Latest about VFX & CGI

Love Neel? Here's how DNEG nailed the perfectly lovable, endearingly anxious look for Star Wars: Skeleton Crew's popular hero
By James Clarke published
They went back to the film series' roots.

"Everyone thinks they know what a lightsaber looks like, but now I really know," teases the DNEG artist behind Star Wars: Skeleton Crew
By James Clarke published
There's a secret magic to creating the perfect lightsaber.

Create gnarly battle damage for vehicles using a mix of Maya and Nuke
By J.P. Monroy published
Whiskytree’s CG supervisor J.P. Monroy reveals the studio’s process for generating realistic battle scars on fighter planes.

How to use Adobe After Effects to create a lightning effect the easy way
By Rob Redman published
Rob Redman shows how to create a classic VFX effect in under 15 minutes.

Star Wars: The 212th is a new movie I wish was real
By Ian Dean published
New VFX outfit Hoplite Studio celebrates its talented artists with a non-profit short film.

Mixing Unreal Engine 5 and DaVinci Resolve - how new film Babiru is changing animation
By Paul Hatton published
A showcase of next-gen filmmaking techniques.

Technicolor's closure takes down MPC, The Mill and Mikros Animation – but is AI the answer?
By Paul Hatton published
A Technicolor tragedy that many saw coming but couldn’t prevent

Paddington in Peru's use of previz turned a London studio into a jungle
By James Clarke published
Framestore reveals its VFX secrets.
Sign up to Creative Bloq's daily newsletter, which brings you the latest news and inspiration from the worlds of art, design and technology.


