Latest articles by James Clarke
Framestore reveals its VFX secrets.
Framestore reveals how Paddington's Peruvian bear-city was made.
The best animated movies of the 50s chosen by today's professionals.
Framestore's VFX team explain why the famous bear is so realistic.
I'm bewitched by ILM and John M. Chu's vision for Wicked's design.
Cynthia Erivo was committed to the visual effects spectacle.
ILM's VFX supervisor reveals how Oz's world was more.
Celebrate the 50th anniversary of Dungeons & Dragons with a look at its rich tradition of fantasy illustration and digital art.
Martine Bertrand, Senior Researcher in AI at DNEG, shares how the epic effects were created.
Alexander Seaman, Visual Effects Supervisor at DNEG, reveals how he and his team met the challenge of creating a sense of place across millennia.
Studio Ponoc founder Yoshiaki Nishimura discusses the anime adaptation of a whimsical children’s book.
Shannon Tindle and co-director John Aoshima discuss the character design and visual style of the Netflix superhero movie.
DNEG visual effects supervisor Xavier Bernasconi discusses working on high-flying WWII series.
New creative director Archie Donato discusses the VFX and animation studio’s philosophy, leading a team, and the joy of creativity.
Art advice from four digital art masters - Pascal Blanch, Andy Park, Hamish Frater and Rembert Montald.
Wayfinder's creative director, Joe Madureira, and his team reveal the secrets in their concept art for the upcoming RPG.
A behind-the-scenes peek at the new movie.
Director Miguel Ortega explains how Unreal Engine 5 enabled the creation of the animated fable, The Voice in the Hollow.
