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A colourist’s guide to shaping light and colour in animated features
How DaVinci Resolve and Fusion are used to bring cinematic joy to animated film Rally: From Paris to the Pyramids.
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VFX Supervisor Pat Tubach worked on Pirates of the Caribbean and defends UE5.
Gore Verbinski calls Unreal Engine a “slip backwards” for movie CGI
The director of Pirates of the Caribbean and the new movie Good Luck, Have Fun, Don’t Die knows why CGI no longer looks good.
"It’s the difference between fitting in and defining the space": 5 questions with Justin Barnes
VERSUS' executive creative director discusses the value of ownable originality.
The visual effects behind Apple TV’s The Lost Bus explained
How Outpost VFX created a believable wildfire.
From Shrek to Chicken Run, these are the most influential animated films of the 2000s
The decade that bridged hand-drawn and modern CGI techniques.
The critical 3D art trends that will impact 2026
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