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There's a technical explanation for Shrek 5's controversial new look
By Joe Foley published
DreamWorks' MoonRay made the smoother animation style possible.

"Any kid now has tools to make Academy Award-winning films" – Gints Zilbalodis thanks Blender as Flow wins best animation Oscar
By Joe Foley published
How underdog Flow beat competition from Inside Out 2 and The Wild Robot.

Creatives weigh in on Disney's DEI cancellation
By Joe Foley published
Your opinions on what it means for the future of animation.

"There was a sense of scale and grandeur about every shot": How we made the ethereal visual design of The Brutalist
By Ian Dean published
Film colourist Máté Ternyik reveals how the Oscar-nominated movie built its unique aesthetic.

Adobe launches the first AI video generator that's genuinely useful
By Joe Foley published
Firefly Video could be a game changer for VFX and video editing.

Zelda: Ocarina of Time got remade in Unreal Engine 5, and it looks incredible
By Joe Foley published
This is how I imagined Zelda.

New Fantastic Four movie finally gets The Thing character design comic perfect
By Joe Foley published
The Thing looks just like Alex Ross imagined him.

How Blender helped Gints Zilbalodis make Oscar-nominated Flow
By Joe Foley published
The stunning animation was made entirely in the free software.
Daily design news, reviews, how-tos and more, as picked by the editors.


