Having already covered architecture, fashion and art in their 'Whole Story' series, publishers Thames & Hudson are back with a weighty new edition that aims to tackle the entire history of design. Edited by seasoned design author Elizabeth Wilhide, Design: The Whole Story breaks down the past 300 years of design by looking at the branding, products and innovations that have shaped the way we live.
And this is where some artists and creative directors might start splitting hairs. As the book takes it upon itself to define when design began (described in this case as 'a specialist process, or a practice that is distinct from making') it's bound to overlook some areas and influences that some could argue formed the foundation of modern living.
But if you can put this to one side, what's left is a book that does an admirable job of rattling through over three centuries worth of design. No easy feat, even when spread over more than 500 pages.
Split into six sections, Design: The Whole Story tracks the emergence of design from the Industrial Revolution onwards, with the majority of the book's pages set detailing designs from the twentieth century.
Each chapter is broken down further into sections focussing on landmark events, development and philosophies. These range from the classical revivals all the way through to sustainability, with every section represented by famous or noteworthy examples .
Running through every section is a timeline that gives the reader an overall idea of the shape of these incidents. This makes it easy to grasp different periods of design history, effectively giving you a crash course on the key events.
Thanks to this layout it's easy to dip into the book at any point. There's no need to read through in order as each section is clearly explained and relatively self-contained.
However this doesn't mean you won't discover something new. Regular focal points puts famous design works under the microscope and offer tantalising insights into the history of the subject. Whether it's a Routemaster bus or a Quaglino ashtray, there's something new to learn on every page.
Appropriately, each page in the book is beautifully presented with lavish imagery and functional typography that doesn't detract or get in the way of the story being told.
And while there are bound to be pieces of design work that some will be pained to find are missing, Design: The Whole Story is both the perfect primer for those with cursory design knowledge, as well as proving to be suitably informative for those with more of a trained eye.