The Keeper's House, found in the corner of the RA's Annenberg Courtyard, has recently undergone a full restoration that retains many of its original details, dating back to the 1660s. The Mayfair townhouse now features a new restaurant, bar, lounge and secret garden and, to go with it, Pentagram's Harry Pearce has created a new identity for the restored building.
The most eye-catching feature is, of course, the brand new neon sculpture above the front door, created by Tracey Emin. However that's just a part of a project designed to give the Keeper's House its own distinct identity that nevertheless maintains a link with the larger Royal Academy branding.
For the new logotype, Pearce and his team used Caslon, one of the main fonts from their RA identity work last year, and redrew it to create a more elegant typographic expression, accentuating the inner curves and serifs. The logotype is always placed vertically in the upper right hand corner whenever it's used, reflecting the Keeper's House's position in the upper right hand corner of the Annenberg Courtyard.
The use of Caslon – along with Akzidenz Grotesk – extends to the Keeper's House printed material and wayfinding throughout the complex 17th Century building, and the whole new look serves to reflect the building's idiosyncratic layout. Says the RA's Will Dallimore, “Harry’s identity has given us just what we were looking for. It’s got a quirky, domestic twist – reflecting the building’s history and the Keeper’s House vision to be a home for artists and art lovers – but vitally, it has great affinity with the main RA brand.”
Words: Jim McCauley
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