flesh out the forms of the muscle groups, too.
05. Flesh out details
Now I can begin to suggest a few details here and there. Every animal has a different set of proportions and small details that make that species unique, and every species has unique individuals.
It's important to pay attention and really see what's there. I'm also interested in adding in markings or any other distinguishing textures or features in this step.
Words: Brynn Methen
Brynn Methen specialises in creature design, fantasy illustration and visual development for film, games and publishing. She lives and works in Oakland, California.
Like this? Read these!