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Simple steps to make an impact with images in your design work

By Tom May

With high-end visuals at low-end prices, iStock can help you create amazing design work. We show you how.

Working at a design studio, under constant pressure to deliver top-class creative to tight deadlines, you need every tool you can get. And while you might not think of iStock (opens in new tab)'s library of royalty-free images as a tool, that's exactly what it is.

Because whether you're exploring ideas (seeking out visual inspiration); pitching to clients (putting together moodboards, slideshows and presentations); concepting and prototyping (building mockups and wireframes); or at the business end of your project (creating and refining the finished designs), iStock (opens in new tab)'s low-cost, high-end images can really help out.

Rick Banks, director of Face37

Rick Banks, director of Face37

Rick Banks, director of London branding and typography studio Face37, for instance, finds the library's commercial templates very useful in planning his presentations.

"iStock by Getty Images is awesome for pulling together a presentation for a client," enthuses Banks, whose work has won numerous design awards. "Their various billboard and advertising templates are great for creating realistic mock-ups."

Bob Young, co-founder and creative partner of Alphabetical

Bob Young, co-founder and creative partner of Alphabetical

London-based Alphabetical, ranked as one of the UK's top 30 design studios of 2015 by Computer Arts magazine, also makes use of iStock (opens in new tab), says its co-founder and creative partner Bob Young.

"We find iStock by Getty Images can be really useful for textural-based images," he explains. "It can sometimes be the more subtle visual resources that can help lift a design."

But how does this all work in practice? To give you a better idea of how iStock can help you bring your design to life, we'll walk you through a typical graphic design project using their high-end, low-cost imagery.

Fictional brief

Our fiction brief is to create a set of graphic posters for a design festival that utilises stock photography. The client wants the posters to have a slightly abstract, almost surreal feel to them.

So the first stage is clearly to set about sourcing some appropriate visual assets.

iStock by Getty Images (opens in new tab) has an abundance of great imagery to choose from but for this project we focus on seeking out some of their more atmospheric images, including mountain scenes and images of the Northern Lights. iStock's smart search functionality makes it easy to find suitable images quickly.

Here are the images we end up choosing for our design:

Northern Lighthouse by Shauni

Northern Lighthouse by Shauni
(opens in new tab)

Bold by Vernon Wiley

Bold by Vernon Wiley
(opens in new tab)

Man sits on edge of infinity pool, Santorini, Greece by PeskyMonkey

Man sits on edge of infinity pool, Santorini, Greece by PeskyMonkey
(opens in new tab)

Searching the stars, by Shauni

Searching the stars, by Shauni
(opens in new tab)

We now go about setting up a simple grid in InDesign and start adding the basic design elements to the posters before experimenting with the stock images that we've picked.

We re-size and crop the imagery within InDesign until we're happy with the desired effect and interplay between the images.

As these images are so strong, there is very little editing to do afterwards other than adjusting the hue and saturation of two of them within Photoshop to create contrasting colour schemes.

Voila! In a short time, we've created three stunning looking poster designs to present to the client, using the kind of high-end visuals iStock is famous for.

The finished poster designs

The finished poster designs

So why not follow our example and boost your design toolkit, by signing up for an iStock account today (opens in new tab)?

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Tom May
Tom May
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Tom May is an award-winning journalist and editor specialising in design, photography and technology. Author of the Amazon #1 bestseller Great TED Talks: Creativity (opens in new tab), published by Pavilion Books, Tom was previously editor of Professional Photography magazine, associate editor at Creative Bloq, and deputy editor at net magazine. Today, he is a regular contributor to Creative Bloq and its sister sites Digital Camera World, T3.com and Tech Radar. He also writes for Creative Boom and works on content marketing projects. 

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