Kensington StudioDock: useful docking station for the iPad

The Kensington StudioDock for the iPad is a practical bit of kit, but is it enough to transform your workflow?

Kensington StudioDock with an iPad on it
(Image: © Future)

Our Verdict

The Kensington StudioDock is a practical way to hook your iPad up to a second screen and also provides superfast charging for your iPad. You can charge your phone and headphones, too, which is also a boon. With plenty of ports and a solid build, this is an attractive offering – whether or not you decide to buy will depend on what you plan to use it for.

For

  • Good build quality
  • Excellent ports and charging
  • Versatile viewing angles

Against

  • Not very portable
  • Height not adjustable
  • Limited by iPadOS

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The Kensington StudioDock iPad docking station is ideal for those who find holding their iPad uncomfortable and want to be able to have their tablet securely on a stand, with extra benefits thrown in. 

There are two versions of the StudioDock available, one for the 12-inch iPad Pro (2018 and later) and one which works with the 11-inch iPad Pro (2018 and later) and the iPad Air (2020 and later). I tried the latter with my 2021 11-inch iPad Pro. To put the dock through its paces, I tested out how it paired with my monitor, keyboard and mouse, tested out the various ports, and played around with Procreate with the iPad on this docking station. I also used the dock when on video calls and for general use browsing the web and using iPad apps.

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The Verdict
8

out of 10

Kensington StudioDock

The Kensington StudioDock is a practical way to hook your iPad up to a second screen and also provides superfast charging for your iPad. You can charge your phone and headphones, too, which is also a boon. With plenty of ports and a solid build, this is an attractive offering – whether or not you decide to buy will depend on what you plan to use it for.

Rosie Hilder

Rosie Hilder is Creative Bloq's Deputy Editor. After beginning her career in journalism in Argentina – where she worked as Deputy Editor of Time Out Buenos Aires – she moved back to the UK and joined Future Plc in 2016. Since then, she's worked as Operations Editor on magazines including Computer Arts, 3D World and Paint & Draw and Mac|Life. In 2018, she joined Creative Bloq, where she now assists with the daily management of the site, including growing the site's reach, getting involved in events, such as judging the Brand Impact Awards, and helping make sure our content serves the reader as best it can.