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23 amazing free Google web fonts

Looking to start your next digital project? Be it a website, app or other screen-based venture, there’s an abundance of high-quality and (best of all) free web fonts out there. Let’s take a look at some of the best options. You’ll find them all, and many more, at fonts.google.com (opens in new tab).

For a wider range of options, take a look at our round-up of the greatest free web fonts (opens in new tab).

01. Spectral (opens in new tab)

Spectral comes in seven weights for all your typographical moods

Spectral comes in seven weights for all your typographical moods

Commissioned by Google Fonts for use in Google Docs, Sheets and Slides, but suitable for any project, Spectral is a versatile serif face created by Production Type (opens in new tab) in Paris that's available with seven weights of Roman and Italic, from Extra-Light through to Extra-Bold, with small caps included. Inspired by six centuries of French-type design, it's designed to look good on-screen, making even the most text-heavy pages easier to read.

02. Bubblegum Sans (opens in new tab)

For friendly type that really pops, give Bubblegum Sans a go

For friendly type that really pops, give Bubblegum Sans a go

Relentlessly upbeat with friendly brushed glyphs, Bubblegum Sans is a big and bouncy font designed by Angel Koziupa of Sudtipos (opens in new tab) and produced by Ale Paul. It's something of a 21st century tribute to the sort of lettering you'd see in 1930s advertising, with, we reckon, just a hint of Dr Seuss madcap charm.

03. Anton (opens in new tab)

Step away from the Impact!

Step away from the Impact!

If you're after an eye-catching sans serif display font, it's terribly easy to go for the ubiquitous Impact, especially if you don't have Compacta Bold to hand, but if you want something a little more suitable for modern use then Vernon Adams (opens in new tab)' Anton is a smart pick. Anton has been reworked from traditional advertising sans serifs, then digitised and reshaped for use as a webfont, with the counters opened up and the stems optimised for use on-screen.

04. Rubik (opens in new tab)

Rubik features subtle, rounded corners

Rubik features subtle, rounded corners

A sans-serif family with five weights – Light, Regular, Medium, Bold and Black, all with italics – Rubik has subtle, rounded corners and is ideal for both body copy and headlines. It was designed by Philipp Hubert and Sebastian Fischer at Hubert and Fischer. 

05. Monoton (opens in new tab)

Monoton is a contemporary take on metalpress fonts

Monoton is a contemporary take on metalpress fonts

A display font (recommended to be used above 30pt) much in the style of Alex Trochut, Monoton is a contemporary take on metalpress fonts, is another font designed by Vernon Adams. It's perfect for a quirky headline on your site – as the estimated 320,000 websites it has been used on proves. Pair it with a modern serif for a contemporary yet classic feel.

06. Karla (opens in new tab)

Karla comes in Regular and Bold, along with italics

Karla comes in Regular and Bold, along with italics

Karla is a grotesque sans-serif typeface in Regular and Bold (along with italics) with some rather nice quirks – check out the subtle, curved descenders on the ‘q’ and ‘y’, for instance. Designed by Jonny Pinhorn, it's equally appealing at over 40pt right down to body copy sizes. It supports Latin and Tamil scripts. 

07. Baloo (opens in new tab)

You can use Baloo in nine Indian scripts, if you so wish

You can use Baloo in nine Indian scripts, if you so wish

According to its Google Fonts description, Baloo is "a perfect blend of pointy paws in a coat of fur". While we're not sure it's quite that animalistic, we think it's an intriguing rounded display face, that’s also available in nine Indian scripts along with a Latin counterpart. It's versatile and, well, rather beautiful.

08. Neuton (opens in new tab)

Neuton is a versatile, Dutch-style face

Neuton is a versatile, Dutch-style face

Neuton is hugely versatile Dutch-inspired face by designer Brian Zick. It's a little like Times in structure, with its large height, short extenders, and compact width and is perfect for body copy. It's available in Extra-Light, Light, Regular, Regular Italic, Bold and Extra Bold. 

09. Alegreya SC (opens in new tab)

This all-caps face creates impact for headlines

This all-caps face creates impact for headlines

If you’re looking for an all-caps typeface for a bit of impact in your headlines or supporting text, Alegreya SC may be just the ticket. Pair it with the rest of the Alegreya family for elegant consistency across your screen projects.

10. Lilita One (opens in new tab)

Use Lilita One at 40pt or over for maximum impact

Use Lilita One at 40pt or over for maximum impact

A little bit condensed, a little bit rounded, and a little bit quirky in its rounded terminals and soft appearance, Lilita One is a fun display font for headlines and shorter text (perhaps navigational elements). It's best used at 40pt and above, we reckon.

11. EB Garamond (opens in new tab)

Worth checking out, even though it's currently only available in Regular

Worth checking out, even though it's currently only available in Regular

EB Garamond is an open source revival of Claud Garamond’s classic typeface from the mid-16th century, and we can’t really explain it in any more detail. A sublime and elegant body font, even if it is only available in Regular at this point. It’s worth checking out Cormorant Garamond (opens in new tab), as well.

12. Lora (opens in new tab)

Lora is ideal for large chunks of body text

Lora is ideal for large chunks of body text

Available in Regular, Regular Italic, Bold and Bold Italic, Lora is a serif font particularly suited to reams of body text. Google says "the overall typographic voice of Lora perfectly conveys the mood of a modern-day story, or an art essay". We particularly like the way the stem flows into the tittle on the lowercase ‘i’ in Regular Italic.

Next page: more great Google web fonts

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Rob is editorial, graphic design and publishing lead at Transport for London. He previously worked at Future Publishing over the course of several years, where he launched digital art magazine, ImagineFX; and edited graphic design magazine Computer Arts, as well as the Computer Arts Projects series, and was also editor of technology magazine, T3.