Adobe is being smarter about AI video than I ever expected

A smartphone displaying the home screen of the Premiere Pro video editing app is centered over a background photo of a motorcycle rider surrounded by a large flock of sheep on a dirt road in a sunny, mountainous landscape.
(Image credit: Adobe)

I'll admit it: I was prepared to roll my eyes at Adobe's video announcements this week. Another AI feature that saves you "hours of time"? Another tool that "unleashes creativity"? We've heard it all before, usually followed by a bunch of workflow changes nobody asked for.

But Adobe's Max 2025's video announcements have genuinely surprised me, and not because they're flashy. They're surprising because they're sensible.

A motorcycle rider in a black and white patterned jacket and helmet is visible in a vertically framed video, with a prominent button at the bottom that reads "Share on YouTube Shorts."

(Image credit: Adobe)

Another highlight is AI Object Mask in Premiere Pro, which identifies and isolates people or objects for colour grading and effects. Absolutely no one is going to be miss masking objects frame-by-frame. Great stuff.

There's also a new web-based video editor coming, which positions Firefly as an end-to-end video platform. Whether anyone wants yet another video editor is debatable, but let's reserve judgement until it arrives.

Why this feels different

What strikes me most about these announcements is that Adobe seems to have learned something from watching creators flee to CapCut, Descript and countless other tools that don't require a mortgage to license. The Premiere mobile app is free. The YouTube integration is removing friction rather than adding it. The AI features target genuine pain points rather than "innovation" for its own sake.

Of course, there's still plenty to be cynical about. Adobe hasn't mentioned pricing for the AI features beyond noting they require "paid subscriptions". The company's track record of adding features then upselling them is well-established. There's also the question of whether this makes YouTube more dependent on Adobe, or Adobe more dependent on YouTube. If the partnership ends, do creators lose access to their templates and workflows?

But I'm choosing cautious optimism here, because Adobe appears to be making decisions based on what creators actually do, rather than what Adobe wants them to do. In the past, that's been rarer than it should have been.

The real test, of course, will be whether these tools actually ship and work as advertised. Adobe has a habit of announcing features in private beta that take years to reach the public. But for once, they seem to be pointing in the right direction; even if I never expected to say that about Adobe and video.

For a rundown of all of Adobe's tools, see our Adobe software list.

Tom May
Freelance journalist and editor

Tom May is an award-winning journalist and author specialising in design, photography and technology. His latest book, The 50th Greatest Designers, was released in June 2025. He's also author of the Amazon #1 bestseller Great TED Talks: Creativity, published by Pavilion Books, Tom was previously editor of Professional Photography magazine, associate editor at Creative Bloq, and deputy editor at net magazine. 

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