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The VFX supervisor explains how Pixomondo brought the effects to the actors on Tom Cruise’s Oblivion.
We turn the spotlight on a new generation of artists moving from visual effects to directing and producing.
Brought to you by Creative Bloq in partnership with HP, Nvidia and 2000 AD, a Rebellion company, Masters of CG is a competition for creatives who are resident in the EU.
How do you make a classic monster believable for a 21st century audience? MPC's VFX supervisor tells all.
Getting Smaug to do what he needed to do while still looking realistic was a technical and creative challenge, says Weta's Kevin Sherwood
Want to bring your 3D skills to the biggest firms in the business? Then follow this advice from the experts.
VFX house Milk is one year old this month. CEO Will Cohen explains how it’s riding the wave of TV and movie convergence.