3 great uses of typographic hierarchy

There is an age-old technique in graphic design used to communicate to the viewer or reader the organisation of content and place emphasis on important elements. It's called hierarchy – and specifically visual or typographic hierarchy.

It's employed by graphic designers as a core design tool, and it is essential in making a clearly scannable and readable page, especially when that page features a large amount of content. Hierarchy helps people know where sections start and end, and also enables them to easily skip around the page.

We use some simple signals and cues to help create hierarchy. For example, we denote paragraphs with a line break. Or we use bold or italics to communicate emphasis. Or we might even change the typeface to show difference, like with a section header.

A general rule of thumb is to use no more than two signals or cues at one time. This will help you keep your design solution elegant and not tacky. Like using bold, italic and underline all at the same time – too many signals.

A great way to create a design system is to start with the body copy size, then scale your signals and cues from there. We start with the body copy because it's read the most and forms the base for the design. Next, scale up the type size to approximately 200 per cent for the primary header, then 150 per cent for the secondary header, and so on.

Here are three superb examples of these techniques:

01. The Ascend Agency

The Ascend Agency

The Ascend Agency

The Ascend Agency’s website has a very varied typographic hierarchy on its content pages. This helps make it very easy for users to scan the page and absorb information.

02. Oculus



The content pages for Oculus’ website uses basic signals to display hierarchy very successfully.

03. SuperFriendly



The website for design agency SuperFriendly employs a solid typographic hierarchy across all its homepage content. This not only draws users in but also makes it easy for them to scan the page very quickly.

Words: Gene Crawford

Gene’s mission is to work tirelessly to provide inspiration and insight for developers via his website Unmatched Style. This article was originally published in issue 272 of net magazine.

Liked this? Read these!

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

The Creative Bloq team is made up of a group of design fans, and has changed and evolved since Creative Bloq began back in 2012. The current website team consists of seven full-time members of staff: Editor Georgia Coggan, Deputy Editor Rosie Hilder, Deals Editor Beren Neale, Senior News Editor Daniel Piper, Digital Arts and Design Editor Ian Dean, Tech Reviews Editor Erlingur Einarsson and Ecommerce Writer Abi Le Guilcher, as well as a roster of freelancers from around the world. The 3D World and ImagineFX magazine teams also pitch in, ensuring that content from 3D World and ImagineFX is represented on Creative Bloq.