20 iconic brands and why they work

The Coca-Cola Dreamworld flavour
(Image credit: Coca-Cola)

Ask 10 people to name an iconic brand and you'll get 10 different answers, spanning tech giants and niche favourites alike. What ties them together isn't scale or budget; it's a clarity of identity.

Having one of the best logos helps, but it's rarely the whole story. Some of the world's most recognisable brands have deliberately understated marks, while others build entire identities around a feeling or a tone of voice rather than a symbol at all. What unites them is consistency across every touchpoint.

To understand what separates a memorable brand from a truly iconic one, we asked design experts to name their favourites and explain the thinking behind them. The list spans over a century of brand-building, proving the fundamentals haven't changed nearly as much as the channels they're built on.

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01. Apple

Top brands: Apple

Apple's iconic logo is instantly recognisable without the name. "It embodies all the company's principles," says Paula Benson

Apple's iconic logo is instantly recognisable even when redesigned: a minimalist icon ripe for creative adaptation. 

"It's a truly great brand because it's become synonymous with innovation and outstanding design," says Paula Benson, founder of Form. "Its brand values permeate through absolutely everything, from usability to design to language to packaging to retail stores."

"Apple has large revenues but only a very small number of products," she adds. "The real hallmark is care."

02. The Red Cross

Top brands: the Red Cross

The Red Cross: universally associated with medicine and saving lives

The Red Cross logo is so ingrained into our collective consciousness that we automatically associate it with medical assistance. "Some of us have never interacted with the Red Cross, yet we perfectly know what it stands for and how it changes people's lives across the world," explains strategist Andra Oprisan. "We're able to recognise its logo anywhere."

03. Uniqlo

Top brands: Uniqlo

English and Japanese characters appear side-by-side in the identity, which Michael Johnson heralds as a "masterstroke"

Founded in Japan as the 'Unique Clothing Warehouse', this basics-clothing line has become ironic around the world thanks to its contemporary style and fresh brand positioning. "What sounds very Japanese actually derives from English," notes Michael Johnson, founder of Johnson Banks. "They'd already developed a world-class product and environment – the bilingual logo was the masterstroke that pushed them into being iconic."

04. Subway

subway logo

If you want a quick sandwich, you probably think of Subway

Logo Design Love's David Airey believes all of the top brands offer the 'go to' product or service within its market. "If you want a quick sandwich made with care, you think of Subway," he observes. "Some people might consider them great simply because of the product or service that backs up the brand: ultimately, that's what it's all about."

05. Duolingo

Duolingo's cartoon owl

Duolingo's cartoon owl is a powerful mascot for the brand (Image credit: Duolingo)

Duolingo's green owl started life as a simple, slightly naggy notification icon, reminding users not to skip their language lesson. It's since become one of the most recognisable mascots in tech, thanks to a social media strategy that leans into chaos: unhinged TikToks, mock threats and a willingness to poke fun at itself. The result is a brand that feels less like a corporate identity and more like a character with its own fanbase, proving that consistency of tone, not just visual consistency, can carry a brand to icon status.

06. Ralph Lauren

Top brands: Ralph Lauren

According to Geoff, Ralph Lauren "owns American style and all its permutations" – and the brand is never static

Clothing company Ralph Lauren proves a logo doesn't have to carry a brand alone: its wordmark is understated, yet the brand itself is unmistakably iconic. "It's successfully connected the Ralph Lauren mythology with the American collective psyche and the American dream," suggests Geoff Phillips, design director at MetaDesign. "Together, they form the brand. That goes much deeper than any logo itself could achieve."

07. Liquid Death

Five colorful cans of Liquid Death flavored sparkling water are displayed in a row on a white ceramic cake stand atop a wooden counter.

Liquid Death introduced a water brand unlike anything the market had previously seen (Image credit: Liquid Death)

Liquid Death didn't invent water in a can, but it invented a whole new way to sell it. Packaging it like a craft beer or an energy drink, complete with skulls, gothic lettering and a name that promises the opposite of what's inside, the brand turned a commodity into a talking point. Its "murder your thirst" positioning carries through everything from cans to merch to its social channels, where irreverent, self-aware humour does most of the heavy lifting. 

08. Veuve Clicquot

Top brands: Veuve Clicquot

The Veuve Clicquot label combines its anchor heritage mark with beautifully set typography

This champagne brand, says associate creative director Kieren Thorpe, uses colour to great effect to stand out from its competitors. "As a distinctly yellow brand in a world of category conventional colours such as black, gold and cream, the scope to create instant recognition across a multitude of touch points is clear," he points out. The identity carries across its advertising, with the signature becoming the flourish of an artist's brush.

09. Patagonia

Patagonia logo

Patagonia's logo is only a small part of its success (Image credit: Patagonia)

Patagonia's logo is a simple mountain silhouette that's barely changed in decades. What's made the brand iconic is everything around it: repair-don't-replace campaigns, environmental activism woven into every part of the business, and a willingness to run ads actively discouraging people from buying more. That consistency between message and action has built a level of trust few brands can match, showing that purpose, applied with real conviction, can be as powerful a brand asset as any logo.

10. Zippo

Top brands: Zippo

Ben believes that, rather like Victorinox Swiss Army, the Zippo logo is "simply a reassurance"

For creative director Ben Marshall, Zippo is a prime example of a brand that easily transcends its logo, which he dubs almost irrelevant. "It's a great innovation – windproof – and has great integrity in its history, having switched from commercial to military-only supply in the war," he says. "Its form, interaction and even sound are all unique."

"I love the smell of a Zippo," he reflects. "Face it, even people who don't smoke want a Zippo."

11. Adidas

Top brands: adidas

Adidas' Olympics ads were loud and proud, but not overly attention-grabbing or corporate

Two distinctive graphic devices lie at the core of the Adidas brand: the trefoil of Originals, and the three stripes of the Sports division. "It also received the most positive uptake of any brand involved with the Olympics, which helped it secure its iconic status," says Paula.

Adidas is also known for staunchly defending its iconic logo, notably back in 2023 when the brand sued a golf league over a 'confusingly similar' design featuring its signature three stripes.

12. Google

google logo

Google's visual identity is expressed through its logo, the signature colours, and its much-loved 'Doodles'

Google is another must-include on this list – even though its logo alone is hardly a work of art. (Believe it or not, it could've been much worse if these unused logos were anything to go off of). "Consider the bigger picture," says Andra. "Google's brand lives in its products; its culture (those famous job interviews); its environment (its enviable creative offices); its advertising; and also its visual identity."

13. Paul Smith

Top brands: Paul Smith

Paul Smith's signature excudes an effortlessly classic quality

The Paul Smith signature wordmark is beautifully crafted in itself, but for Kieren it's the continuity of the pinstripe livery that brings the brand iconic status: "It represents the 'classic with a modern twist' ethos." Michael concurs, having nominated the same brand. "This recognisable 'graphic wallpaper' makes everything from carrier bags to scarves instantly recognisable."

Top brands: Paul Smith stripes

The pinstripe livery is at the heart of the brand's iconic status

14. IKEA

Top brands: Ikea

Ikea has become shorthand across the world for cheap self-assemble furniture

David believes that modern customers are looking for a complete experience, and highlights the free coffee that IKEA gives family-card holders as part of the global home furnishing giant's wider brand experience: "If you want to kit out a new home without spending a fortune, you think of IKEA," he enthuses.

The brand's iconic ads help to cement it as a first choice for consumers with minimalist design and typography letting its products shine. These recent poignant ads campaigning to help flood victims in Thailand prove that the brand can be proactive, using its platform for good.

15. Dyson

Top brands: Dyson

"The product is innovative, the result is better, the aesthetic is unique. It's these qualities that truly elevate," reflects Marshall

Ben advocates a simple mantra: "to be iconic, be the first, best or only." In the modern marketplace, this often means truly innovative products cut through the competition. "When I was a kid, a vacuum cleaner was a Hoover; it was the byword," he recalls. "By using new, radical (and importantly, better) technology, Dyson eclipsed all others in people's minds."

16. The Rolling Stones

Top brands: The Rolliing Stones

Homage to Mick Jagger's famously full pout, the graphic is one of rock's best known logos

Designed by John Pasche in 1970 and first used on the Sticky Fingers album cover, the illustrated lips and tongue became an iconic emblem for the Rolling Stones. "It sums up the band brilliantly, and is one of the world's most instantly recognisable symbols of rock and roll," argues Paula.

17. Coca-Cola

Top brands: Coca-Cola

"Coca Cola has seemingly endless possibilities through its core design," says Thorpe

If any of the top brands have nailed global ubiquity, it's Coke with it's legendary logo dating back to 1886. "It's a shining example of continual evolution, as relevant and desirable today as it was over a century ago," believes Kieren. And the highly distinctive script logotype has remained a constant throughout its lifetime; compare that to bitter rival Pepsi's multiple radical rebrands.

18. The V&A

Top brands: V&A

"Everything about it is working; I think few Londoners would disagree," says Johnson of the V&A brand

Alan Fletcher's V&A logo has been a classic since the late-'80s, but Michael recalls a time when it was better loved than the museum: "It was dusty, labyrinthine – the kind of place a design student loved to get lost in, but confounded the everyday visitor," he says. "It's since elevated itself into one of the world's greats."

19. Pixar

"The animated intro of the bouncing lamp isn't grandiose, like most production company intros," Geoff observes. "It's witty, simple, down-to-earth and intimate. Pixar's brand is rooted in original stories, rather than sampling traditional children's literature, sugar coating it and watering it down. They've proven that audiences don't always want what they've already seen and heard."

20. Irn-Bru

Top brands: Irn-Bru

Scotland's other national drink. Made from girders!

We'll end with slightly unconventional choice from Ben: Scotland's finest, Irn-Bru. "Looking beyond its distinctive neon-ginger aesthetic and brilliant straplines, why is it one of the few markets that outsells Coca-Cola?" he poses. "Because it's part of the Scots' outlook. The challenger. It will always be this."

Nick Carson
Brand writer and consultant

Nick has worked with world-class agencies including Wolff Olins, Taxi Studio and Vault49 on brand storytelling, tone of voice and verbal strategy for global brands such as Virgin, TikTok, and Bite Back 2030. Nick launched the Brand Impact Awards in 2013 while editor of Computer Arts, and remains chair of judges. He's written for Creative Bloq on design and branding matters since the site's launch.