Visual identity for Ikea is a vivid delight
Designer Joe Ling decided to rebrand Ikea's visual identity - do you think it beats the original?
There are rules to successful branding with iconic brands using a mix of logo design, typography and colour to showcase the ethos and attitudes of the company. Norwich based design student Joe Ling was tasked with recreating the visual identity of an iconic brand, choosing Swedish furniture giant IKEA.
"The identity is designed to show IKEA's playful, contemporary, and colourful side, and also to represent the idea of self assembly, which is associated with IKEA's furniture," Ling explains. "The letters are freestanding forms designed to represent IKEA's furniture in a room, showing the ability to mix and match with different angles, styles, and perspectives."
"The rest of the identity is based around the four primary colours (all sampled from current IKEA ranges) and the idea of assembly. The logo is often split up across several different elements (business card, and lanyard) which requires interaction to assemble and create the logo - exactly what IKEA is all about." So, do you think it's better than the original branding IKEA are currently using?
See more examples of Joe Ling's work over on Behance.
What do you think of this visual identity? Let us know in the comments box below!
Thank you for reading 5 articles this month* Join now for unlimited access
Enjoy your first month for just £1 / $1 / €1
*Read 5 free articles per month without a subscription
Join now for unlimited access
Try first month for just £1 / $1 / €1
Get top Black Friday deals sent straight to your inbox: Sign up now!
We curate the best offers on creative kit and give our expert recommendations to save you time this Black Friday. Upgrade your setup for less with Creative Bloq.
Sammy Maine was a founding member of the Creative Bloq team way back in the early 2010s, working as a Commissioning Editor. Her interests cover graphic design in music and film, illustration and animation. Since departing, Sammy has written for The Guardian, VICE, The Independent & Metro, and currently co-edits the quarterly music journal Gold Flake Paint.