Greatest fonts countdown: 59 - Lyon

FontShop AG, the renowned type foundry, conducted a survey based on historical relevance, sales at, and aesthetic quality. With a few additions from the experts at Creative Bloq and Computer Arts magazine, the best fonts ever were selected for the new book, 100 Best Typefaces Ever.

Here we are counting down the 100 greatest fonts, but you can read interviews with some of the typefaces' creators, a brief history of type, the anatomy of a font, and much, much more in the book – find out how to get your copy in print or digital formats at the foot of this post.

But without further ado, here is the 59th best typeface…

59. Lyon

In 2009, The New York Times Magazine redesigned using Commercial Type’s Lyon as its text typeface. Images copyright © The New York Times Magazine and via

In 2009, The New York Times Magazine redesigned using Commercial Type’s Lyon as its text typeface. Images copyright © The New York Times Magazine and via
  • Kai Bernau, 2009-2010

Typeface and book designer Kai Bernau originally designed Lyon Text in 2006 as his degree project for the Type + Media MA program at the Royal Academy of Art in The Hague, and later reworked the family for release by Commercial Type.

Lyon made its debut in the New York Times Magazine in 2009 when paper sizes were shaved. "We were attracted to Lyon because it's well drawn, very legible and nice to look at, but also slightly more condensed than our previous body copy, which in turn allows for more words per line," said Design Director Arem Duplessis in a 2009 interview with The Society of Publication Designers.

According to Commercial Type, Lyon 'takes a serious approach to history, working from punch-cutter Robert Granjon’s 16th century masterworks, but views it through the lens of up-to-the-minute contemporary type design techniques, perfectly balancing tradition and innovation'.

Lyon is geared towards books and publications, retaining a 'decisively digital outline treatment that reveals the modern repertoire of tools, and the typeface itself as a modern design tool. This paired with a certain Times-like unobtrusiveness in text sizes, contrasts nicely with Lyon's 16th century heritage'.

In 2010, designer Bernau expanded the typeface, sharpening the serifs and softening the hard corners on the ball terminals and the lowercase g. The result is – again, according to Commercial Type – 'a decidedly contemporary take on the Oldstyle tradition, with relatively high contrast and a wide weight range'.

The 100 Best Typefaces Ever

This is an extract from The 100 Best Typefaces Ever, the definitive guide to the greatest fonts ever created, in association with FontShop AG. Over 180 premium pages, the book dissects the world's greatest typefaces, bringing you some insightful background on each and interviews with their creators.

You can pick up the book at all good newsagents today or order it online. Or you can download a digital edition directly to your iPad from the Computer Arts app on iTunes.

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