Introducing Winsor & Newton's pigment markers

Unlike traditional markers, which are based on alcohol and dye, the Winsor & Newton Pigment Marker is a hybrid system that uses pigment instead of dye. “The pigment is specially selected and processed to work in a marker pen system,” lead chemist Paul Lamoureux told us. “A key aspect is that it’s submicron – extremely fine – so that it works inside the capillaries of a marker pen.”

Every part of this pen, from the carrier system that holds the pigment to the material of the nibs, has been specially engineered. “We’ve conducted extensive research to identify the best nibs to work with a pigmented system; they’re specifically tailored for this kind of pen,” says Lamoureux.

The soft nibs create a bright, lightfast colour

The soft nibs create a bright, lightfast colour

Using the Pigment Marker feels somewhat more practicing painting techniques than a traditional marker. The softer nib glides more smoothly over the paper, the colour is slower to dry and it’s blendable – either with a brush or with the White Blender marker that accompanies the range.

We tested a huge number of pigments and selected the best

Paul Lamoureux, W & N lead chemist

Winsor & Newton source their pigments internationally and have laboratories in the UK, France and China. “We test and evaluate a huge number of pigments and only select the ones that perform best,” says Lamoureux. 

Pigments are tested for brightness, lightfastness, how clean the colour is, and also chemical stability to ensure that they’re fully stable, not only on the paper or canvas, but also within the marker itself. To determine the lightfastness, an accelerated test is carried out that exposes the colour to intense UV light. This enables Winsor & Newton to guarantee their pigments will remain lightfast for 100 years.

The markers are £4.99 each and are available in 100 colours.

This article was originally published in Paint & Draw magazine issue 02. Buy it here.

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Tanya Combrinck

Tanya is a writer covering art, design, and visual effects. She has 16 years of experience as a magazine journalist and has written for numerous publications including 3D World, 3D Artist, ImagineFX, Computer Arts, net magazine, and Creative Bloq. For Creative Bloq, she mostly writes about web design, including the hottest new tools, as well as 3D artwork and VFX.