The word multidisciplinary is something of an understatement when it comes to describing Fold7. So how does this London-based agency maintain quality while working across so many areas of design? The secret is to always keep your eye on the brand.
Utilise Auto-trace tool and rotoscoping your video footage is easier than you think. JJ Johnstone reveals the best way to import your layered Illustrator files to composite eye-catching 3D visuals without a 3D app.
Looking to bring your illustrations to life? James Wignall demonstrates the skills needed to transform vector images into a Saul Bass-inspired animated sequence using Illustrator and After Effects
Colour grading is much more than just making colours match from shot to shot. It's also a way of selectively changing the look and feel of a clip. Here's how.
By cleverly combining filters and masks in After Effects you can easily make one layer swirl and ripple into the next to create a convincing liquid transition. Christopher Kenworthy explains how.
For its biggest-ever advertising campaign, involving print and broadcast ads across 11 countries, Microsoft has enlisted some of the most cutting-edge motion graphics talent to help realise its dreams.
After Effects is not only a top special effects app used by broadcast professionals, it's also a first-rate animation package in its own right. Nick Sneath reveals how to transform your Photoshop files into a professional animatic.
The intrepid tale of how a small team of British animators overcame enormous odds - including having to learn Maya from scratch - to accomplish their mission. Come in Framestore CFC's 3D department, do you copy, over?