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The designer's guide to copyright

With thousands upon thousands of pages of brand-spanking-new content being published in print every day, let alone online, there is a growing challenge for designers to ensure that they are not falling foul of copyright legislation.

Copyright law has become an even bigger minefield with the growth of the internet. Lots of misconceptions exist around the issue, which has led to a blurring of what is and isn’t considered theft, but there are steps which designers can take to ensure that they can continue to deliver the goods for a pushy client or boss without the risk of infringement - whether accidental or not.

US vs UK law

The UK act can be read in full online

The UK act can be read in full online

Copyright legislation in the UK is covered under the Copyright, Designs and Patents Act (1988). This act affords protection to the owners and creators of:

  • literary, dramatic and musical works (these must be recorded in a permanent form)
  • artistic works (which could include photographs, computer code and software)
  • sound recordings and films
  • broadcasts
  • published editions

Any work that could be considered as one or more of the above is subject to copyright protection and as a result, you should ask the rights holder for permission to use a ‘significant part’ of their work.

The definition of ‘significant’ varies depending on the work and is not based on quantity but instead, is a judgement on whether the ‘essence’ of an idea has been taken. For more guidance, you can read the act here (opens in new tab).

US copyright is granted automatically to any work published online

US copyright is granted automatically to any work published online

In the US the Copyright Act of 1976 rewarded a set of exclusive rights to all authors and artists; these rights included the right to make and sell copies of your work, the right to create derivative works, and the right to perform or display your work in public. Works which are covered by the Act include:

  • Literary, musical and dramatic work
  • Pantomimes and choreographic work
  • Pictoral, graphic and sculptural work
  • Audiovisual work, sound recordings and compilations
  • Derivative work
  • Architectural work

The Digital Millennium Copyright Act of 1998 also covers work produced online. Copyright is granted automatically upon the creation of the work, although many choose to register their work with the Copyright Office anyway, in order to expediate the process should they be the victim of copyright infringement. As in the UK, permission must be granted by the copyright holder to use, display, distribute, sell, perform or reproduce the work.

The US copyright law does not cover ideas, theories or facts used to create these works, which remain in the public domain. The same idea, as long as it is expressed differently from the original work, can be used without breaching copyright law.

The Fair Dealing defence

In publishing, whether in print or online, it pays to know how you can justify something as fair dealing – because if you don’t, it might end up paying someone else as the result of suing you.

Fair dealing is a concept that allows you to use a portion of a copyrighted works for the purposes of research and private study (although these must be non-commercial), criticism, review and news reporting – provided that you reference the copyright owner.

So, as an example, using representations of a Dalek from Doctor Who (opens in new tab)to illustrate the changes in their design over the past 50 years could be done under the defence of fair dealing, as this is a critique and review, but using them as the villains in your very own sci-fi adventure is likely to raise some serious questions!

Differences in local laws

Different nations interpret the detail of copyright law in different ways

Different nations interpret the detail of copyright law in different ways

What may be acceptable in other countries may not be acceptable in others. There is a lot of confusion between UK and US legislation, with many believing that certain principles from across the pond also apply to the UK. For example, photography can be covered by 'fair use' in the US but the equivalent defence of 'fair dealing' in the UK does not apply to photographs. Similarly, the US makes provision for parody and satire material, yet no such provision is made in the UK.

Protect your own work

With all the care you take in making sure not to misrepresent you and your business using false or stolen information, wouldn’t it be frustrating to find that someone else was infringing upon your own intellectual property?

Depending on where you’re based, different laws apply to establish ownership and copyright on your work - an in-depth guide to protecting your own work can be found here (opens in new tab).

Indemnity insurance

Of course, as in any area of business, accidents can happen - and so it would be of great benefit and peace of mind to ensure that you’re protected from any unfortunate instances which would arise during the course of business.

Professional indemnity insurance is an option which more and more creative enterprises are taking up. For a full explanation on what this involves, check out this simple guide here (opens in new tab).

Illustrations: I Love Dust (opens in new tab)

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The Creative Bloq team is made up of a group of design fans, and has changed and evolved since Creative Bloq began over a decade ago. The current website team consists of five people: Editor Kerrie Hughes, Deputy Editor Rosie Hilder, Deals Editor Beren Neale, Senior News Editor Daniel Piper, Digital Arts and Design Editor Ian Dean, and Staff Writer Amelia Bamsey. The 3D World and ImagineFX magazine teams also pitch in, ensuring that content from 3D World and ImagineFX is represented on Creative Bloq.