Latest articles by Alan Wen
The Chinese Unreal Engine 5 'kungfupunk' action strikes a beautiful balance between cinematic blockbuster and hardcore mastery.
How Salix Games maximised its skillset for minimum budget with AI-themed narrative thriller Limerence.
The game's weird vision of early-20th-century Central Europe draws on cutout animation and cult Czech cinema.
How Aegis Force's dynamic camera tries to cater to two styles of tactical combat animations.
The creative director of SFB Games tells us about developing the studio’s style from Adobe Flash games to The Mermaid Mask.
Remedy's paranatural sequel is ambitious and visually unique, though it still shares its predecessor's problems in different ways.
The 'neo-giallo' survival horror's conclusion of its trilogy is powered by Unreal Engine 5.
As the remake of the second chapter to the series' Liberl arc launches, here's why you should prioritise it over other JRPG remakes.
Nolan Joseph explains how DDDistortion uses modern tools to recreate a readable retro aesthetic.
Some familiar hallmarks carry over in this open-world reboot, but it's just not as crazy.
My Gamescom hands-on of the cult sci-fi horror sequel is familiar but with a twist that makes me think of another sci-fi franchise.
Ichigoichie's David Ventura talks glam metal inspirations and reusing past ideas for Tactichord: Glam Strategy, a tactics game turned up to 11.
My Gamescom hands-on of RGG's ambitious epic took me through three time periods in Japan in quick, brutal fashion.
Ambitious 'cinematic fluid dynamic' tech fuels this epic clash of gods.
Unlocked frame rate makes samurai swordplay spectacular, motion waggling optional.
This co-op Switch 2 exclusive charms with its commitment to retro anime aesthetics.
While Gamescom mostly looks at what's next for gaming, this handheld hands-on was a much needed look back.
My Gamescom hands-on of Evil Empire's take on Konami's series looks like a strong contender amongt the sea of other games influenced by it.
A Gamescom demo showcases Ancient Greece reimagined with gorgeous god light rays, falling swords and a very thick-skinned leopard.
CD Projekt Red's hand-off Gamescom demo of The Witcher 3's third expansion doesn't look like it's for a game more than a decade old.
Origame Digital's Tali Faulkner reveals how penguins, Nazis and Lovecraft collide in this brilliantly weird Antarctic horror game.
The late art director's final game takes you to the end of the world in 19th-century America.
Return to The Lands Between and the Realm of Shadow, on the go.
