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Audiophile headphones are one of the best lowkey upgrades you can make to your work-from-home creative setup. But high-end audio doesn’t have to cost a small fortune; some of the best audiophile headphones are very affordable, including the giant killer – FiiO's FT1, which cost just $164 over at Amazon.
If you're used to overly bassy commercial cans, audiophile headphones can be a revelation. Yes, there can be bass, but you're more likely to find subtle sound profiles that accentuate tiny details in the mix. All the options here are wired so they’re best for home offices and studios, and a bonus here is that the lack of wireless tech and batteries makes them lighter and more comfortable for long listens.
Quick list
These headphones have quickly become a firm favourite. They are closed-back with wood enclosures that deliver big, detailed bass that isn't at the expense of the other frequencies. Great for when you need isolation for a busy environment. They are just so much fun!
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In 2003 Sennheiser released a modern classic, the HD 650. They still cost around the $400. But in 2016 they partnered with Massdrop (now Drop) to offer the same headphones with a new HD 6XX name – at half the price. Both these and the FT1s remain the best bargains in audiophile headphones. They excel at natural timbre.
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These planar magnetic driver headphones cost $499 on their 2019 release, but now you can get them for around $300. You get a fast, airy sound that provides a level of transparency usually found in much more expensive gear. If you want to concentrate on the details of a mix, these are a great option.
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Big bass
30-second review: These headphones are closed-backed – and those backs are key to the whole sound. Made from genuine American Walnut, they provide a natural acoustic chamber for the massive 60mm dynamic drivers that use a proprietary nanowood fibre composite diaphragm. All of which are rarely seen on headphones of this size and price point. The result is a sense of scale and impact that you’ll usually only find on bigger, more expensive sets.
Price: For an astonishing $149 / £139 you get this amazing set of cans, as well as two high-quality silver-plated cables (3.5mm and 4.4mm balanced), and a premium hard carrying case.
Sound: The FT1s excel at expanding your audio to feel larger-than-life. The wooden cups support a powerful bass that plumbs the depths of frequency without ever sounding boomy, while allowing the midrange to remain lush and detailed. The sound brings instruments to life with weight and clarity, and they’re perfect for detailed modern pop and cinematic scores.
Comfort: The FT1s are 340g, so not the lightest, but also not too cumbersome. A three-axis headband adapts to your head shape, and though many people have no issue with the headband, it did build up pressure on the top of my head after an hour or so. FiiO uses breathable fabrics and protein leather pads to keep your ears cool during extended listening sessions – my ears don't heat up as with many other headphones. Closed-back, they’re perfect for noisier environments such as offices or family homes, and their carrying case and 3.5mm cable mean you could use them for commutes (if you want a few eyes on you).
Midrange benchmark
30-second review: Sennheiser’s HD 600 headphones became a firm favorite among audiophiles on their release in 1997, then they released the HD 650 in 2003, which gave a warmer, smoother sound. The HD 6XXs – exclusively on sale through the Drop website – was designed in collaboration with community-focused US store Drop, and are a near exact replication of the 650s. However, they come with a 3.5mm plug and six-foot lead for use with laptops, phones, and DACs. Note: These have a high impedance, which means they're slightly hard to drive. But if you have a MacBook made after 2020, you'll be fine. If you don't, you may want to get a $59 dedicated DAC/Amp dongle like the Fosi DS2.
Price: A huge advantage of collaborating with Drop is that the price tag is just $219. Bearing in mind that the original HD 650 – which is what you're getting – retailed for $550, it’s one of the best deals in headphones.
Sound: Pretty much everything you listen to on the HD 6XXs will sound amazing – as long as you don't want loads of bass. Sennheiser has focused on bringing the midrange to life with forward intimacy, while warming up the HD 600’s sound for less listening fatigue. Bassier tones and drums may lack heart-pounding thump, but they still sound textured and realistic. With 300Ω impedance, the HD 6XX could do with a little more power if you’re not using a MacBook or recent Windows laptop; the Fosi Audio DS2 DAC/amp dongle is ideal.
Comfort: The clamp force of the HD 6XXs is real! But after a little breaking in, they loosen up and feel natural and comfortable (a few months of use should do it). At 260g they’re exceptionally light, and the breathable velour ear pads conform to your head and ears without becoming clammy or uncomfortable. Perfect for extended listening sessions, and legends for a reason.
Planar driver
30-second review: These are the only planar magnetic headphones in this round-up. Unlike conventional headphones, which work like tiny loudspeakers, planar magnetic tech uses incredibly thin, flat diaphragms and magnets to move air across the entire surface. The result is super-fast and detailed presentation with a wide, airy soundstage that feels like the music is coming from outside your head rather than within it. We almost added the new FiiO FT1 Pros here (the open-back planar sibling to the Ft1), but the Sundara is the better option for pure clarity.
Price: Originally launching at $499, the Sundaras now hover around a very accessible $159 - $199 / £119 - £149 price mark. Accessing this level of planar performance for under $200 was unheard of until very recently, but bear in mind that you will need an additional DAC/amp to truly make the most of them.
Sound: The clarity here is outstanding, revealing subtle textures and tiny details that are often absent in cheaper sets. The bass is deep and restrained without overshadowing higher end tones, and their open, neutral character makes them suitable for everything from complex orchestral compositions to modern electronica.
Comfort: Exactly what you want from a premium set of headphones: initially these feel a little tight, but after a few uses they settle in and you won’t even notice they’re there. At 372g they’re not all that light, but the suspension headband evenly distributes their weight and the upgraded earpads feel immensely comfortable against the skin.
Built to last
30-second review: The 99 Neo’s classy design isn’t just skin deep — Meze created these headphones to be user-serviceable from the ground up, making use of screws and nuts rather than intractable industrial adhesives. The sound is perfectly tuned to add energy and resolution to compressed or streaming audio, with 40mm dynamic drivers delivering a V-shaped response that emphasizes bass and treble.
Price: These hit the sweet-spot of just $199 / £185, although they are available for even less. Their power requirements are low so you don’t need to spend extra cash on an amp to get decent sound.
Sound: While the 99 Neos breathe life into just about anything, the treacly bass response is especially suited to hip-hop, jazz, and R&B, adding warmth and vibrance. They may lack the cleanliness of the Sony and Sennheiser options here, and that bass can occasionally leak into the mid-range, but they make up for it by making low-res audio sound lush and immersive.
Comfort: There’s no clicking or sliding here: the 99 Neo’s self-adjusting “hammock” ensures they sit on your head without uncomfortable pressure points or untoward tightness. Their 260g weight sits at the lighter end of audiophile headphones, and the super-comfortable PU-leather-clad memory foam pads block ambient sound so you can focus on your music.
The studio standard
30-second review: Now reaching their 35th year, Sony’s MDR-7506s have become a staple among sound engineers, video editors, and podcasters. And not without good reason: the 40mm neodymium driver and folded diaphragm design emphasizes higher frequencies where recording errors love to hide, and the minimal distance between your ear and the headphone’s driver gives you the ability to pinpoint exactly where a sound is coming from.
Price: At just $99 / £86, these are a perfect entry point to the world of high-fidelity audio, and their nigh-on indestructible construction makes these headphones that will be by your side — and on your head — for life.
Sound: Ever wondered what a recording engineer heard when mixing your music? The MDR-7506 delivers just that: a truthful and analytical sound that isn’t warm or musical, but that allows each and every element of a recording to stand out. While they’re best suited to audio production, they can give a refreshing new perspective on your favourite tunes.
Comfort: The MDR-7506s aren’t just the oldest headphones here — they’re also the lightest, weighing in at just 230g. The earpads are thin by design but the low weight reduces pressure on your ears, and there are plenty of aftermarket pads available if you want more comfort. A notched metal headband makes it easy to dial in your fit, and they fold to a compact size when not in use.
Soundstage
30-second review: If you love movies then you’ll adore Philips’ Fidelio X2HR. The large 50mm high-definition neodymium drivers are tilted at a 15-degree angle to match the geometry of your ears, with a “Layered Motion Control” diaphragm that reduces echoing within the cup. The result is the audio equvialent of an IMAX screen: a huge presentation that feels like it’s coming from a stage in front of you.
Price: The leather and steel materials used in the Fidelio X2HR, and that impressive soundstage, are at direct odds with their price, which can dip as low as $140 / £119. We’ve tried worse headphones that cost a lot more.
Sound: This is the polar opposite of a neutral studio monitor, hyping up and adding awe-inspiring drama to movies, games, and live concert recordings. For an open-back design they offer surprisingly substantial bass, but sound leakage can be an issue here.
Comfort: Everything about the Fidelio X2HRs is large, and these headphones are perfect for those of us with bigger heads. We love the hammock headband design that means they float on your head and makes them easier to share with other users, while the deluxe memory foam and velour ear cushions enhance comfort and dissipate heat.
FAQs
What are audiophile headphones?
Audiophile headphones aim at reproducing audio as accurately and faithfully as possible. While other types of headphones may, for instance, boost the bass for extra excitement; audiophile headphones are designed as analytical tools that let you hear the music exactly as it was recorded in the studio. To achieve this, they use specialised materials and advanced driver technologies (such as planar magnetic or electrodynamic drivers). They often require a separate dedicated amplifier because their sophisticated drivers need more power to reach their full, detailed potential.
Do I need an amp to use any of the budget audiophile headphones above?
A headphone amplifier, aka amp, is a small box that plugs into your computer or phone and makes the sound signal stronger before it gets to your high-quality headphones. Why? Because the built-in amp in your phone or PC isn't always powerful enough for serious audiophile gear. This means you might need one get the best sound out of headphones with high impedance or low sensitivity. On my list above, that includes the Sennheiser HD 6XX and Hifiman Sundara. However, if you've got a modern computer, such as an M-chipped MacBook, that'll probably be powerful enough not to need an amp.
Either way, whatever phone or computer you're using, the other headphones on the list (the Fiio FT1, Meze 99 Neo, Sony MDR-7506, and the Philips Fidelio X2HR) are easy to drive and will work fine without an external amp.
If you do need an amp, I'd recommend the Chord Mojo 2, which is known for its power, technical precision, and extremely low noise floor, making it ideal for both high-impedance headphones and sensitive headphones. If that's out of your price range, the FiiO K7 is a good budget alternative.
What are open-back / closed-back headphones?
Closed-back headphones have sealed earcups, which trap the sound inside. This design keeps sound from leaking out and stops outside noise from getting in, making them ideal for use in noisy environment. However, the sealed design can sometimes make the sound feel trapped inside your head. In contrast, open-back headphones have vented earcups that allow air and sound to move freely. This creates a much wider, more natural sound that makes the music feel like it is playing in the room around you.
