Adobe After Effects finally levels up with its biggest update in years

Adobe Premiere
(Image credit: Adobe)

To coincide with the Sundance Film Festival, Adobe's rolling out a bunch of upgrades in the stable releases of Creative Cloud's Premiere and After Effects. The latter was due some love to keep it up there with the best video editing software and motion graphics tools, and this massive update might be just what it needed.

Adobe's putting most of the focus on Premiere (previously Premiere Pro). The video editing app now has a one-click AI-powered Object Masking tool like DaVinci Resolve’s Magic Mask for AI rotoscoping. There are also improved shape masks, Firefly Boards to Premiere integration and an updated Frame.io panel for collaboration.

What's New in Premiere | 2026 Updates | Adobe Video - YouTube What's New in Premiere | 2026 Updates | Adobe Video - YouTube
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But more interesting for animation and 3D work are the updates to After Effects. The app now has improved vector workflows, native 3D parametric meshes and a massive upgrade for motion typography.

First up, there's finally support for SVGs in After Effects. Why this took so long, I don't know, but You can now import SVG files as native shape layers and use them to animate with full vector fidelity.

Gradients and transparencies are preserved, so colour transitions can be keyframed and gradient motion animated. Gradient scale and rotation properties give more creative control for fills and strokes. Everything remains editable without having to go go through Illustrator, offering a huge time-saving upgrade for logo, icon and UI animations.

Adobe After Effects SVG support

Finally, SVGs in After Effects! (Image credit: Adobe)

Also arriving from the beta release of After Effects is the ability to create parametric meshes directly in the program. You can build and customise cubes, spheres, cylinders, cones, toris and planes and combine shapes to craft stylised graphics or photorealistic set pieces

New Spot and Parallel shadows can be used to enhance the realism and dynamics of scenes. The addition allows faster experimentation and hints at an exciting future for native 3D design in After Effects.

Adobe After Effects updates

Parametric meshes unlock new options for 3D design in After Effects. (Image credit: Adobe After Effects)

After Effects users can also now access and apply Substance 3D materials to native meshes and imported models to add depth and realism. This means you can drop textures like metal and concrete directly onto 3D objects in After Effects.

There are thousands of materials available via Substance Community Assets, including over 1,300 free materials, and materials are dynamic and customisable with offset, rotation and repeat controls.

Adobe After Effects updates

There are over 1,300 free Substance 3D materials (Image credit: Adobe After Effects)

The big upgrade for motion typography in After Effects is the ability to animate every axis a variable font exposes using the Text Animator system,with keyframes, expressions. You can have up to eight axes per layer and adjust the weight, width, slant, wiggle and any designer-defined font axes in the Properties Panel, and drive them through the Essential Graphics panel.

Adobe After Effects updates

(Image credit: Adobe After Effects)

Finally, there's the new Unmult effect, which quickly composites footage with solid black or white backgrounds by removing pixels based on brightness thresholds. This allows complex clips that contain fire and smoke to be keyed more easily.

See below for current Creative Cloud pricing, and check out our roundups of After Effects tutorials if you're getting started in the software. To take advantage of new AI features in your software, you might want to have one of the best laptops for video editing.

Joe Foley
Freelance journalist and editor

Joe is a regular freelance journalist and editor at Creative Bloq. He writes news, features and buying guides and keeps track of the best equipment and software for creatives, from video editing programs to monitors and accessories. A veteran news writer and photographer, he now works as a project manager at the London and Buenos Aires-based design, production and branding agency Hermana Creatives. There he manages a team of designers, photographers and video editors who specialise in producing visual content and design assets for the hospitality sector. He also dances Argentine tango.

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