Packaging design surrounds us, wherever we are. Creating an eye-catching packaging design that suits the product, stands out on crowded shelves, and doesn't cost a fortune to produce is a real challenge. And now more than ever, there's the concern of environmental impact. Increasingly, 'excess' packaging or non-eco-friendly materials will result in a backlash from potential customers. Throw in a challenging economic landscape for retailers, and it's safe to say packaging design isn't an easy job right now.
However, designers have risen to the challenge. In this post, we've rounded up standout examples of packaging designs to inspire you and guide your efforts. For more advice, jump to page 3where you'll find a list of handy free online packaging design resources. For more inspiration, check out our roundup of the best print ads around, or explore our top graphic design trends.
01. Cameron’s Brewing
As the beer market grew, Cameron's Brewing was in decline. It needed a brand-new identity that would grab attention, yet hold onto the existing consumer base. Cactus (opens in new tab) came up with a solution. First, it decided to ditch the bottles and house its beer in cans (for increased shelf presence), and then went for a new look that's reminiscent of childhood scout and camp badges.
Each beer style is now unified with a bright colour palette, a different one for each beer, and the iconography and stories highlight the unique products to 'reinforce overall brand recognition'. Beer naming was a crucial part of the story, adding personality. The modular design strategy works across its applications in apparel, advertising, digital and social media.
This flexible packaging system was created by Design Bridge (opens in new tab) for Callaly, a direct-to-customer feminine hygiene brand. Design Bridge wanted to create a genuinely beautiful product that consumers would enjoy opening. The bold colour and contemporary graphical style bring Callaly away from the traditional 'discreet' femcare branding.
Details include a 'playful, wave-shaped tear-strip' to enhance the experience of opening the product, and a 'fluid' opening experience as the box 'petals' unfold. Each petal contains information about the brand. The box is resealable, and the packaging is totally recyclable. A bespoke typeface was created to 'complement the brand's conversational and approachable tone of voice'. There's even a bonus bookmark included, to promote Callaly's book club.
03. Kololak House Wine
This stunning packaging was created by Backbone branding (opens in new tab) for fusion restaurant Kololak, in Armenia. Kololak means a round shape, or meatball, and the rounded design reflects that. The collection is made up of the restaurant's house fruit wines, and each wine was given an individual identity that fits with the restaurant concept. This is centered on the rich Armenian tradition of socialising around the table.
The branding team aimed to represent Armenian ethnic and folk art, in particular the Armenian miniature, manuscripts and calligraphy. The hand-drawn illustrations and calligraphy depict famous toasting quotes and the culture of feasting and wine serving. The bottles have round corks, aiming to unify the packaging and symbolising the 'Kololak'.
04. Motiv from Tong Ren Tang
A recent project from branding agency behemoth Superunion (opens in new tab) saw it delve into the world of Chinese healthcare heritage. Briefed to create a new identity for Motiv from Tong Ren Tang (China's oldest healthcare brand, founded in 1669), it aimed for a "perfect balance of heritage and modernity" in the new vitamin supplement designs. Looking to target younger Chinese people, the idea was to move beyond visuals associated with traditional medicines and toward Western approaches to wellness.
The identity concept is inspired by "the Chinese ethos of achieving a 'healthy mind in a healthy body',' according to Superunion, with the packaging design giving a contemporary twist to shapes found in the traditional Chinese pottery. After three years spent prototyping, Superunion combined these forms with those of an organic cell structure to create packs that can stack using interlocking ridges. Bold colours and patterns aim to create on-shelf standout in busy retail environments.
05. Who Gives a Crap
Garbett has created illustrations and packaging for a special edition toilet paper range by Who Gives a Crap, an Australian company that produces environmentally friendly tissues, paper towels and toilet paper and donates half of its profits to build toilets in places that don’t have them. Known as 'The Play Edition', this range was designed to engage people in play.
“The idea for the range was inspired by children’s mix-and-match books – in that they can be stacked in different ways to make whimsical totemic characters,” says Garbett (opens in new tab) creative director Paul Garbett. For children who may be particularly enthused with this, the outer carton can be recycled and made into a stage.
06. Manos de Cacao
Premium bean-to-bar chocolate brand Manos de Cacao wanted packaging that felt simultaneously timeless and eye-catching. Inspired by the company’s local production process, Mexico-based studio Anagrama (opens in new tab) combined messy handmade textures with a vibrant colour palette and clean layouts. The result is a new visual system for the brand that places sophistication at the forefront and evokes an appropriately organic undertone.
“Making a ton of stains by hand with different tools and choosing the right ones for each box was challenging,” says David Gutiérrez, partner and creative director at Anagrama. “However, this was also the most fun part of the process.”
“Third-generation family business Hardy specialises in smoked salmon. The company turned to Portugal-based studio This is Pacifica (opens in new tab) to design stationery, packaging and a website that would communicate the premium quality of its product. “It’s a long-lasting process that can’t be rushed. From salting to smoking, each stage is executed to perfection. So we created the idea of Hardy ‘Smoked Masterpieces’,” explains creative director Pedro Mesquita.
The identity combines two main elements: an abstract salmon symbol, and a fun, sharp wordmark that could have been cut by a knife. “The packaging was treated as an extension of the brand,” says Mesquita, “and is entirely made of raw micro-corrugated cardboard printed in UV colour.”
08. We Compost
Auckland-based compostable waste collection service We Compost turned to Seachange to help it come up with a brand strategy that speaks to an audience beyond the eco-warriors, and better reflects the work it’s doing. “Our strategy was to do something fresh for the sector; modern, fun and accessible to everyone,” says Seachange creative director Tim Donaldson. “It needed to go against the grain of the visual world of composting which is saturated with leaf logos, recycling symbols and overly worthy messages.”
Seachange (opens in new tab) came up with a visual identity centred on a green colour palette and a graphical representation of worms, rolling this out across the packaging, website, printed material, bin bags and other merchandise. The bin liners carry the word 'yum', to keep things fun, and the company used biodegradable materials for its business cards and merchandise.
“The iconic worm logo is modern and playful, and speaks to the grass-roots of composting. We extended this into a bespoke typeface ‘Worms Display’, as well as creating a bold graphic worm print for maximum standout,” says Donaldson.
09. Thomas Kosmala
Looking to break into European and global markets, emerging perfume brand Thomas Kosmala tasked Toronto-based agency Concrete (opens in new tab) with a complete brand overhaul. The new packaging marries classic with contemporary, unexpectedly wrapping a sophisticated custom typeface around the edges of the perfume box and over a subtle emboss.
“The brand needed to appeal to both Middle Eastern and Western audiences,” explains chief creative officer Diti Katona. “Sensuous, provocative and sometimes raw photography conveys the depth and richness of the scents, but is abstracted in the packaging to comply with the conservative sensibilities of the Middle Eastern market. A more explicit use of the imagery is employed in digital media, and it’s more subtle in print experiences,” Katona adds.
10. Wild Island Sacred Tree
After designing the bottle for Wild Island Gin, drinks branding studio Thirst (opens in new tab) was tasked with designing a second edition, Wild Island Sacred Tree. Inspired by the gin itself – which is infused with hand-gathered botanicals from the small Scottish island of Colonsay – the studio looked to the island’s ripe bramble vine to create a deliciously juicy colour palette using watercolour.
“The brief was to capture the essence of autumn on the island, and the wonderful bounty of berries and botanicals it produces,” explains creative director Matt Burns.
Thirst paired the autumnal colour palette with a simple wordmark that gives a nod to the island’s Viking heritage. When it came to applying the fluid watercolour design to the bottle, the texture was printed on both sides of the transfer, enabling it to be viewed through the distortion of glass and liquid. “This allows the watercolour to take on new life, constantly changing as the bottle is rotated,” adds Burns.
Halo is an adventurous brewery that takes the traditional recipes of rare styles of beer and experiments with the ingredients. With a taproom and bottle shop that welcome inquisitive visitors, the brewery needed an approachable brand that matched its unconventional sensibilities.
“We created a logo, labels and packaging that use geometric patterns in unexpected colours, resulting in a look that’s energetic, modern and a bit rebellious,” explains Claire Dawson, creative director at Underline Studio (opens in new tab), the studio behind the project. “This direction was very intentionally chosen as a way for Halo to stand apart visually in the craft beer space.”
Dawson admits it was a challenge to keep each label unique while still being recognisable as part of a larger system. “But finding abstract ways to graphically represent each of the beers was our favourite part of the project,” she adds.
12. Juice Society
Third-year design student Ryan Hicks (opens in new tab) was tasked with revamping the visual identity of Austin-based juice bar Juice Society as it expanded into the wholesale market. “They felt that their previous identity was too rustic and gave an outdated reflection of their upbeat spirit,” explains Hicks, adding that the company has a philosophy of promoting realistic balance when it comes to wellness.
“I decided to convey this playful attitude through an ecosystem of whimsical, somewhat scientific iconography that hinted at the juice’s benefits, but provided some element of optimism,” he says. “I also wanted to convey the brand’s unconventional approach to the health realm, so to stand out on refrigerator shelves and catch shoppers’ eyes, I chose to design the labels to be as minimal as possible.”
13. Stefano Sauces
Montreal-based agency lg2 (opens in new tab) took an original approach to its branding of the first ready-to-eat products from well-known chef Stefano Faita and his partner Michele Forgione. Featuring a jovial, energetic caricature of Faita, the identity gives each sauce a unique typographic treatment – with nutritional and legal information presented in an unusual vertical fashion outside the shape.
“It was a major challenge to differentiate the brand in this type of category, where all brands merge into one,” says David Kessous, creative director at lg2. “The concept’s originality produced a real, appealing identity and packaging that leaps out.”
14. Fierce & Noble
Bristol studio Halo (opens in new tab) was approached to create a strategy, name, brand identity and packaging for a new craft brewery in St Werburghs, Bristol. The name – Fierce & Noble – represents the brewery team’s fierce independence and respect for the heritage of the craft, while the bold creative, custom type and bespoke patterns reflect the local vibrancy of its location.
“The product needed to jump out on bar and shelf,” explains Halo design director Andy German. “And what with the brewery being in a creative vibrant area of Bristol with other craft breweries in it, it made sense for the building to stand out and be seen. The main pattern for the brand was based around the ampersand we made – my eyes went a bit fuzzy creating this one.”
Musician Beck’s latest album Colors sports a customisable record sleeve created by designers Jimmy Turrell (opens in new tab) and Steve Stacey (opens in new tab). Formed from layers of different die-cut coloured transparencies, the cover can be assembled into a bespoke sleeve by listeners.
“We decided on a route of colour (opens in new tab) and shape – simple and strong,” explains Turrell, who was art director and video director on the project. “We tried not to set too many restrictions on where we went with this in the initial stages. We started looking at a whole range of things for inspiration – childhood games like Ludo and Connect 4, old VHS and cassette packaging, all the way through to artists like Bridget Riley and Piet Mondrian, and Beck was really open to us experimenting. Seeing it all out there – and the positive feedback it’s been getting – is really satisfying.”
When Québec-based microbrewery Boréale launched a new series of beer, Artisan, it tasked creative agency lg2 with designing the new identity. “The client’s main objective was to restore the brand’s credibility among fans of microbrews,” explains graphic designer Marie-Pier Gilbert. “We had to establish Boréale in a niche segment without detracting from its mass appeal.”
lg2 worked hand-in-hand with the master brewer. For some products, the recipe influenced the artistic direction; in other cases, the reverse happened. “For example, for the Pilsner des Mers, the name and design were developed first, which then inspired the master brewer to give the recipe a salty note,” says Gilbert. “Flexibility and listening were a big part of the teamwork.”
17. Moses Lake Cellars(opens in new tab)
Thirst specialises in the craft drinks industry, and it's currently exploring new techniques and executions in packaging design as part of its Studio Series. This range of bottle labels for luxury wine brand Moses Lake Cellars was designed to work as a collective on a dinner table.
"We wanted to explore typographic lettering techniques that were bold and youthful, yet still carry the luxurious qualities associated with wine," says Thirst. To give an extra touch of luxury, the studio used heavy paper stock, and each label is double folded, white onto gold.
18. CS light bulbs
Everyday products such as light bulbs tend to lend themselves to fairly utilitarian packaging, but these, produced by Belarus electrical company CS (opens in new tab), boast beautiful boxes that turn the product into an important part of the packaging design.
Designed by Angelina Pischikova, with line illustrations by Anna Orlovskaya, this amazing packaging (opens in new tab) uses detailed drawings of insects, and the bulbs themselves are paired with certain bugs depending on their shape and size. Long, thin bulbs are stored in dragonfly boxes, while the coiled stripes of an energy saving bulb become the abdomen of a bumble bee.
19. Leafs by Snoop
With cannabis slowly becoming less and less illegal in the USA, cannabis branding is increasingly becoming a thing, complete with packaging to match. Snoop Dogg brought in none other than Pentagram (opens in new tab) to design the brand identity and packaging for his line of cannabis products: Leafs by Snoop.
Stepping far away from the idea of furtively buying a grubby little bag of greenery, Pentagram's designs include a distinctive leaf-based logo (including an animated version), luxurious weed boxes and a range of edibles including six chocolate bars and cannabis sweets called, of course, 'Dogg Treats'.
20. Colour me Blind
For her graduation project, graphic design student Alexandra Burling (opens in new tab) wanted to see if it was possible to create an aesthetically appealing packaging design for the visually impaired. Following her research period, she decided to focus on groceries.
“I wanted to give blind people the liberty of doing something so obvious as going down to the supermarket and buying milk,” explains Burling. "The aim was to provoke discussion and pave the way for innovative thinking about how packaging design can appeal to more senses than sight."
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