Concept artist and character designer Riccardo Moscatello shows how to develop your world with consistent features and a deeper narrative.
(Image credit: Riccardo Moscatello)
Worldbuilding is a big part of fantasy art. Characters are inextricably intertwined with the world they live in and establishing the boundaries of their setting is a crucial aspect in making them believable. Happily, this can also be a lot of fun to do.
Read on for my advice for creating fantastical worlds that people feel like they can step into by telling your story through the key details. See our roundsups of the best digital art software and the best drawing tablets if you need new gear for your work.
Riccardo Moscatello
Riccardo is a concept artist working in the videogame industry and specialising in the fantasy genre. His clients include Volta, Creative Assembly and Wizards of the Coast as well as many miniatures and TTRPG publishers. He loves designing and telling stories through characters.
When populating our imaginary world, we could start from something that we’re familiar with: an archetype, a folk legend, pop culture or even literature, and then expand from there.
We’re all familiar with the idea of wood elves riding deer, but you could add your own take on the theme such as a specific breed of animal that’s native to your local area.
In a fictional universe, It’s important that your designs feel influenced by your research, but at the same time you need to make sure that they’re also specific for your own setting and story.
A lot of story can be conveyed to the viewer just from the materials used and the technology available to the characters. However, it’s important to establish what the limitations of these are for your setting so that it remains believable.
A fictional civilisation should have its own art styles and design language. These details might help in creating a stronger design and also invite the viewer deeper into your world.
For these night-dwelling elves, I chose as a theme some multi-eyed carved faces on their armour. These repeated design elements could hint at their costumes and beliefs as a culture.
Ideally, each element you place onto the character should tell us something about them and enhance the overall story. The more that we can imply about our world and narrative, the more the viewer will potentially become interested.
Sometimes to solve a design problem, for example a character that has blades on their shoulders, you can look for ways to imply that idea or shape indirectly, rather than forcing it.
This content originally appeared in ImagineFX magazine, the world's leading digital art and fantasy art magazine. ImagineFX is on sale in the UK, Europe, United States, Canada, Australia and more. Limited numbers of ImagineFX print editions are available for delivery from ouronline store (the shipping costs are included in all prices).
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Riccardo is a concept artist working in the videogame industry and specialising in the fantasy genre. His clients include Volta, Creative Assembly and Wizards of the Coast as well as many miniatures and TTRPG publishers. He loves designing and telling stories through characters.
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