It's been an exciting day of new Adobe releases, and After Effects users haven't been forgotten.
Sometimes you need heavy sparks to drip from the ceiling. Christopher Kenworthy shows the shortcuts to perfecting this particle effect
http://tv.adobe.com/embed/1149/16771/ After Effects is 20 years old this year (yes, really!) and in that time it has evolved hugely in order to make rotoscoping much less of an eye-bleeding task.
Get ready to stare in awe with this RealFlow creation from 3D artist Paulo Wang. We couldn't believe it was his first attempt!
Things can often get out of hand when working in After Effects. Alex Donne-Johnson shows you how to maintain a good workflow
Christopher Kenworthy shows you how to control contrast and colour in soft footage to create the illusion of sharpness
Swedish animator Rickard Bengtsson's first foray into 3D is an epic, cinematic experience. We take a look behind the scenes.
With a 3D package and some decent 2D landscape photographs, you can create a full-motion fly-through sequence. Michaeljohn Day reveals how
Visual artist Markos Kay’s stunning CGI animation takes a voyage through the bloodstream. We chat to him and find out how it was made.
Sehsucht has developed their recent animated spot for MTV into a brilliant – if maddening – new browser game
'November Növelet: Useless' is a brilliant use of some of the best-loved designer tools including After Effects and Blender.
The director who gave Frodo Baggins a weird, animated prosthetic limb made of inanimate objects tells us how it was done
Dylan White reveals how to smooth and prepare rough storyboard drawings for use in a comic-style animation
Geometric craziness brings electronic music to life in this quirky creation by animator Robert Wallace.
Christopher Kenworthy demonstrates how to pull focus from the foreground to the background of footage using one adjustment layer