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NASA's worm logo is back, and people are delighted

NASA logo on the SpaceX Falcon 9 rocket
(Image credit: SpaceX)

NASA is bringing back its 'worm' logo, and has used the symbol on its new Space X Falcon 9, which is due to take off in May – marking, as NASA puts it, the return of human spaceflight on American rockets from American soil. But never mind the wonder of human spaceflight, people are really, really excited about the return of NASA's previous logo.

What's the big deal with the worm? Well, the logotype known as the worm was used between 1975 and 1992, and is much-loved for its clean and sleek forms, although it was quite controversial when it was initially brought in (read more in our NASA logo piece, or see our logo design guide for more on logos in general). After 1992, the logo known as the 'meatball', which was the original NASA logo, was brought back. But could this new appearance of the worm mark a wider change for the NASA logo?

NASA logos: the meatball and the worm

The meatball (left) vs the worm (right) (Image credit: NASA)

In short, the answer is yes. "There's a good chance you'll see the logo featured in other official ways on the mission and in the future," says NASA on its website announcement, entitled 'the worm is back'. 

"It seems the worm logo wasn't really retired, it was just resting up for the next chapter of space exploration."

So now we know. And we can't help but wonder if this departure from the meatball has anything to do with the rebranding of the Space Force logo, which was more in the style of the meatball (and some suggested, Star Trek). Is NASA trying to distance itself from the Space Force? 

On Twitter, people seemed pretty overjoyed at NASA's announcement, made by NASA administrator, Jim Bridenstine. 

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There were also a lot of gifs, some of them courtesy of NASA.

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We look forward to seeing how this develops. To infinity and beyond? No, we mean, one small step for man, one giant leap for worms. 

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Rosie Hilder

Rosie Hilder is the deputy editor of Creative Bloq. Before joining the CB team in 2018, she worked on a range of print titles, including Time Out Buenos Aires, Computer Arts, 3D World, Paint & Draw and Mac|Life. Her interests lie in branding and illustration, tech and sexism, and plenty more in-between.