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Paddington in Peru's use of previz turned a London studio into a jungle
By James Clarke published
Framestore reveals its VFX secrets.

"It was one of the most complicated scenes we had to do" – how Paddington in Peru's Citadel was made
By James Clarke published
Framestore reveals how Paddington's Peruvian bear-city was made.

Paddington in Peru's animation works because of one small detail
By James Clarke published
Framestore's VFX team explain why the famous bear is so realistic.

How Wicked's terrifying flying monkeys were created
By James Clarke published
ILM made them incredibly lifelike.

Creatives weigh in on Disney's DEI cancellation
By Joe Foley published
Your opinions on what it means for the future of animation.

"There was a sense of scale and grandeur about every shot": How we made the ethereal visual design of The Brutalist
By Ian Dean published
Film colourist Máté Ternyik reveals how the Oscar-nominated movie built its unique aesthetic.

Adobe launches the first AI video generator that's genuinely useful
By Joe Foley published
Firefly Video could be a game changer for VFX and video editing.

Why Defying Gravity was Wicked's "most difficult sequence" to film
By James Clarke published
Cynthia Erivo was committed to the visual effects spectacle.
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